Tag Archives: PUBLIC ART

Juni VanDyke street art public murals coming to Rose Baker Senior Center and more great news!

Juni VanDyke is busy working on a figurative mural series that will be installed along the Rogers side of Rose Baker Senior Center in Gloucester, Massachusetts. VanDyke resides in Cape Ann and has been the stellar Director of the arts program at Rose Baker Senior Center since 1993.  Her classes are Mondays, Tuesdays and Thursdays, “elbow to elbow on Tuesdays and Thursday mornings, and in the afternoons.” All are welcome.

In addition to teaching art classes, she rotates exhibitions of art created by participants in the various art programs. Fine artist Mary McCarl and Helen Burgess will have their work on exhibit in the lobby of the senior center beginning April 4th though July 5th.

VanDyke is also curating the show “Closely Related” for Flatrocks gallery opening May 27 – June 24, 2018. The exhibit “attempts to identify and examine artistic elements that appear congruently in works by artists related by friendship or marriage, or by filial kinship, or by the duality of artist and place, or…other. Is our art influenced by our environment; our politics; the company we keep and/or by our generic connections? And is what we create truly unique? Or was Picasso right when he said: Every painting already has a mother and a father?” Exhibiting artists: Kathleen Archer, Shelly Champion, Loren Doucette, Paige Farrell, Jay McLaughlin, Barbara Moody, Hans Pundt, Lynne Sauselle, Patti Sullivan, Juni VanDyke

Juni Van Dyke working on new mural project for Rose Baker Senior Center

 

Juni Van Dyke discusses her Rose Baker Senior Center mural project ©c ryan March 2018 (2)

Phase II Rose Baker Senior Center site for a second new Juni Van Dyke mural  –after the lively figurative series is completed.

 

Juni’s geraniums at home and work- top floor windows at Rose Baker

Read more about Juni Van Dyke: Artist of such expressive power and spirit. Last year Room & Board commissioned art from Juni,  and her illustrations for children’s books were recognized by Cape Ann Reads and will be featured in a group exhibit in 2018. The collage media informed her approach with the Rogers Street series.

Larry O’Toole Amazing map and Historic murals at O’Maley School #GloucesterMA

Five monumental Larry O'Toole paintings circa 1948- reinstalled O'Maley School circa 1971 - Gloucester MA DPW crew Mike Hale, Joe Lucido, Phil Curcuru, Mike, and John inspecting 2018 wit

photo above- Five monumental Larry O’Toole (1909-1951) paintings circa 1948 were rescued and reinstalled O’Maley School circa 1982. Gloucester MA excellent DPW crew Mike Hale, Joe Lucido, Phil Curcuru, Mike, and John inspecting 2018 with ©c ryan.  Thank you DPW! City art is routinely checked. Photo by Phil Curcuru below- note the artist’s distinct “L” signature

Larry O'Toole signature photo by Phil Curcuru Gloucester MA DPW  #5 installed at O'Maley painting pre dates 1951.jpg

If you haven’t seen the series of five murals painted circa 1945 by fine artist and muralist, Larry O’Toole (1909-1951), that were rescued and installed (decades ago) at O’Maley Innovation Middle School, perhaps you’ve noticed a poster of his brilliant pictorial map around Cape Ann.

O’Toole published editions of the map in 1947 and 1948. Reproductions of “A Salty Map of Cape Ann: Gloucester-Magnolia-Rockport-Pigeon Cove-Lanesville-Bay View-Annisquam” the 1948 blue version are available at Cape Ann Museum shop.  The delightful map includes inventive and intricate details and local nods: a shout out to Ben Pine’s* wharf, “All maps like this have a sea serpent;” schooners like the Henry Ford and Gertrude Thebaud (again Pine); historic sites and characteristic scenes not to miss “Artists and Seagulls”; and upcoming landmarks to look forward to like the Annisquam Bridge slated for completion in 1950. The numbered border framing elements could have been inspired by Virginia Lee Burton.close up zoomable map (sold) can be found here 

 

Gloucester, Massachusetts Capt. Ben Pine, the man who raced the schooner Gertrude Thebaud against the Canadian schooner Blue Nose for the fisherman trophy, one of the three men who made

Ben Pine office, 1941, Howard Liberman FSA/OWI photograph

Ben Pine* portrait by FSA/OWI photographer, Howard Liberman, titled “Gloucester, Massachusetts. Capt. Ben Pine, the man who raced the schooner “Gertrude Thebaud” against the Canadian schooner “Blue Nose” for the fisherman’s trophy, is one of the three men who made Gloucester. The others were Tom Carrol and Ray Adams.” (author’s note: Ray Adams was a gal so the compliment is for two men and one woman…).

