Virginia Lee Burton Little House on one side
Virginia Lee Burton Little House on one side
Virginia Demetrios is Virginia Lee Burton’s married name and author credit she used for her work as Folly Cove Designer and founder. Her linocut was curated for the MASSterpiece trail 🙂 from Massachusetts Office of Travel and Tourism (MOTT): https://www.flipsnack.com/eohed/massachusetts-masterpiece-trail.html
All are invited to have fun, join in, share ideas for Gloucester’s 400th Anniversary possible celebrations in 2023. A public meeting will be held at City Hall on Saturday, April 28, 2018 from 1-3pm. Can’t attend? Email your input to the 400th steering committee: email firstname.lastname@example.org and check out the 400th Anniversary Facebook page For More Info
“Although Gloucester’s 400th Anniversary is five years away, we know that those years will go by quickly. 400 years deserves a year long celebration in 2023 and a steering committee has been meeting for the last six or seven months to get the process started. Three Captains have been chosen to lead the group: Bruce Tobey, Bob Gillis and Ruth Pino. The Committee is sponsoring a public meeting on Saturday April 28, 2018 in City Hall Auditorium…What should happen during 2023? What would you participate in? What would you miss if it didn’t happen?”
With so much advance notice, it’s fun to ruminate. Three words come quickly to mind for one idea: Virginia Lee Burton. Burton was one of the most influential children’s book author-illustrators of the 20th century and Folly Cove textile designer and founder. She received the Caldecott medal in 1943 for The Little House. Whether for the 400th Anniversary or not, I hope one day that there are tribute commissions for Virginia Lee Burton’s beloved characters Katy from Katy and the Big Snow and Mary Ann from Mike Mulligan and His Steam Shovel at Stage Fort playground. Life Story and Song of Robin Hood were also informed by landscape and her life in Gloucester. (The Burton tributes could be massive, interactive and accessible bronze sculptures. Tom Otterness commissions were completed at this scale. Why not Burton? They don’t have to be. Also bring back the monumental sea serpent and the big truck. These memorable imaginative expressions were wood in the past and maintained for years. Perhaps they could be recreated with modern decking materials. And add in Burton’s Little House! )
Gloucester has a history of producing major anniversary celebrations which makes looking back through archives* inspiring for future plans. Here are a few I’ve pulled:
*digitizing Gloucester Daily Times and Gloucester’s municipal archives is another oft repeated plea of mine and others–am sending that one along to a 400th dream wish list…
Link to Gloucester’s 250th memorial celebration BOOK: https://archive.org/stream/memorialofcelebr00glou
August 16, 1942– the city’s second (!) Tercentenary Celebration.
On May 21, 1923, the Gloucester Daily Times published an article about the appropriations and planning for the city’s 300th Anniversary which is remarkable in content and its late date–the celebration was just months away! The idea itself and related costs concerning a public art commission –the one that would become Gloucester’s renowned Fisherman at the Wheel Memorial– were hammered out at a heated City Council meeting. Here’s the nearly complete transcription:
COUNCIL RECONSIDERS AND VOTES $5000 TO CELEBRATION: Equal Amount Will Be Reserved for Permanent Memorial Fund–Executive Committee Held Prolonged and Animated Session Saturday Evening. May 21, 1923 (*note ______ indicates illegible copy)
After three hours of discussion and a conference of the municipal council behind closed doors lasting about three-quarters of an hour on Saturday evening, it was voted to reconsider their action whereby the $10,000 appropriated for the anniversary committee should be alloted for a permanent memorial and voted for _____ committee to expend a sum not exceeding $5000 for the celebration, and the other $5000 to be used for the creation of a permanent memorial.
