Tag Archives: Rockport Art Association

Local photographer Steve Howard closes out Sawyer Free 2017 exhibitions

Last chance to catch the Steve Howard photography exhibition, December 2017, at Matz Gallery, Gloucester Lyceum & Sawyer Free Library, Gloucester, MA. Howard resides in Gloucester and is an exhibiting member of the Rockport Art Association.

contact: Steve.howard328@gmail.com
Photographer Steve Howard Sawyer Free exhibition December 2017 20171206_150525



Holiday markets and fairs |Annisquam Sewing Circle, Rocky Neck, Cape Ann Artisans, Rockport Art Association

save the date Reminders:

  • Annisquam Sewing Circle Christmas Fair, Satuday Dec 2 ONLY 8am-noon
  • Rockport Art Association – Cape Ann Artisans Dec 1 (4-9) & Dec 2 (10-5)
  • Rocky Neck 2017 Annual Holiday Show at the Cultural Center weekends through December 10th

Rocky Neck 2017 Holiday Show

“December in November–Giving the Gift of Art” Rocky Neck Art Colony members’ fine art and crafts sale, through December 10th, OPEN Fridays 5-8pm, Saturdays and Sundays 10AM-4PM. Downstairs is a beautiful John Nesta tribute.

photo caption: Orginal watercolor painting, Birch on the Neck, by Deb Schradieck, booth at the Rocky Neck Art Colony 2017 Annual Holiday members show



Rockport Art Association


TWO DAYS ONLY Cape Ann Artisans at the Rockport Art Association Friday December 1 and Saturday December 2nd (10-5). Cape Ann Artisans has also announced their special 2018 Cape Ann Artisan tour dates- June 2nd and 3rd and Oct 6-8

Cape Ann Artisans at Rockport Art Association


Annisquam Sewing Circle Christmas Fair

Sat Dec 2nd 8am-noon, 34 Leonard Street, Gloucester, MA 01930

  • Beautiful Wreaths to decorate your Home
  • Potted plants and bulbs to Give or to Keep
  • Elegant Table Arrangements
  • Gourmet Foods for your Guests and Family
  • Exquisite Hand-crafted Gift Items
  • $3 Grabs for Mom, Dad and your Favorite Pets wrapped and ready to go!

Annisquam Sewing Circle Flyer.png


Rediscovered Artist: seeking information on Arthur William Wilson (1892-1974) also known as ‘TEX’, WINSLOW WILSON and PICO MIRAN active NYC, Rockport, Gloucester


Winslow Wilson, Squall Coming, photo http://www.winslowwilson.com



Pico Miran (Arthur Winslow Wilson), Merry-go-Round, photo http://www.winslowwilson.com

Granddaughter Claudia Wilson-Howard writes Good Morning Gloucester seeking any information, biographical “tidbits”, or recollections about fine artist Winslow Wilson who resided in Gloucester and had studios in Gloucester and Rockport ca. 1946-1972.She is working on an excellent project: a digital resource about her grandfather.

I am the granddaughter of Winslow Wilson,” she writes, “an artist who spent most of his life on Cape Ann, painting under two names in two studios.  One studio, in Gloucester, the second in Rockport, and a member of the Rockport Art Association from 1946-1972, he was an active member of the art community. I have developed a website (www.winslowwilson.com), which is a work in progress.  I am attempting to develop as detailed a biography as possible, and was hoping …to reach out to the community to help gather any tidbit of information. Thank you very much!” 

Perhaps a reader of this blog can help identify a sitter in one of Wilson’s stellar unidentified local portraits.

Arthur William “Winslow” “Tex” Wilson, also known as Pico Miran was an American artist–primarily a painter– born on July 20, 1892  in Brady, Texas. His family moved to Junction, TX, where he graduated from high school, also the address he used while attending Harvard. Wilson  was a veteran of the First World War (National Guard, AEF) deployed to France 1918-1919. He died November 18, 1974 in Miami, FLA.

At Harvard

Wilson transferred from Texas A&M University to  Harvard. Roy Follett his professor at Texas A&M described Wilson’s impact on him as “atomic”, possessed with a creative intellect that surpassed the teacher’s.  And then the unthinkable…

For Wilson, life changed punishingly July 4, 1912 as he accidentally and horrifically killed his fellow undergrad, a friend and co-worker Merle DeWitt Britten on the job, driving the streetcar that crushed him. Wilson left Harvard, then came back. He skipped classes. At times he soared. He was a writer and editor of The Harvard Monthly  literary magazine with an impressive group of multi talented peers and friends: ee cummings; John Dos Passos; critic Gilbert Seldes; poet (Pulitzer prize winner) Robert Hillyer; poet (later Director MA Historical Society) R. Stewart Mitchell; Scofield Thayer*; and  James Sibley Watson*.