Art can be seen on the walls throughout the Gloucester Mariner’s Association in Howard Liberman’s faint photos from 1941. I’m looking for more interior shots. Some of the art could be O’Toole’s, who completed commissions for Pine.

Carved fish models at the Gloucester’s Mariners Association (Fishermen’s Institute)

Howard Liberman FSA photo Gloucester Mariners Association.jpg

 

What will Justice Lowy decide and the room where it happens | Last stop for Berkshire Museum docket SJ-2018-065 at John Adams Courthouse #BostonMA Supreme Court

John Adams Courthouse Superior Court Boston MA_20180301_© C Ryan (9)

Front entrance John Adams Courthouse, Boston, MA. The Berkshire Museum case is under review by Supreme Court Justice Lowy

How did the Berkshire Museum brouhaha wind up in the highest court under SJO (Single Justice) review by Justice David A Lowy?

The Berkshire Museum in Pittsfield, Massachusetts, deemed it necessary to alter an original historic building and sell off its priceless core art collection in order to build a dream and survive. This controvertial move garnered attention and divided opinion.  The Trustees of the Museum explained that they hired a consultancy firm which confirmed this new direction (“New Vision”), via extensive public outreach* no less, so what gives? (*22 focus groups involving over 200 people is hardly extensive.) Opponents cried, “Foul!”, and pointed out questionable and perhaps shady fodder, i.e. would museum members and the Berkshire community have voted YES had they been told that the best works from the permanent collection must be sold off to make it happen? Also, the art was consigned to Sotheby’s June 13, 2017, but the Trustees altered the museum’s Charter after the consignment date and only then informed the “public”.  Timing is everything. There was even an infamous email with a ‘loose lips sink ships’ subject line.  We know these details because of dogged reporting by the The Berkshire Eagle, notably Larry Parnass, and a wide network. The story is urgent and compelling, the art world equivalent of a Spotlight-All the President’s Men-Pentagon Papers type investigation.

The first auctions were slated for November 2017. Shuffleton’s Barbershop by Norman Rockwell was to have been the Berkshire Museum star lot. Its presale estimate alone was 20 to 30 million. By the Fall of 2017, the museum was hit with multiple lawsuits, sued by the Massachusetts Office of the Attorney General, Norman Rockwell descendants, and various plaintiffs. Eventually, all were folded into #TeamAGO vs. the Berkshire Museum. On November 8th, the Lower Court ruled in favor of the Museum, clearing the legal right of way to auction. The Attorney General Office appealed to the State’s supreme judicial court to block the sale for more time to evaluate and investigate the case. Attorneys for the Museum fought that request vigorously, but were denied. On November 10, 2017, the AGO procured an injunction from Judge Trainor of the Massachusetts Appeals Court, scuttling any scheduled auction prior to December 11, 2017. Allowances for extensions to build the case were granted. On February 5th, the AGO switched teams and filed jointly with its former adversary, the Berkshire Museum, petitioning the court to apply cy pres and maintaining its opinion that indeed all the art is restricted:

“As detailed elsewhere (e.g., in its filings in the litigation referenced above) the AGO believes that all of the works of art deaccessioned and proposed for sale are subject to one or more restrictions that limit the Museum’s ability to proceed with its planned sale and use of proceeds to fund an endowment, pay for operating expenses and fund renovations. The Museum continues to believe no restrictions (beyond the Museum’s charitable purposes) apply.”

This alliance left many scratching their heads  and interested parties formerly #TeamAGO adrift. Although the Rockwell plaintiffs backed off and dropped their case, law firms Sullivan & Worcester and  Foley Hoag with Barker, Epstein & Loscocco solicited amicus status on behalf of their clients.