The agreement as finally reached is ______________ provide for the dedication in whole or in part of a permanent memorial to be erected and paid for jointly by the _______ city of Gloucester. “The municipal council agrees that a sum of $5000 of the amount appropriated by the city for the celebration will be for the general purposes of the committee if necessary, with the understanding that all expensea for additional police protection incurred by the committee on public safety will be paid for by the anniversary committee. And with the further understanding that the anniversary committee will do all possible to have this sum of money applied to the permanent memorial in addition to the sum reserved ____ by the municipal _____ surplus after the celebration is over, this surplus also to be for the purpose of a permanent memorial.” The meeting opened at 8.15 o’clock, with a reading of the records by Secretary Harold H. Parsons, and following this there came without hesitation_____ ing of the celebration from those present, and for a time, one was reminded of the old town meeting days. ___________ A Piatt Andrew ___________ carnival parade by members of the art colony of the city were accepted and adopted.
Plain Talk by Chairman Barrett- Chairman Barrett then arose and addressed the members present and said: “I sent a communication to the municipal council some time ago to find out just what standing this celebration had with them. The letter I received was not
By Cara Giaimo
One by one, the prints unfold before you. One shows sheep leaping in the grass, another, children on a tree-hung swing, the moon shifting above them. All are charming, sophisticated, and unbelievably detailed. They take the essence of everyday objects and activities, and unspool them into mesmerizing patterns. No matter how much you may want them, though, you can’t get these prints on Etsy. In fact, you can’t get them anywhere.
They live mere miles from where they were produced, at the Cape Ann Museum in Gloucester—the last bastion of the nearly forgotten Folly Cove Designers. Helmed by a children’s book illustrator and comprised of her previously untrained friends and neighbors, the Folly Cove Designers were hardworking, tight-knit, and sincere—so sincere, they eventually voted themselves into obscurity.
To children worldwide, Virginia Lee Burton is the beloved hand behind half a dozen classics, including Mike Mulligan and His Steam Shovel, Katy and the Big Snow, and The Little House, intricately illustrated tales of close-knit communities. But to her neighbors at Folly Cove, on the north shore of Massachusetts, she was Jinnee Demetrios. Jinnee and her husband, the sculptor George Demetrios, moved to the area in 1932 with their one-year-old son Aristides, who was soon followed by Mike. The couple quickly became community pillars, making art all day, and spending evenings gathering their friends and neighbors for raucous sheep roasts.
“Folly Cove gets its name because it would be folly to bring a ship in and turn it around,” says Christine Lundberg, producer of the film Virginia Lee Burton: A Sense of Place, as well as the upcoming Beautiful and Useful: The Art of the Folly Cove Designers. This ethos carried over into the rough-and-ready town life. “You couldn’t get pretty little things,” says Lundberg. “If you wanted them, you had to make them.” An artist through and through, Jinnee surrounded herself with homemade treasures, including, as the story goes, a particularly nice set of block-printed curtains. One of her neighbors, Aino Clarke, admired the curtains so much she wanted to make her own. Jinnee and Aino struck a deal: Jinnee would give Aino top-to-bottom design lessons if Aino, a member of the local orchestra, would teach Jinnee’s sons the violin. (A less legendary, but perhaps more truthful, version of this tale holds that Aino suggested Jinnee give design lessons to her neighbors in exchange for money to buy the necessary paper to illustrate her first book.)
Regardless of exactly how the two came together, Jinnee’s flint struck on Aino’s iron sparked an artistic movement. Within its rock-hard exterior, Folly Cove harbored a vein of artistic impulse that dated all the way back to the 1800s, when painters had flocked there to take advantage of the seashore’s distinct sunlight. (“If you spend time lying on the granite around here, you get creative powers,” one resident told Lundberg). As Jinnee and Aino dove into the lessons, other members of the community began joining them.