Arthur Wilson undergraduate writing published in The Harvard Montly

The Harvard Monthly was founded in 1885 and ceased publication in 1917, its aim “to publish the best (undergraduate) articles, fiction and verse by students in the University.”  The words  “and verse” were added after E.E. Cummings gave their class commencement speech in 1915 on “The New Art” extolling contemporary expressions in music, the visual arts, and literature. “What really brought down the house was Gertrude Stein’s Tender Buttons,” he’d later say about this bit in the speech:

“unquestionably a proof of great imagination on the part of the authoress, as anyone who tries to imitate her work will discover for himself. Here we see traces of realism, similar to those which made the “Nude Descending a Staircase” so baffling. As far as these “Tender Buttons” are concerned, the sum and substance of criticism is impossible. The unparalleled familiarity of the medium precludes its use for the purpose of aesthetic effect. And here, in their logical conclusion, impressionistic tendencies are reduced to absurdity. The question now arises, how much of all this is really Art? The answer is: we do not know. The great men of the future will most certainly profit by the experimentation of the present period. An insight into the unbroken chain of artistic development during the last half century disproves the theory that modernism is without foundation; rather we are concerned with a natural unfolding of sound tendencies. That the conclusion is, in a particular case, absurdity, does not in any way impair the value of the experiment, so long as we are dealing with sincere effort. The New Art, maligned though it may be by fakirs and fanatics, will appear in its essential spirit to the unprejudiced critic as a courageous and genuine exploration of untrodden ways…how much of all this is really Art? The answer is: we do not know. The great men of the future will most certainly profit by the experimentation of the present period.” – ee cummings 1915 


ee cummings portrait of Thayer, printed in the Dial

*The Dial was founded by James Sibley Watson and Scofield Thayer. Emily Sibley Watson, Founder of Memorial Art Gallery in Rochester was friends with Marianne Moore

1917 NYC apartment with Cummings

Wilson and e.e. cummings (1884-1962) were roommates at Harvard, friends who hit the town. (There’s one story with them caught at a prostitute’s apartment.) They remained friends enough to room together more and carouse Greenwich Village. Thanks to $1000 from Thayer, Cummings joined Wilson in New York at 21 East 15th Street in 1917.

There are striking parallels, comparisons, and secrets in the lives they led. Both men were artists and writers that had tragic and shattering life experiences, and estranged and scandalous family stories.

According to Virginia Spencer Carr‘s 1984 biography of John Dos Passos, Dos Passos envied these two: “Wilson was already signing his paintings (when he signed them at all) “Winslow Wilson” and Dos Passos surmised (when?) that he would be recognized eventually for his stunning portraits and seascapes. He was convinced that Cummings was too assured a reputation as a painter and saw Dudley Poore as the best poet of the lot from Harvard who aspired to a career in letters.” 

All three enlisted in WW1. Cummings signed up for the volunteer ambulance corp along with Harvard chums Hillyer and Dos Passos. Cummings ended up a POW and wrote a novel about the experience, The Enormous Room. Cummings said he was a self-taught painter, helped along by friends from Harvard. Did he sign up for classes in New York? Where did Wilson study art in New York before WW1?

(Incidentally, Gertrude Stein was also a volunteer camion; it seems like a ‘who wasn’t?’ roster. The majority of the 3500+ drivers came from ivy league schools, especially Harvard. The American Field Service (AFS) ambulance unit grew to be the largest and was founded by Gloucester’s own A. Piatt Andrew in 1915, after helping out the year before.)


After the War, Wilson was in New York and abroad in Paris, and London (infamously). There was a blink of a marriage and divorce from Elizabeth Brice, and a daughter Caroline, a dancer, that he never saw again. At 34, Wilson and his  19 year old girlfriend Winifred Brown abandoned a baby. It was an international scandal. Wilson’s family stepped up and his brother Ernest raised the boy as his own. It was four decades before the baby learned about his biological parents. I know these wincing details because that boy, H Robert Wilson, is a good writer and did the research.

Arthur Wilson signed his paintings as “Winslow” Wilson, which fits as a wink at Homer. Seascapes as a subject. Private solitary life. It also works as a visual swapping out of “Tex” for East Coast “Winslow”. The initials become double letters (like e.e. cummings), and nearly a double name, minus one letter and there’s an anagram of Wilson. It’s even a  way to differentiate his name ‘Arthur Wilson’ from other artists and writers with the same name(s), initials (AW or the comic Aww), and friends. Winslow Wilson is decidedly not Edmund Wilson (though like many writers he credits “nearly everything” about his sources of style as a painter to him), artist Edward Arthur Wilson, artist Arthur Wilson (UK), artist Arthur Wilson (LA), artist Edward Adrian Wilson, to name a few.

Mostly, Wilson using “Winslow” seems a deliberate break from his traumatic past: living with the death of his friend, letting his family down, fighting in WW1, divorce, scandal, family secrets, and that difficult ee cummings portrait poem about him.

ca. 1922 ee cummings poem ‘Arthur Wilson’

E.E. Cummings poem “Three Portraits” (I. Pianist  II. Caritas  III. Arthur Wilson) is published in the modernist magazine the Broom: An International Magazine of the Arts, Volume 2, Number 4, July 1922. Founded and backed not nearly enough by Harold Loeb and Alfred Kreymborg, the Broom publication was a short lived (1921-24) modernist monthly featuring  “unknown, path-breaking” writers and artists (reproductions, original designs, translations). The cummings poem ‘Arthur Wilson’ was illustrated with woodcuts by Ladislaw Medgyes.  The issue’s cover design was by Fernard Leger;


Cover design by Fernard Leger, Broom, Volume 2 No. 4, July 1922


Picasso, Modigliani and William Gropper drawings were reproduced inside.


The text for III. Arthur Wilson follows (refer to the image for the visual spatial break in cummings prose).