Sullivan & Worcester Berkshire Museum

Sullivan & Worcester blog post about their position

Immediately, the AGO and the Berkshire Museum filed opposition papers. They weren’t persuasive. The Justice granted the participation of the law firms which means that the SJ-2018-065 docket was vastly enlarged and enlightened on February 27, 2018, and I had to see. And share. (Although everything I was looking for and questioned was not there.) The attorneys disagree with the AGO and Berkshire Museum proposal, and request oral argument. The AGO and Museum responses were filed after I visited. Justice David A Lowy will make that decision. He can act on filed papers related to Docket SJ-2018-065, order a hearing, or pass the case back to the full court. What will he do? I’m crossing fingers that arguments will be heard, and with the full court (which meets the first week each month and is open to the public), especially after I considered the material in person.  The Berkshire Museum could inspire a Frank Capra-esque courtroom movie treatment one day.

In the meantime, the art remains in Sotheby’s possession and the auction house stands down as the case is sorted. The docket includes Sotheby’s contract.

For armchair lawyers and detail detectives: I offer a blizzard of documents, on the eve of the next Nor’Easter blizzard and hope I’ve peaked your interest. (Leaving my analysis aside for now.)  Scroll past this post’s “read more” indicator to see interior architectural photos I took of the stunning John Adams Courthouse, and to read some of the complete and unfiltered new filings and documents related to the Berkshire Museum case, specifically-

  • AMICI CURIAE Sullivan & Worcester LLP law firm on behalf of ‘Berkshire Museum Member Plaintiffs’: James Hatt,  Kristin Hatt,  and Elizabeth Weinberg, filed Feb 26 2018, case SJ-2018-065 (52 pages)
  • AMICUS CURIAE Foley Hoag and Barker, Epstein & Loscocco – attorney Michael B Keating of Foley Hoag with attorney Daniel Epstein of Barker, Epstein & Loscocco on behalf of clients: Tom Patti, who completed two commissioned installations for the Berkshire Museum entrance and reception areas–spaces that will be gutted if the historic building is disfigured for the New Vision; Marilyn Holtz Patti – resides and works in Berkshire County as does Tom Patti; Jean Rosseau and Jonas Dovydenas- residents of Stockbridge and Lenox; James Lamme, resident of Egremont; and Donald MacGillis, resident of Pittsfield, MA. (21 pages)
  • Sotheby’s Contract with the Berkshire Museum (9 pages)
  • Affidavit from Dan Monroe, Director of the Peabody Essex Museum opposed the Berkshire Museum sale (4 pages)
  • Massachusetts Cultural Council (MCC) provided major facility funding since 2000. Some related construction was completed by a board member and warrants scrutiny
  • links to prior GMG Berkshire Museum posts

Interior views John Adams Courthouse 

John Adams Courthouse Superior Court Boston MA_20180301_© C Ryan (2)

The John Adams Courthouse Great Hall is stunning. On the right side in this photos is a Daniel Chester French gilded sculpture of Rufus Choate

 

Read more

Repairs Gone Wrong – botched cleaning on City Hall Honor Roll plaques require corrective restoration

And the qualified help that’s needed is underway!

What do you do when your home repair goes very wrong? Upon evaluation, sometimes you just have to hire a new contractor to remedy mistakes. In the fall of 2014 memorial honor roll plaques in City Hall received some cleaning. The monuments were due some attention. Over time the names were no longer legible and the surfaces were grimy defeating their noble purpose. Gloucester’s outstanding City Archives and the Cape Ann Office of Veterans Services were and are able to help with research for those who can’t come in person or see them clearly.

photo caption: BEFORE photograph of one of four WW1 honor rolls in the rotunda City Hall, ca.2014

©C Ryan bronze plaque city hall 2

 

The 2014 project was not handled by the city nor administered through its committee for the arts, of which I am a member. Funds were raised privately to work on the plaques. Though well intentioned, those restoration efforts were botched (and costly at the time, so I’m told.)  The names were made more visible, but the plaques were damaged and results are scratched, streaked and blotchy.

photo after poor bronze plaque cleaning splotchy © C Ryan 20170719

A small annual budget (FY2018 $4000) that’s set aside for care of City arts and culture and monuments as part of its mission must now be redirected to fix the fix. Yes, “Sometimes you have to hire a new contractor to remedy mistakes,”  frustrating, but necessary. Perhaps the 2014 group will reimburse this cost.