Thus began the Folly Cove Designers (FCD), a ragtag group of locals united by their desire to fill their lives and their minds with a particular form of well-thought-out beauty. Many members were, like Aino Clarke, the children of Finnish immigrants, and sought to combat the economic and emotional hardships of the Great Depression. Others were so-called “Yankees,” who had moved permanently to Folly Cove after vacationing there as children, and who wanted something new to do. Eino Natti, one of the group’s few male members, was an Army veteran and former quarryman—experiences he drew on for prints such as Polyphemus, of a granite-carting train, and PT, which shows near-identical soldiers in mid-squat. Elizabeth Holloran, the local children’s librarian, printed young people skiing and sugaring. “A majority of them were never artists,” says Cara White, director of the Cape Ann Museum’s Folly Cove gallery. “They were editors, architects, housewives, accountants.”
the upcoming weekly workshop at Cape Ann Museum that Mary Rhinelander will be teaching is SOLD OUT, again. Look for future offerings.
The very dedicated and talented O’Maley art teacher, Brett Dunton, shares some action shots of fine artist and master printmaker, Mary Rhinelander, guest teaching printmaking with the authentic Acorn press in one of the 8th Grade art classes at O’Maley Innovation Middle school. Note the foot.
Historic portraits sometimes belie the physicality of the process
A photo journal after the storm documenting and comparing a few iconic and sweeping Gloucester vistas on January 7, 2018, when all was white ice frozen, and again after the Great Thaw on January 13 2018.
Gloucester Motif- the house boat in view just before the turn off at Nichols
The Little House boat in the great frozen salt marsh reminded me of a mash up of two of Virginia Lee Burton’s children’s picture books inspired by Gloucester — Little House and Katy and the Big Snow. Here’s the little floating houseboat after the thaw at low tide January 13, 2018.
At high tide earlier in the day, January 13
Good Harbor Beach drive by three days after the storm
Good Harbor Beach salt marsh drive by one week after the storm and great thaw
Below the read more break: additional winter comparison photos (icebergs on the marsh by Lobster Land, Good Harbor Beach parking lot, Good Harbor Beach salt marsh, Stoney Cove pier at Little River & Annisquam River)
I LOVE that the 2017 US Postal Service celebrates Ezra Jack Keats classic picture book, The Snowy Day (1962), on a forever stamp. What a great addition to a long line of children’s picture books, characters, authors and illustrators that have been commemorated on U.S. postage stamps. Citizens Stamp Advisory Committee takes suggestions…Ok, everyone, please let them know VIRGINIA LEE BURTON is a must. Burton received a Caldecott Medal as did Keats. Katy and the Big Snow would make a great winter stamp. It’s easy to envision a plethora of sheets celebrating Burton: vehicles, scenes, beloved characters, her design and typesetting. Burton should be a Google doodle, too. Let’s let the Google doodlers know~ email@example.com #VirginiaLeeBurton
Thanks to Mayor Romeo Theken, teacher Brett Dunton, Principal Lucey, and the extreme generosity of Manship Artists Residency & Studios (MARS) under the direction of Rebecca Reynolds, the O’Maley Innovation Middle School ramped up in a powerful fashion with an amazing and enviable addition to the art department:
Acorn printing presses were used by Gloucester’s legendary Folly Cove guild of artisans, most notably Virginia Lee Burton, an internationally renowned artist, children’s picture book author-illustrator, dancer, teacher and Folly Cove co-founder. O’Maley students study Gloucester, printmaking, and the history of Folly Cove artists through a myriad of units in each grade and subject, often in partnership with Cape Ann Museum, local artists and other community partners. And now, to have this pedigree press, … Wow! Enjoy some photographs from Brett Dunton from the exciting installation day.
teachers Brett Dunton and Ashley Doke with 8th grade students admiring the newly installed famous Acorn press O’Maley Innovation Middle School, Gloucester MA
The O’Maley press is one of the last actual Folly Cove presses remaining on Cape Ann. It was owned and used by Elizabeth (Libby) Holoran and Isabel Natti, eventually taking up Holloran’s floor space in the Sarah Elizabeth Store which she opened in 1974. Superstar sculptor, Paul Manship, was Isabel Natti’s grandfather. Aino Natti, Natti’s uncle, was one of the Folly Cove co-founders and the original owner of this particular press. Acorn printing presses were fabricated and distributed by companies like the Adams Brothers in Boston circa 1830-1870. The name “Acorn” comes from the cut away which resembles the shape of an acorn; the presses are RARE and beautiful. One is on view at the Cape Ann Museum.