III. Arthur Wilson
as usual i did not find him in cafes, the more dissolute atmosphere
of a street superimposing a numbing imperfectness upon such peri-
grinations as twilight spontaneously by inevitable tiredness of flang-
ing shop-girls impersonally affords furnished a soft first clue to
his innumerable whereabouts          violet logic of annihilation demon-
strating from woolworthian pinnacle a capable millenium of faces
meshing with my curiously instant appreciation exposed his hiber-
native contours,
aimable immensity impeccably extending the courtesy of five o’clock
became the omen of his prescience          it was spring by the way
in the soiled canary-cage of largest existence.

(when he would extemporise the innovation of muscularity upon the
most crimson assistance of my comforter a click of deciding glory
inflicted to the negative silence that primeval exposure whose elec-
tric solidity remembers some accurately profuse scratchings in a
recently discovered cave,           the carouse of geometrical putrescence
whereto my invariably commendable room had been forever subject
his Earliest word wheeled out on the sunny dump of oblivion)

a tiny dust finely arising at the integration of my soul i coughed

, naturally.
-E.E. Cummings

Like The Harvard Monthly and The Dial, Broom contributors were or would become recognized luminaries: Sherwood Anderson, Guillaume Apollinaire, Hans Arp, Conrad Aiken, Kenneth Burke, Robert M Coates, Jean Cocteau, Malcolm Cowley, Hart Crane, Adolph Dehn, Andre Derain, Raoul Dufy, Paul Eldridge, T S Eliot, Wanda Gag, Robert Graves, Juan Gris, William Gropper, George Grosz, Rockwell Kent, Paul Klee, Fernand Leger, Lipchitz, El Lissitzky, Amy Lowell, Louis Lozowick, Marianne Moore, Henri Matisse, Amedeo Mondigliani, Laszlo Moholy-Nagy, Pablo Picasso, Man Ray, ‘Charles Sheeler, Gertrude Stein, Joseph Stella, Wallace Stevens, Paul Strand, Max Weber, William Carlos Williams, and Virginia Woolf among other  artists and writers.

It was a small world and circle. The Broom contributors likely read that ee cummings poem about Wilson, and several knew both men. Names carried over from the Harvard-Dial network (Amy Lowell, Marianne Moore).

EE Cummings published Part III in later editions by the title “as usual I did not find him in cafes” omitting Arthur Wilson’s name.

1924 e.e. cummings visits Gloucester

to see writer, friend and editor R. Stewart Mitchell (1892-1957) who had a home here. Stewart Mitchell was another Harvard alumni (1915) and former Harvard Monthly editor. His face inspired the nickname “The Great Auk”. How nice being friends with artist-writers.


After serving in WW1, Mitchell was a managing editor and regular contributor for The Dial from 1919-21, then published poet. From 1928-1937 he was Managing Editor of the New England Quarterly journal, and from 1929- 57 an editor and Director of the Massachusetts Historical Society. On the Ma Historical Society seal : “It would hardly have done to compare the members of the Society to oxen, sheep, or birds … but bees had always had a good reputation for the sweetness and light of their honey and their wax. “– 1949 Stewart Mitchell




Did  Cummings and Arthur W. Wilson come to Gloucester while attending Harvard or at other times in the 1920s to see Stewart? Was Cummings in Gloucester other years, decades? Did Wilson and Mitchell re-connect in Gloucester? John Sloan’s etching Frankie and Johnnie illustrates EE Cummings’ play HIM. Did Wilson interact with Stuart Davis in Gloucester or New York?

(Aside: In 1984 the play ViVa Cummings! opened in Gloucester under the direction of William Finlay and the New Stillington Players. Did they know Cummings had been here…)


Wilson fails to update his Harvard alumni association requests. Here’s the 1935 entry:




Artist Winslow Wilson guiding Eleanor Roosevelt through his solo exhibition at Associated American Artists, June 4, 1951.   Photograph from http://www.winslowwilson.com

Wilson’s painting from the 1951 Contemporary American Artists exhibition at the Associated American Artists won the people’s choice award, and his solo exhibit in June was attended and written about by Eleanor Roosevelt in her nationally syndicated MY DAY column:

HYDE PARK, Sunday—At lunch last Friday I had a visit from Mr. Tatsukichiro Horikawa, who is over here from Japan on a trip studying the World Federation movement in different countries. He has visited Switzerland, Germany, France and England, as well as the United States, and he came to see me before in New York City; but he wishes particularly to come up to Hyde Park and place some flowers on my husband’s grave.

I was especially interested in talking to him because, like so many of the World Federalists, he felt that the United Nations was very inadequate. He felt one must bring about more unity—and particularly, if we were going to have any settlements in the Far East, there must be unity between Great Britain and the United States as well as the other nations in their policy.

I asked him if he did not think it was a good deal to expect to have a unified policy among 60 nations when the organization bringing them together had been in existence only six years. It seems to me it requires longer for people to understand how the other peoples think and feel. World federation might someday be possible, but not until people have had a greater length of time to find out about each other. One of the American World Federalist members had also written me saying that the federation must come first and then be followed by understanding. I think this begs the question of how you obtain the federation and how, having obtained it in name, you do anything practical with it.

In New York City on Thursday afternoon I went to see an exhibition of paintings of the sea done by Winslow Wilson, at the Associated American Artists Galleries on Fifth Avenue. This exhibition was arranged under the auspices of Greenwich House, toward whose support a portion of the proceeds of any sale will go.