Throughout 2018, you may see specialists from Skylight Studios repairing plaques within City Hall through the Committee for the Arts on behalf of the City. (Gloucester residents may recall that Skylight Studios was hired by the Commonwealth to restore the bronze doors of the Abram Piat Andrew Bridge; the doors were temporarily displayed at Cape Ann Museum before being reinstalled.)

The detailed work on the City Hall plaques will be completed in brief, focused intervals. One plaque in the rotunda will be restored last, because it’s a great opportunity to show before and after examples of contemporary restoration projects- the good, the bad and the quality. As the plaques are repaired, the detail of the raised carving and borders and most importantly the names of so many veterans will become easier and easier to read and remember.

Gloucester Ma Veterans Honor Rolls and Monuments

*author note- this post is listing interior Honor Rolls within City Hall; it’s not a complete list for all tributes in Gloucester 

GROUND FLOOR, CITY HALL
Spanish American War- “Men of Gloucester who served in the War with Spain volunteers all 1898-1902. Gloucester ‘s men, serving on land and sea won for their city  the honor of giving to her country the largest per capita of men in this war. Erected by the City of Gloucester 1930.

Honor Roll War with Spain City Hall cleaning needs to be redone  ©c ryan 20180221_095556.jpg

2014 wonky cleaning needs repair (Honor Roll to be repaired sometime 2018)

World War I Honor Rolls (rotunda and upstairs)
World Ward II Honor Roll (outside clerk’s office)
Korean Honor Roll (outside clerk’s office)
Vietnam Honor Roll (outside clerk’s office; Brian Hamilton 1980 painting of fisherman)

just outside Kyrouz Auditorium, FIRST FLOOR, CITY HALL
“Civil War (1861 1865)This tablet records the service of Company G 8th Regiment MVM in the Civil War; and War with Spain (1898 1899) occupation of Cuba; and World War 1917 1919″ Corrective repairs are underway on this trio Honor Roll. Waxy build up added in 2014 is being removed all over, and names in a small lower right corner have been attended.

 

The multi story memorial to Gloucester fishermen lost at sea was a major public art project led, designed and hand painted by Norma Cuneo, with Irma Wheeler and Ellen Ferrin in 1978, a beautiful shrine lighted by day by two tall windows. Mark Newton, then city clerk-historian, and Jerry Cook were lead researchers; the team eventually compiled a card index that could be accessed by the public along with checking this massive lost at sea mural. Research incorporated historic materials like The Fishermen’s Memorial and Record Book, by George H. Procter, published by Procter Bros. in 1873, printed matter, family archives, and newspapers. Volunteers and historians amend the sources and statistics over time. The sense of the power of a name and life is inspiring. The response and need to a tangible, accessible record was tremendous. Their work was the basis for the cenotaph installed in 2000 by the Fisherman at the Wheel memorial on Stacy Boulevard, a sacred place and pilgrimage site accessible day and night.

 

detail City hall interior Gloucester MA with detail of Gloucester IMG_20180222_125029.jpg

Cape Ann Reads Children’s Picture Book Celebration reception and fair

Calling all children’s picture book fans! The four Cape Ann library directors and Mayor Romeo Theken hope you’ll join us for a very special Cape Ann Reads reception at Gloucester’s City Hall on Saturday January 27, 2018, to honor the scores of writers and artists that participated in the Cape Ann Reads contest. The party and pop-up portfolio/book fair will be open to the public from 12pm-4pm. There will be a brief awards ceremony at 1:30. Along with the medal and honor books, the jurors selected several more for special recognition. Breaking news: a group show of these will travel to all four communities in 2018 with support from the Bruce J Anderson Foundation, a Gold Sponsor.

Cape Ann Massachusetts can now boast the country’s FIRST ever picture book contest and programming hosted by four public libraries and wonderful community partners. The contest fostered the local children’s picture book network, and business in the region. Five books were self-published (or in the works) since the contest closed, reviewed and sold in local stores. An original Cape Ann Reads trophy by local artist, Jason Burroughs, has been commissioned and will be unveiled at the celebration.