Mayor Romeo Theken was hopeful that MARS would consider the schools and Gloucester’s students when determing a most suitable location. Teacher Brett Dunton knows Natti and all about this famed press. He was thrilled to build a print room around it and get going. Natti had already given him some of her drying racks. This opportunity would not have happened without MARS working with donors to rescue the press and Mr. Dunton’s expertise and enthusiasm for taking it on. This has to be one of the nicest feel good full circle art stories coming home ever! I look forward to sharing some of the results from the inaugural student printmaking classes, original print editions from this stellar art room addition.
Opening Party – Sunday, November 5, 2017 1 p.m. – 3 p.m.
Opening Party – Sunday, November 5, 2017 1 p.m. – 3 p.m.
Free with Museum Admission
Meet Author Chris Van Dusen, take part in a community build, and create your own road!
Wenham Museum Press Release: “See and touch everything from architecture and autos to books and blocks in our latest exhibit!
Featuring original illustrations from Virginia Lee Burton’s classic 1939 book Mike Mulligan and His Steam Shovel, and antique toys from the museum’s collection, we have it all when it comes to construction: vehicles, building blocks, Erector Sets, puzzles, LEGOs, and more! There are also original illustrations by two current artists: Chris Van Dusen’s books If I Built a House and If I Built a Car, and Brian Lovelock’s books Roadwork, Construction, and Demolition.
Plus, dig out some toys and materials to create your own constructions right in the gallery! Get on a digger and move stones in the pit, put together amazing creations from Lincoln Logs, building blocks, LEGOs, and more, and try your hand at building a book to take home with you!
On Sunday, join us for our exhibit opening party where there will be lots of hands-on construction opportunities including creating your own road and working on our community building project. We are also so excited to welcome children’s book author and illustrator Chris Van Dusen who will be here to to sign his books, If I Built a House and If I Built a Car. “
Virginia Lee Burton, children’s book author/illustrator, Folly Cove textile designer and founder, resided and worked in Gloucester, MA, where she created some of America’s most popular and classic children’s picture books. Burton’s characters and stories have been enjoyed by children of all ages all over the world. She received the Caldecott medal in 1943 for The Little House. Other books include Katy and the Big Snow and Mike Mulligan and His Steam Shovel.
Read Gail McCarthy article “Local group buys, plans art residency for sculptors’ estate” from the Gloucester Daily Times.
American artist Paul Manship (1885–1966) was internationally renowned since the 1920s. He maintained multiple homes and studios: two in the Unites States (New York and Gloucester, MA); Paris; London; and three in Italy. This very special purchase–the only one in the world of a Manship property– Starfield, in the Lanesville section of Gloucester, MA, was made possible by the incredible generosity of the Manship heirs, YOU- Gloucester and MA residents (City of Gloucester & the Commonwealth of MA monies were allocated to this initiative), foundations, businesses and private donations. Congratulations to Rebecca Reynolds and all involved. Early supporters included: the City of Gloucester; Massachusetts Cultural Facilities Fund (MassDevelopment in collaboration with the Massachusetts Cultural Council); the Boston Foundation; Essex County Community Foundation; McDonagh Family Foundation; Stella and Charles Guttman Foundation; National Trust for Historic Preservation; Massachusetts Cultural Council; New England Biolabs Foundation; and Essex National Heritage.
Now that the property is purchased, there will be ongoing fundraising to maintain the property and its mission.
Follow this link to see rare, original art by Paul Manship, John Manship and Margaret Cassidy that was recently made available FOR SALE to help raise money for this endeavor. Join to support the cause by donating on line through the website, Manship Artists Residency and Studios (MARS). Eventually the historic property will be open to the public and community, and will support working artists.