Mr. Wilson told me he did not paint actually from a scene he was looking at, but from memory. He said he particularly liked to use the sea because it was to him a symbol of the stress and strife we were all going through at present; and still it had a kind of discipline and control which was what most human beings were striving for today and finding difficult of achievement. I found some of his paintings quite beautiful, and reminiscent of many seacoasts I have known. In certain ones the light made one think of tropical climates; in others the shores of Maine seemed to stand out. More often the sky and the sea were stormy, but the light was nearly always breaking through. Let us hope that out of this turbulent period of history the light will break through for all human beings.

The other day I was sent a little pamphlet written by Eloise R. Griffith on the national anthems and their origin. I think this will be of interest to a great many people who want to know a little more than the mere words of the songs which we hear sung so often.” – Eleanor Roosevelt

I am thunderstruck reading a portion of sales would benefit Greenwich House. Talk about an undercurrent.

1951 Post-Modern Manifesto in the same year as the AAA seascapes


“A complete study of Cummings should take penetrating account of his painting and drawing. And no estimate of his literary work can begin without noting the important fact that Cummings is a painter.” That’s the opener for Syrinx., a critique of Cummings by Gorham B. Munson published in Secession July 1923. “His first stimulus comes from the emotional and perceptive materials of his experience…Cummings has jabbed his pen into life, but he has also twisted it in the wound, and it is this twist of the pen that makes literature.” 

Knowing ee cummings facility with visual arts transforms how his poems read. He identifies both pursuits. The press announcement for Cummings appointment at Harvard in 1952 affirmed that he resided in New York City, writing and painting since the year 1920. It wasn’t that he sculpted marks–‘scratchings’- that could be seen as pictures in print,–it’s this charge when visual art and writing advance toward or basically obliterate media boundaries.

After reading Wilson’s 1951 Manifesto For Post-Modern Art published under his pseudonym Pico Miran, I felt a similar tug. For Wilson, when it comes to ideas and individuality, words and paint –and as many names and identities to match– matter.  Some of Wilson’s paintings could be shown alongside pages from ee cummings The Enormous Room.

There are takeaways and points one can make about this manifesto and painting series of Wilson. I can think of art I’d like to show together with this work.

Yikes, the thoughts about women! Here’s Wilson writing as Pico Miran in his Manifesto, emphasis on man apparently:

“But while he proposes to save the personal symbol, he must emphatically reject the conception of its privacy–a conception which he is compelled to regard as an effeminate misery: he cannot help thinking an almost unmanly exaggeration of the one bit of feminine make-up in every artist, here flouncing in absurd esthetic millinery, with coy desire for secretiveness, mysterious subjectivity, and vain feelings of cryptic superiority to the vulgar mass.” 

1951 Hidden, not lost

Wilson evidently maintained some contacts; note the supportive reviews by friends (Moore, Burke, Wheelock) later reprinted for his 1957 solo exhibit at Vose Galleries in Boston. Edward Alden Jewel, the New York Times critic, described Wilson as “living a hidden life of pure dedication and drudgery” in his 1951 NYC AAA review.

2015 Found. A great teacher

On Cape Ann, Wilson taught figurative painting through the Rockport Art Association, which he joined in 1946. Wilson is recollected as a dazzling teacher who could bring out the best in his students. One student’s 2015 recollection is a must read:  “Bing McGilvray of the Cape Ann Museum was fortunate to communicate with a local artist familiar with Wilson, Betty Lou Schlemm.”  Wilson sounds like the famous and captivating professors at Harvard.   Another unforgettable piece about Wilson’s biography concerns a local exchange between Pico Miran and Peter Anastas following a 1954 review by the latter.

For local readers, the www.winslowwilson.com website helpfully provides some Gloucester addresses associated with Wilson.

  • June 21, 1951: Bradford Building, 209 Main Room 208, Gloucester, MA
  • August 1, 1951: Marine Basin, E. Gloucester, MA
  • June 18, 1952: Bradford Building, 209 Main Room 208, Gloucester, MA
  • July 26, 1955: Bradford Building, 209 Main Room 208, Gloucester, MA
  • 1967 maybe 195 Main Street, Gloucester, MA
  • 1969 maybe 195 Main Street, Gloucester, MA
  • June 2, 1971: PO. Box 414, Gloucester, MA


21 Est 15th Street, 154 East 39th Street, Carnegie Hall, 3 Washington Square North in Greenwich Village, Woodstock, N.Y., and Lime Rock, CT.

In the news: Boston Globe 10 places to paint the town (or the beach, or the mountains) plein air recommendations

Happy to see Cape Ann included–thanks Cape Ann Chamber for putting up the flag.

Gloucester, Rockport, Manchester, and Essex are listed together under Cape Ann as a destination for plein air painting. I enjoyed reading and comparing. The first town listed, Jeffersonville, VT, has vivid detail. Cape Ann has history and scenery coming together at every turn.

I might have added that Cape Ann has been the home of the world class Cape Ann Museum, two renowned associations devoted to the advancement of art – the North Shore Art Association and the Rockport Art Association-, one of the country’s oldest continuously active and iconic art colonies on Rocky Neck, and scores of artists and galleries, because it is the number 1 place to paint.



Read more

Cape Ann Artisans Holiday Show at the Rockport Art Association

Join us as Cape Ann Artisans set up shop once again at the Rockport Art Association for their second Holiday Show!