SAVE THE DATE Cape Ann Reads celebration reception Jan 27 2018 (3)

Please contact capeannreads2016@gmail.com if you’d like to sponsor a prize or award–or any cafes or restaurants that want to showcase a small tray of light fare or coffee/tea–as there’s time to be included in the printed matter.

LIVE: Go, just go! City Hall #GloucesterMA, Stephanie Benenson Harbor Voices

What a celebration of pubic art and community! And such a stunning experience in City Hall. Don’t miss Stephanie Benenson’s Harbor Voices public art installation happening now at City Hall, Gloucester, MA. Open until 8pm tonight. Tomorrow 4-8pm. Participate remotely anytime. Read more about Stephanie Benenson and Harbor Voices.

Stephanie Benenson HARBOR VOICES Dec 8 2017 City Hall Gloucester MA ©C Ryan 20171208_163630.jpg

photos – We went back twice and saw all ages visiting and myriad reactions and interactions. Julie was there from Open Doors, one of the non-profit partners in the project.

www.harborvoices.com
action@harborvoices.com
Instagram @harborvoices
Facebook @harborvoicescapeann

 

Stephanie Benenson HARBOR VOICES light show #GloucesterMA | immigration, conversation & acts of generosity manifest as public art

Stephanie Benenson, artist studio, discussing 2017 Harbor Lights 20171122_091510

Stephanie Benenson, artist studio, discussing Harbor Lights, GIF 1122091429

from a studio visit with Stephanie Benenson Nov 2017

You can join in Stephanie Benenson’s fascinating big vision, Harbor Voices, a public art and cultural piece that’s made from light, sound and community participation. Part of the project is a  large-scale and temporary LIVE light & sound installation which will happen on ten minute loops from 4-8pm on Friday December 8th, and Saturday December 9th, one of many featured events for the 2017 Middle Street Walk. Harbor Voices will be held inside the Kyrouz Auditorium in City Hall , 9 Dale Avenue, Gloucester, MA.

Come experience a sweeping ocean of sound, stories and light, drawn by the voices and acts of generosity of neighbors and friends.

Benenson, a Rockport native and North Shore based fine artist, received a prestigious and competitive RISD grant to create Harbor Voices. Benenson collected over 100 stories in eight languages of recent and ancestral immigration to Cape Ann. For the past year she led (and continues to lead) practical and creative storytelling sessions and workshops at area schools like Veteran’s Memorial and Gloucester High School,  as well as community organizations and centers such as Sandy Bay Historical Society. Students talked with Benenson about “their ancestors* and families bringing cultural heritage to Cape Ann.” She said that kids mentioned “family members that started businesses here (like Jalapenos, Sclafanis, and other cultural destinations on Cape Ann)…and how meangingful that was to them…and people that they had deep respect and admiration for…” They discussed “family recipes, music, food and how immigration historically has made American art and culture come alive.”  Mayor Romeo Theken was the first story collected. Other Cape Ann storytellers outside of the schools and non profit partners include: Jean Testaverde (Portuguese fishing ancestry), Ingrid Swan (Swedith quarrying ancestry), Heather Lovett (descendent of Roger Babson), Sal Zerilli (Awesome Gloucester and Rockport), Jan Bell, Buddy Woods, Susannah Natti (Finnish and descendent of Folly Cove designer), Rich Francis (GHS teacher), and Celestino Basille (GHS teacher).

Depending upon age and preference, stories were written, recorded, or drawn. All were mixed into materials and audio that will choreograph connections directly into the light installation, and an enlarging community. At first, Benenson thought the light might guide any audio. Instead voices continue to guide the light.

Every story and act of generosity is linked to the installation and transformed into light.

Blurring the lines between public art and social sculpture, LIVE happening and virtual action, Harbor Voices emblematically presents stories, shared connections and actions. Participants of all ages are encouraged to interact with the project www.harborvoices.com and its installation– to bathe so to speak in a community of vibrancy and waves of interconnectedness and support.  Benenson adds that from 4-6PM during the two days of this installation iteration, “children will be offered a small flashlight to engage with this artwork, allowing them a tangible moment to consider their part in this interconnected network of community and local history by creating their own beam of light.” Also, before the installation opens to the public, one hundred Gloucester High School students –including some who have already added into the piece– will come to City Hall to experience Harbor Voices.