There are more than 15,000 historic house museums across the county, and just a few that were artists’ home and studios. One of the most influential is the Pollock-Krasner house in East Hampton, Long Island, established in 1988. A welcome recent addition is the Winslow Homer property in Portland, ME. Here’s hoping the Manship estate is a member on this Historic Artists’ Homes & Studios (HAHS) map soon. Currently, the Massachusetts sites include Daniel Chester French’s Chesterwood in Stockbridge, and the Frelinghuysen Morris home in Lenox.
Live Theater Performances at Gloucester Stage for Young Audience Members Age 2 and Older
Gloucester Stage Company proudly announces A Celebration of local author Virginia Lee Burton at Playtime Stories, on Saturday, July 15 at 10 am at Gloucester Stage, 267, East Main Street, Gloucester. An engaging combination of children’s stories and live performances for ages 2 and older, Playtime Stories offers young children the unique opportunity to experience the fun and magic of live theater as they watch their favorite books come to life onstage. Following the performance audience members will be invited to join the Playtime Stories Company in fun and interactive workshops relating to the story. Each Saturday the Playtime Stories Company, consisting of members of Gloucester Stage’s apprentice company, veteran Youth Acting Workshop students and special guest narrators will perform a children’s story against the backdrop of the story’s illustrations as well as create a dynamic weekly series of interactive events related to the story. Saturday, July 15 the stories are Mike Mulligan and His Steam Shovel The Little House narrated by Danvers native and 2016 Education Apprentice Sarah Vandewalle and performed by Youth Acting Workshop students and members of the 2017 Apprentice Company. According to Youth Acting Workshop Director and Teacher Heidi Dallin, “We had a great response to the Playtime Stories program over the past two summers. It is a terrific way for YAW to reach out to younger audiences to spark their excitement in live performance. Many of the veteran YAW students in the Playtime Stories Company have been involved in the YAW program since they were 5 years old and now they will inspire the next generation of YAW students!” Each week through August 19 Playtime Stories explores different stories ranging from classic fairy tales to new stories to works by local authors. July 15 is a A Celebration of Cape Ann author Virginia Lee Burton with the books: Mike Mulligan and His Steam Shovel and The Little House.
Playtime Stories at Gloucester Stage, 267, East Main Street, Gloucester runs throughSaturday, August 19. Upcoming books to be read and performed by the Playtime StoriesCompany include; July 22: If You Give A Mouse A Cookie, Doctor De Soto, The Little Mouse, the Ripe Red Strawberry and the Big Hungry Bear ; July 29: Where the Wild Things Are andCorduroy ; August 5: Dr. Seuss Celebration: Oh, the Places You’ll Go and Green Eggs and Ham with more stories to be announced for August 12 and August 19. All Playtime Storyperformances are held at 10 am at Gloucester Stage, 267 East Main Street, Gloucester, MA. Admission is $5. For more information or tickets, call the Gloucester Stage Box Office at 978-281-4433 or visit www.gloucesterstage.com
Watch this beautiful video tour to see a world class exhibition design in Tokyo for Virginia Lee Burton worthy of her legacy. The creative and smart installation looks stunning! The temporary summer show will be up through August. Gallery A4 is a public foundation established by Takenaka Corporation. Photos from Gallery A4 web site.
There’s also an exhibition featuring the Art of Eric Carle up through July at the Setagaya Art Museum, Tokyo, Japan.
Virginia Lee Burton in Gloucester
video caption: Virginia Lee Burton, children’s book author/illustrator, Folly Cove textile designer and founder, resided and worked in Gloucester, MA, where she created some of America’s most popular children’s books. She received the Caldecott medal in 1943 for The Little House. Other books include Katy and the Big Snow and Mike Mulligan and His Steam Shovel. Excerpts from her Caldecott speech. Music: The Little House, 1926, by Carrie Jacobs-Bond.