We’ll be participating in “Shop Rockport” on Friday, December 4 from 4:00-9:00 PM at our shopping headquarters inside the Hibbard Gallery of the RAA. The show continues on Saturday, December 5 from 10:00 AM to 5:00 PM.

Gorgeous Works on Paper by American Realist Painter JEFF WEAVER

SIMPLY EXQUISITE ~Don’t miss this show!

Afternoon Light, Governor's Hill 528

Rockport Art Association

Jeff Weaver ~ Solo Exhibit

Opening Reception

Sunday, March 16, 2014, 2-4pm

Show runs through March 27, 2014

Artist Statement

“This show of works on paper consists of drawings in charcoal, pastel, and oil, as well as watercolor.
Some were done as sketches or studies for larger works, others as finished pieces in themselves.
The use of a variety of mediums helps me to take a fresh approach to familiar subjects””

Wharves in Snow 528


Oliver Balf Retrospective At RAA 5/11-6/9

May 11 to June 9

Opening Reception: Saturday, May 11, 5 to 7 p.m.

Rockport Art Association

The largest retrospective ever assembled of the late Oliver Balf’s work, representing more than 60 years of painting and selected from a newly archived collection of close to 1000 paintings, will be featured on May 11th at the Rockport Art Association in Rockport, Massachusetts. Included in the 40–plus works will be several of Balf’s early and rarely exhibited watercolors on loan from private collections.

For more information



Friday Night’s Bash at the RAA

The Rockport Art Association continued the celebration of its 90th year with the opening of the show “Outside In”, featuring the work of contemporary Cape Ann artists Gordon Goetemann, Ruth Mordecai and Jon Sarkin. An exhibit of exclusively contemporary works is unusual for the RAA, and the place was buzzing at Friday night’s opening. Here are just a few shots of a great night: (For more info on the show, click here.)

One of Gordon Goetemann's lyrical pieces.

The crowds parted for a Ruth Mordecai diptych

Curved interior walls created by Treetop Designs

Inside the circular installation of Jon Sarkin's work.

Check Out Jon Sarkin along With Goetemannn and Ruth Mordecai Tonight At Rockport Art Association


RAA celebrates it’s 90th anniversary in 2011!

The Rockport Art Association founded in 1921, one of the oldest and most
active art organizations in the country, offers something for everyone.
Visit us and discover the artistic and cultural splendor of Cape Ann.

Opening Reception Friday June 17th  ~ 6-8pm
Exhibition June 17th – July 19th
Open Free To The Public
Click here for more info . . .

Rockport Art Association FeatureEvent With Three Local Greats- Goetemannn, Mordecai and Our Boy Johnny Sarkin!!!


RAA celebrates it’s 90th anniversary in 2011!

The Rockport Art Association founded in 1921, one of the oldest and most
active art organizations in the country, offers something for everyone.
Visit us and discover the artistic and cultural splendor of Cape Ann.

Opening Reception Friday June 17th  ~ 6-8pm
Exhibition June 17th – July 19th
Open Free To The Public
Click here for more info . . .

Late Spring – Early Summer Hours
Monday thru Saturday 10:00 ~ 5:00
Sunday Noon ~ 5:00

Judy Robinson Show Rockport Arts Association

Made it to the Judy Robinson solo show at the Rockport Arts Association this Sunday amidst the rain. White wine, salmon on cucumber and cheese doodles that looked like popcorn, my kind of snacks.

Here are two in the show for a sneak peek. One had a sign underneath that said you could touch the artwork. The other said “Do Not Touch!” Which do you think? (Just Click.) Even if my hands weren’t covered in cheese doodles I would not have dared to try to peel off a paint chip … 8)

A cool show that will be there until the 26th. Lots of Fort Point, Birdseye, the Paint Factory. My birthday present is still hanging in the middle gallery. I might have to get a sump pump as a belated birthday present instead.

Rockport Art Association March 14th thru March 26th

I thought this would be of interest to Good Morning Gloucester since the Birdseye Building, the Paint Factory, Fort Square, and the Marine Railways are frequent subjects here:

Judy Robinson-Cox Solo Show
Endangered Spaces

The RAA is pleased to announce a Solo Show by award winning photographer Judy Robinson-Cox (judy.robinson-cox.com). Judy will exhibit a collection of photographic images and constructions called “Endangered Spaces” at the Rockport Art Association March 14th through March 26th.

This exhibition is about locations, buildings and moments in time that no longer exist, or are in danger of extinction. The majority of the photographs were taken in Cape Ann including the Birdseye Building, Fort Square, the Marine Railways and the Paint Factory. Judy employs a variety of photographic techniques to try and capture the essence of a place including traditional photography, digital photographic montages, photo books, cut-out three dimensional photographs, and montage collages.

Please join us for the opening reception on Sunday, March 14th 2-4pm. All are welcome!

Rockport Art Association 1960s Summer Dances

I was recently at the Rockport Art Association for the seARTS annual meeting.

As I headed back to the Art building in the back, old memories passed through my head.

Even though it was cold and rainy, the memories of warm summer nights, heading down to Rockport, to attend the RAA dances.   Back then it was a great opportunity for locals to meet kids from out-of-state, who were vacationing with their parents.  Some of those memories are another story. 

It was amazing that they trusted us in the beautiful surroundings of all that art.