Here’s a super easy and great opportunity to share what you do or help your friend’s work get noticed. Crafters, artisans, makers, retailers, creatives: make sure to sign up before July 1, 2017 when it’s just $25.
Please share. Also, please encourage any under 30 Gloucester to showcase their work. Perhaps they’ll be designated next year’s ‘rising stars’. Participants & Events :: American Craft Week :: HOW TO JOIN and check out their resource page- “PR power packet page”
It’s tough to match Gloucester for the range and depth of fall art fairs and events –including American Craft Week– and Gloucester’s heritage of artists and artisans of yesterday and today (more on the pioneers below.) Pauline Bresnahan participates and drummed up the vote: “Gloucester has always encouraged creativity, individuality and artistic expression. Honored to be able to participate and encourage others to take part in this celebration for everyone who has fallen in love with their art and craft that shows their creativity.”
October is BEAUTIFUL!
I’ve gathered special events and festivals that run annually each October/Fall in Gloucester and on Cape Ann. Make sure to look into the monthly art gallery exhibitions, live music, performances, and readings going on in the many art and culture venues as well as non-traditional spaces, businesses, organizations, accommodations, and restaurants. Mind you this is only the fall (October!) listings:
Founded in 2016- Cape Ann Plein Air Note that Paint Essex annual Plein Air (founded in 2012) moved from a summer slot to the fall to coincide with Cape Ann Plein Air in 2016
Founded in 2016- Look for Magnolia Sip and Stroll nights – “Enjoy complimentary food, beverages and live music while visiting the wonderful shops on historic Lexington Avenue in Magnolia, MA”
Founded in 2015- Brace Cove 2nd Annual Art Market (one day only!) 1pm till dark.
Founded in – Oktoberfest at Cape Ann Brewing Company
Founded in 2010 /in Gloucester 2014 – Annual American Craft Week held in October Gloucester recognized as one of America’s top 10 towns for craft lovers | 2017 Annual American Craft Week October 6-15 Last year Pauline’s Gifts and Cape Ann Artisans participated. I think we can increase that list a bit!
Founded in 2015 – Pumpkin Carving at Cape Ann Art Haven
Founded in 2012- Fall Fest at Mile Marker 1 by Bridge Cape Ann
Founded in 2009- the Annual DoctoberFest Documentary Film Festival curated by Cape Ann Cinema & Stage (estab.2008)
Founded in 2006- Cape Ann Farmers Market outdoor market Thursdays into October, also features artisans and makers.
Founded in 1984- Annisquam Arts & Crafts show Oct 8 & Oct 9, 10-5
Founded in 1984- Annual Art Auction, Gloucester Lyceum & Sawyer Free Public Library
Founded in 1979- Gloucester Stage is world class professional American theater in our country’s oldest seaport. Look for fall Premiers
Founded in 1972- Annual Essex Clamfest October
Start with a visit to Cape Ann Museum a world class American art museum with a not to miss fine art and archive collections founded in 1873. Just Go! Outsider art and fine craft maker high lights include Folly Cove designers repository, 1893 Columbian Exposition Chicago World’s Fair harbor diorama, Fiesta oars, and the Community of Neighborhoods quilt cycle.
In each and every decade, printed ephemera and guides capture Gloucester’s long proud cultural history. Guides matter. Here are a couple of pioneer examples with a craft emphasis from the 1960s and 1892. American Craft Week is the digital equivalent of a who’s who in the American craft scene.