This video clip shows some of the local art today, recommend going down and taking a look, and a clip of how teenagers danced in the 60’s.  If you recognize yourself in the video, you may want to keep it to yourself at least that is my intention.

Enjoy a blast from the past.

This video clip shows some of the local art today, recommend going down and taking a look, and a clip of how teenagers danced in the 60’s.  If you recognize yourself in the video, you may want to keep it to yourself, at least I am.

Enjoy a blast from the past.   (Note: video is from a dance at the GHS not at RAA)

Do Not Go To Rockport Art Association

The oldest art association in America opened it’s doors this weekend for another season. I’ve lived in Rockport for all of 17 months and I never stopped by until today. I knew there were some painters who were pretty good in Rockport but this place blew me away. Room after room of mesmerizing art.

Two killer treats. One, the Winter Group Show is just amazing. Want to feel the warmth of summer on Good Harbor Beach or a backlit green wave crashing at Andrew’s Point just walk through this gallery.

The other treat was in the back. Huge sunlit room and a dozen painters going at it. They were taking paintings which have been in the association for years and copying them. But copying is a cheap word for the works they were producing . One, a painter who was taking a shot at what his grandmother had painted 50 years before. To name names and explain would require 4,000 words so I am pulling the plug here.

Why do I want you to not go? Because my birthday present is still back there hanging on the wall. I need a second pass to decide as I narrow it down. So I do not want you or anyone else to visit the Rockport Art Association this week and steal my birthday present. That is unless you are dropping it off at my house on my birthday. Now it would be really dumb to say a Ray Crane and a Paul Ciaramitaro are the two I am zeroing in on. That is unless you rush down to get them for me.

GMG Local Music Schedule – July 15 – July 19h


Live Music 6:00 – 11:00
Blackburn Building Parking Lot
(next to Elliott’s)

Produced by Blackburn Performing Arts

– Janice Fullmen & Friends

– James Good Eye & Friends

– Dire Wolf featuring Will Hunt

– Wheelhouse

– The Fundamentals

Live Music 6:00 – 10:00
Central Main Street
– Lion Pride Sound is a local DJ Group with a unique style of dejaying that is both energetic and enjoyable for listeners of all ages alike. They bring the old time feel of the street dances down in Jamaica and around the islands to crowds all over the northeast. Labeled as one of the top reggae acts to see in the area, They have opened for many legends of Reggae music.


Remember you can subscribe to GMG Local Music by clicking on the link on the sidebar.There’s lots of good music in Gloucester this week. This post will be updated as info comes in.


Latitude 43

Dog Bar

Rhumb Line

Capt. Carlo’s


Harbor Loop________________________________________________________________________________

poster 3_____________________________________________________________________________________


Erinn and Alison play acoustic!

Saturday, July 18th / 5-9 pm/

The Gull    75 Essex Ave

(on Rt 133) Gloucester, MA




From Mike Lindberg-



Sharon Lowe photo

Sharon Lowe photo

July 18, Saturday 8pm Rockport Art Association
An evening of Jazz with Alek Razdan and A-Train to benefit the Rockport Art Association
Main Street, Rockport, Massachusetts 01966
Cost: $10


Things to do this weekend!

Around Cape Ann
Gail McCarthy- Gloucester Daily Times

“Spring Fling” Dance Party

New Year’s Rockport Eve 2008 Recovery Benefit will hold a “Spring Fling” Dance Party for all ages Saturday from 8 to 10 p.m. at Rockport Congregational Church’s function hall. The Fundamentals will perform classic and oldies rock ‘n’ roll from the ’60s through the ’80s. Admission is $10. Or, one can bring a donation of non-perishable food for the Cape Ann Food Pantry, for a $5 admission. Light refreshments will be available. For advance tickets, call 978-546-9038. Tickets also on sale at the door.

Roland Merullo, noted writer will speak

Rockport Public Library will host best-selling author Roland Merullo at the next session of its Meet the Author series on Wednesday, April 22, at 7 p.m. He will discuss his writing career and his latest work, “The Italian Summer: Golf, Food, and Family at Lake Como.” The book captures a summer spent with his family enjoying the golf courses and cuisine of the Italian countryside. Merullo combines his two great passions, travel and golf, in a humorous and poignant look at Mediterranean life. Merullo grew up in Revere. He graduated from Phillips Exeter Academy and Brown University, where he earned a Master’s in Russian language and literature. His essays have appeared in the New York Times, Outside, Yankee, the Philadelphia Inquirer, Boston Magazine, Reader’s Digest, Travel and Leisure Golf and Links. Merullo also worked for the U.S. Information Agency in the former Soviet Union, served in the Peace Corps in Micronesia, has done carpentry, and taught creative writing and literature.

One-man Shakespeare show

To celebrate William Shakespeare’s 445th birthday, actor J.T. Turner brings his critically acclaimed one-man show, “Shakespeare’s Ghost” to the Ipswich Performing Arts Center tomorrow at 7:30 p.m.

“The premise is this: What if Shakespeare has been haunting theaters for the last few hundred years? What might he say to a modern audience about his life, his work and the different ways his plays have been treated over the centuries?” said Turner. Using factual information and 18 pieces from various Shakespearean plays, he will take the audience on a tour of Shakespeare’s world and works.

“Even people who don’t like Shakespeare love this show. It is loaded with theater stories and behind-the-scenes tales from Elizabethan times right up to the present,” he said.

The event will benefit the Tiger Tots Daycare Program. For reservations and information, call 508-942-9938.

Eco film festival

Essex County Greenbelt and the Cape Ann Farmers’ Market are partnering with Cape Ann Community Cinema to present a week-long eco film festival to commemorate Earth Day. The “Green Day” series will feature thought-provoking films — some startling — about the environment and people working to create a sustainable future. The series culminates on Earth Day, April 22, with an evening gathering, appetizers and the film “The Real Dirt on Farmer John” at 7:15 p.m.

The films and show times are:

Tonight, “Burning the Future: Coal in America” at 7:15 p.m.

Tomorrow, “The Garden” at 7:15 p.m..

On Saturday, April 18, “Being Green” starring Elmo at 10:30 a.m., a free show for children; “Scarred Lands” at 12:30 p.m.; “Mama Earth/Crude Impact” at 2:45 p.m.; “Tapped” at 5 p.m.; and “The Garden” at 7:15 p.m.

Sunday, April 19, “No Wonder to Compare: The Marvel of Cetaceans” at 1:30 p.m., plus the bonus short “Disneyland Dream,” a 1956 home movie entered into the Library of Congress in 2008. Filmmaker Robbins Barstow, co-founder of the Connecticut Cetacean Society, will present both. The festival also will present a rare promotional film of Pleasure Island, Wakefield’s own “Disneyland Of The East.”

On Monday, April 20, “The Garden” at 7:15 p.m..

Tuesday is “Burning the Future: Coal in America” at 7:15 p.m.

The finale is next Wednesday at 7:15 p.m.

‘The Chalk Garden’ in the Pines

Theater in the Pines presents “The Chalk Garden” by Enid Bagnold from Thursday, April 23, through Sunday, April 26, at 7:30 p.m. at Spiran Hall on Broadway in Rockport. The piece is a comedy, mystery and drama about a mysterious governess who turns an eccentric English household upside down by her insistence on truth.  The actors include  Jonathan Arnold, Lori Hahn, Allie Lees, Justine Curley, Martin Ray, Barbara Brewer, Bernadette Cruz, Anne Parsons, and Sarah Clark.

Stardust returns

“The Way It Used to Be,” the monthly night of dinner and dancing hosted by the musical group Stardust, is on tap for the Gloucester House on Friday, April 24. The evening features a classic night of dining and dancing. Ed Carfano and Stardust host the event, featuring music from the 1930s to the 1950s. The band’s initial goal was to bring this musical era back to life for the seniors of Gloucester, and the first events drew rave reviews.

The event once again will feature instruction in salsa dancing by Tina’s School of Dance from 6 to 7 p.m. Stardust will play from 7 to 10 p.m., and a buffet dinner will be served at 7:30 p.m. The Gloucester House restaurant is located off Rogers Street at Seven Seas Wharf. To reserve tickets, call 978-283-1812.

LyricFlutes in Concert

LyricFlutes will performn Sunday at 3 p.m. in the sanctuary of The Unitarian Universalist Society of Rockport, 4 Cleaves St. The program will include works from the flute repertoire by Vivaldi, Kuhlau, Pleyel, Tcherepnin, Moyse and Saito. Admission is $10. Reception to follow. LyricFlutes is a newly formed group dedicated to performing music composed for the flute in solo, duet, trio and quartet forms as well as in partnership with piano and organ. Since the group’s recent debut, audiences have responded enthusiastically to rarely heard virtuoso compositions from the baroque through modern periods. Members of the group include Jean Antrim, Fran Pierce, Joanne O’Connor, Valerie Roche and Jeanette Tausanovitch. Jocelyn Chaparro will assist on the piano and organ.

Hospital displays watercolors

Eight of Joan Jarmin’s floral watercolors are on display at the Pat Maynard Memorial Gallery in the lobby of Addison Gilbert Hospital during April. Jarmin studied at the DeCordova Museum School and the Montserrat School of Art in Beverly. She is an original member of the Cape Ann Watercolor Painters.

Spring Poetry Fest

In observance of National Poetry Month, the Rockport Public Library will hold a Spring Poetry Reading event with seven Cape Ann poets on Sunday, April 19, at 2 p.m. Ten members of the public will have an opportunity to join the local writers in reading their work.Poets Ray Bentley, Amy Dengler, Dodie Gibbons, Ruth Maassen, Gloria Masterson Richardson, Carol Seitchik, and Suellen Wedmore will each read three or four of their poems. Time will be allotted for ten other “open mike” poets to read a one-page poem on a first-come, first-served basis. The event is free and open to the public. The library is handicapped accessible.

Museum presents more Lowe slides

In conjunction with the exhibition “Charles A. Lowe Photos: Gloucester 1975,” Cape Ann Museum is presenting a second slide show, with commentary by Peter Watson, former editor of the Gloucester Daily Times, on Saturday at 11 a.m. To reserve a space, call 978-283-0455, ext. 11. This program is free. Many images in the show are ones that Lowe considered his favorites. The slide show also features images not included in the slide show program on March 21. The Lowe exhibit will be on view through May 31. A catalogue of Lowe images accompanies the exhibition. Reproductions of photos from the Charles A. Lowe archives are also available for purchase. The museum offers free admission every Saturday from 10 a.m. to noon through the end of May. Cape Ann Museum is located at 27 Pleasant St. in Gloucester. The museum is wheelchair accessible. For more information call 978-283-0455.