“We are told in the print that the American public is hungry for art…untouched by the machine. Cape Ann craft workers can satisfy that hunger…given a chance.” Henry Bollman, 1961
Bollman a ceramicist volunteered to chair the crafts section VIII of the 10th annual Gloucester Arts Festival: Ruth Balch, leather sandals; Henry Bollman, ceramics; Harriet Curtis, weaving and trays; Doris Frankbonner, ceramics and jewelry; Folly Cove Designers, Block Printing; Heather Godfrey, furniture decoration; Max Kuhne, silver leaf; Morris Lubin, Metal work; Reina Martin, silver and gold; Robert Natti, Pottery; Ruth Powers, Rugs
1960 list craft exhibition: John Black (silk screen); Henry Bollman (Ceramics); Greg Burke (Mosaics); Doris Coleman (Rockport Beach Glass jewelry); Edward Coleman (Rockport Beach glass jewelry); Carol Creed (mosaics); Alfred Czerepak (wood sculpture); Otis Dana (old pine furniture); Preston Donn (stained glass); Anne Daukas (woodwork); Folly cove designers (printed fabrics); Hazel Gaudreau (pottery); Heather Godfrey (hand painted trays and furniture); Thelma Karr (fabric designing); Evelyn Krames (enameling); Sol Krames (enameling); Max Kuehne (silver leaf); Gene Lesch (pewter and soft metals); Moris Lubin (art metal work); Ada Maker (ceramic coffee table); Barbara Marshall (cabinetmaker); Reino Martin (gold and silversmith); Sandra Matheson (cermaics)
Detail from one of the maps indicating the “General location of artists residing in same place permanently or each summer.” This one shows Gloucester Bay View, Lanesville, Folly Cove area mainly painters and sculptors among them: Paul Manship, Walker Hancock, Leon Kroll, George Demetrios, Virginia Lee Burton, Folly Cove Designers
The Gloucester Arts Festival scheduled ancillary programming like Cape Ann Festival of the Arts guided hikes and arts and writing exhibitions and contests for Gloucester’s youth.
The Art and Loan Exhibition for The Celebration of the Two Hundred and Fiftieth Anniversary of the Incorporation of the Town of Gloucester held August 24-29 featured “a representation collection of the antique and artistic from the many homes on Cape Ann…In connection with the exhibit a souvenir silver scarf pin was sold representing a fishing schooner under full rig with the dates 1642-1892 in raised work, and found ready purchasers…A piece of room paper from the walls of the old Ellery House, the first wall paper used in Gloucester, is exhibited…an interesting bit of fancy work is a frame inscribed in letters worked in silk Hannah Masters her Sampler May 8 1768…Another piece of family work which shows evidence of much labor and painstaking is a Clark family tree worked in silk on canvas in 1832 by Mary B. Clark, mother of Mayor Andrews…” The loan and art committee were reimbursed $1195.81; the souvenir pins inventory was $211.40. Thankfully the city published a “true and detailed account of the 250th anniversary observance and illustrated these Lane and Beach works. The 1817 view of Gloucester by Capt Beach was loaned by Asa G. Andrews, too. JB Foster was the one and only artist on the extensive exhibition checklist (321 detailed items) that listed his work for sale $100 “At the Wharf Gloucester Harbor”. James Pringle wrote the seminal digitized “History of the town and city of Gloucester, Cape Ann, Massachusetts” 1892.
There are a few local writers who would welcome help from local artists to complete their book submission into Cape Ann Creates for Cape Ann Reads Children’s Picture Book Contest! Please email firstname.lastname@example.org
For more information about registration and the guidelines, see this dynamite flyer designed by Valerie Marino at Sawyer Free Library. Thanks to Cape Ann Chamber At-A-Glance weekly newsletter and Rocky Neck’s This Week on Rocky Neck- Art Opportunities for helping to get the word out!
Looking for a Valentine’s gift idea for your special cook? Alexandra’s Bread has the gamut, from crisp, tailored nautically inspired aprons to vintage girly girly ruffles and polka dots, and everything in-between. I especially love their current collection, including several made from cotton fabric prints seemingly inspired by Cape Ann author/illustrator/Folly Cove designer Virginia Lee Burton’s children’s book The Little House.