RAA Spring Photo Show

The Rockport Art Association is holding it annual Spring Photo show, which runs through May 5. There is a public reception Sunday from 2 to 4 p.m. The event is free to the public. The $100 Gerald R. O’Brien Memorial Award of excellence in photography, went to Eoin Vincent for his work “Early Morning Light.” Honorable mentions went to Jeff Trubisz for “Fog Banks and Seastorks,” Richard Seeley for “Moose Shake” and Pegg Harold O’Brien for “Colors” Rockport Art Association is at 12 Main St. For information, call 978-546-6604.

Talk about nesting water birds

A talk about nesting water birds of the Essex County Islands takes place April 22 featuring the field ornithologist of the Essex County Ornithological Club, Jim Berry. Berry’s favorite activity is the study of birds, other wildlife, and plant communities in the context of their ecological relationships. He has been active in the Nest Record Program of the Cornell Laboratory of Ornithology for 30 years, has participated on breeding-bird-atlas projects in seven states, and has led field trips for various groups most of his adult life. The event takes place at 7 p.m. downstairs at Cruiseport Gloucester at 6 Rowe Square in Gloucester. Free admission. For more information call, 978-281-8079.

Marut returns to Cape Ann

The paths of Jesus and Buddha meet through the teachings of world renowned Buddhist monk, the Venerable Sumati Marut, who will give community talks in Essex from April 28 to 30. The event, “The Spiritual Teachings of Jesus and the Buddha” takes place from 7:30 to 9:30 p.m. in the Essex Room at 27R Main St. (behind Woodman’s and on up the hill.) in Essex. Marut will lead this unique series of three interfaith teachings that will focus on the three primary components of these two spiritual traditions: renunciation, compassion and wisdom. For more information, visit http://www.aci-capeann.org.

Pioneer poetry

An evening of poetry, photography and song inspired by a collection of poems that record the voices of 19th century pioneer women as they and their families homesteaded the Okanogan Valley of Washington state will be the subject of a Gloucester Lyceum program tonight at 7 at Sawyer Free Library. The free event, “Oh How Can I Keep On Singing: Voices of Pioneer Women,” celebrates National Poetry Month. The program will be performed by Kathleen Adams, Barbara Braver, Geraldine Herbert and Kristina Martin and introduced by Jill Carter. Photographs of the Okanogan Valley taken by noted, local photographer Susan Oleksiw during her visit to the area last summer will be on display in the Matz Gallery.

Rocky Neck Gallery accepting new work

The Rocky Neck Gallery (formerly the Bryan Gallery) at 53 Rocky Neck Ave. is seeking new artists in all media for the summer season. Located on the water in the center of America’s oldest working art colony, the airy gallery is one of the most visible spots on Rocky Neck. It is run as a co-operative. A gift shop featuring cards, shrink-wrapped art and Giclées, crafts, and smaller affordable art pieces will be added this year. Artists’ work will be juried prior to acceptance. Anyone interested must submit an application by May 1. For information and application form, see http://www.rockyneckartcolony.org or call Susan Hershey at 978-546-9549.

Museum program for students during vacation

Cape Ann Museum invites students, ages 6 to 10, to a special vacation week program. Visit the museum April 21 to learn more about Gloucester’s ties to the Azores. Visit the museum April 23 to learn more about life in and around the salt marshes of Cape Ann. Each session will include an examination of art, artifacts and photographs from our collection, as well as an art activity. This is a drop off program from 10 to 11:30 a.m. Cost is $5 per child. To register, call 978-283-0455, ext. 12, or e-mail courtneyrichardson@capeannmuseum.org.

Museum announces guided tours

Cape Ann Museum will provide weekly guided tours led by docents trained in teaching the public about the museum’s art and history collections this month. The tours are “Highlights of the Collection,” the Captain Elias Davis House, and the Fitz Henry Lane Collection. Tours are free with the price of admission. Tours for April and May are as follows:

Highlights of the Collection: Saturdays at 11 a.m. and Sundays at 2 p.m.

Captain Elias Davis House: Saturdays April 18 and May 2, 16, 30 at 2 p.m.

Fitz Henry Lane Collection: Saturdays April 25 and May 9, 23 at 2 p.m.

Visit http://www.capeannmuseum.org for further details. The museum also provides tours to private groups through advance reservation. To book a private tour, contact Jeanette Smith at 978-283-0455, ext. 11.

Around Cape Ann is a column devoted to events happening on Cape Ann and artists from Cape Ann performing elsewhere. If you would like to submit an item, contact reporter Gail McCarthy at 978-283-7000, ext. 3445 or gmccarthy@gloucestertimes.com.

Beginner Spring Birding at Halibut Point April 19

Rockport – Beginner Spring Birding will be held Sunday, April 19, from 8-10 a.m. at Halibut Point State Park, sponsored by The Trustees of Reservations and The Department of Conservation and Recreation.

Stroll around Halibut Point, learn the basics of birding, history, and hear the symphony of some of our area’s spring birds. Meet at Halibut Point parking area. Admission is free.

For more information, call Halibut Point State Park 978-546-2997 or The Trustees at 978-921-1944 ext. 4013.

Activities for kids abound during vacation week-

Looking for something to do with the kids while they are out of school next week? Wellspring Cape Ann Families is offering a number of free events.And there plenty going on at the YMCA, the Cape Ann Museum, and Art Haven. Check out the schedule here

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