Detail of vintage inspired apron
Laminated cotton for your littlest cook/artist
See more here Read more
My friend Briar made this gorgeous gift of fabulously delicious baked treats for my family. The bursting-full-of-yumminess box contained gingerbread cookies, Willowdale signature cookies, pumpkin bread, and apple cake (her Italian grandmother’s recipe), which Briar enhanced to include cranberries.
Imagine, as the prorpietor of Willowdale (she employs over 100 local people), Briar still makes time to bake and hand decorate cookies and treats for her friends and family. Very fortunately for we, her friends, she bakes throughout the year, not just at Christmastime!
Briar has perfected her gingerbread cookie recipe. The “Little House” cookies not only look amazing, they are actually super delicious as well (which isn’t always the case with gingerbread house dough).
The Little House images are courtesy of a google image search.
This year I was lucky enough to acquire one of the limited-run wall hangings created in printer Julia Garrison’s studio & shop, The Sarah Elizabeth Shop, in Rockport. The piece hangs near our dinner table and I stare at it during every meal, surprised every time by the beauty and the level of detail in the design.
The wall hanging was printed from a block carved in 1950 by local artist Delores Rapp, who was trained by Virginia Lee Burton, the founding member of the Folly Cove Designers, so it is only fitting that over six decades later, prints are being made from the block using the same Acorn Press that was used by the Folly Cove Design Collective, which Julia uses in printing both archival and her own original designs.
This year, the current owner of the vintage block (Delores Rapp passed away a few years ago) came to Julia and they worked out an arrangement that allows Julia to print a limited run of wall hangings from the block. All the wall hangings are hand-printed and sewn locally, using archival ink on linen, which lasts forever, so your descendents will still be enjoying this pieces many Christmas moons from now.
You can purchase the hanging (and see other options for ink/background colors) directly from Julia online HERE. Or better yet, go see her in her studio/shop this weekend at 5 Whistlestop Mall in Rockport to see the wall hangings — and her other wares — in person.
This piece is bound to be an heirloom in our own family — I am already attached to it more than pretty much any other holiday item I have — and will no doubt be equally as meaningful in the homes of every one else who gets their hands on one. It is beautiful both for the amazing design (when you consider that every detail was hand carved!) and for its connection to our local and current artistic heritage.
I’m sorry my photos don’t do it justice. Check it out at Julia’s online shop or in person to get the full effect of these limited-run pieces.
I’m going to break this down to one a day. It is in reference to the Massachusetts Municipal Association has awarded the Gloucester HarborWalk with the Kenneth E. Pickard Municipal Innovation Award in which Gloucester competed against 351 other communities and won.
Catherine Ryan writes-
Here are some of the story moment markers as they appear on ghwalk.org on line that the Massachusetts Municipal Association mentioned in their release for the HarborWalk award.
T.S. Eliot, Virginia Lee Burton, Winslow Homer, Edward Hopper, Greasy Pole St. Peter’s Fiesta
There’s content generously provided from many sources including Good Morning Gloucester contributors (Joey, Fred, EJ, David, Fr. Matthew Green…)!
Virginia Lee Burton HarborWalk Story Moment #30
On Saturday, September 25 from noon to 3p.m. Cape Ann TV is having a unique fundraiser event at the Gloucester home of Virginia Lee Burton, a Folly Cove artist and beloved children’s book author. The events will include a sing-a-long with the Plum Cove School children; Jojo from the children’s television show “Jojo’s DreamCart” will lead children in interactive drama games based on “Katy and the Big Snow”; arts activities with Art Haven and Valerie McCaffrey; storytelling with Lucille LePage; scavenger hunts; picture taking with wooden cut outs of Burton’s storybook characters; and a chance to bid on a rare original Virginia Lee Burton linoblock print, printed by the Sarah Elizabeth Shop. No on site parking, parking is available at the St. Paul’s Lutheran Church at 1123 Washington Street, Gloucester where a CATA trolley will pick you up and bring you to the event.
Chickity Check it!