Benenson’s promotion for Harbor Voices launched in September. Leveraging attention for this remarkably ambitious project is an essential component as more involvement means more impact. Straight away it fostered community and brought opportunities. For example, Benenson spoke about the project and shared audio of the stories with Rose Baker seniors, Gloucester Rotary and the Cape Ann Museum’s Red Cottage Society. Someone from Beverly has already underwrittten  support for a class at Veteran’s Memorial Elementary School. She spoke about the project with Joey as part of GMG podcast #253

As a third generation Cape Ann artist, Benenson is especially excited to “create art and conversations around our cultural heritage and our contributions to the vibrant mix of people that live on Cape Ann.”

See more pictures and read more about the artist

Read more

Patti Amaral Clean City Initiative thanks Jason Burroughs & others for refurbishing #PublicArt Carry In Carry Out murals @Gloucester beaches

Nice letter from Patti Amaral in today’s Gloucester Daily Times writing on behalf of the city’s Clean City Initiative. She thanked the city, donors and supporters while providing some background about the Carry In Carry Out art. In case you missed it: Nov 9 2017  Letter to the Editor

Patti Amaral thanks Jason Burroughs for Public Art and other community partners for help with beach and gardens

The murals were refurbished by Jason Burroughs in October 2017. They were designed and painted by Bob Viau from StudioVo 15 years ago. Here are a few photos documenting the refurbishing. The Wingaersheek wall needed more attention.

Carry In Carry Out mural at Good Harbor Beach BEFORE 

CONDITION BEFORE Good Harbor Beach Carry In Carry Out mural had faded. original by studiovo 2002 redone 2017 Jason Burroughs

Carry In Carry Out mural at Good Harbor Beach AFTER

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Carry In Carry Out mural at Wingaersheek BEFORE

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Carry In Carry Out mural at Wingaersheek AFTER

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BEFORE

AFTER

 

Anyone interested in sponsoring a possible update to these beach displays, please let her know!

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#GloucesterMA #publicart | 370 Main Street Action Inc mural newly repainted by artist Jason Burroughs

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On November 2 2017 David Brooks and Jason Burroughs re-installed the Action Inc public art mural, Harbor and Home, which was newly repainted by Burroughs.

Cole Herbst was the original artist of the Home and Harbor mural, installed in 2010. Herbst used spray paint, acrylics and markers. Fellow artists Jake Stafford and Giacomo Vorhees helped Herbst with the project, and Jason Burroughs was involved a bit, too. Burroughs and Herbst were students together in the Compass youth program, Action Inc. Burroughs and Herbst have been in contact about the condition of Harbor and Home and settled on the current solution. Herbst is living overseas and is pleased Burroughs revived the mural and its new iteration.

©Action Inc courtesy photo

David Brooks and Jason Burroughs re-installed Harbor and Home October 2, 2017 ©Action Inc and Jason Burroughs courtesy photo (all others c ryan)

 

2015 (by then the mural had faded) BEFORE vs 2017 AFTER

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Oct 2017

July 2015 Action mural

2015- original mural had faded

 

2010 Unveiling and 2017 Unveiling

 

Jason Burroughs worked on the mural at the HIVE Cape Ann Art Haven.

©Terry Weber photograph,Nov 2010, unveiling mural at Action then Exec Dir Tim Riley on left, artist Cole Herbert right unveiling Harbor and Home mural

©Terry Weber photograph,Nov 2010, for Cape Ann Beacon- unveiling mural at Action. On left, then Exec Dir Tim Riley and artist Cole Herbst right unveiling Harbor and Home mural

Son of a Gun We Had Big Fun | scenes from #CapeAnnBigBand summer concert at Gloucester’s famous UU Church

WOW! Son of a gun we had big fun on Middle Street Friday September 8, 2017.

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There was an ensemble mix from Cape Ann Big Band self dubbed ‘Jambalaya Horns’ at Gloucester’s famous UU Church for the last Friday Night concert of this popular summer series.  “Music on Meetinghouse Green” passed the hat for the Gloucester Meetinghouse Foundation (GMF) fire sprinkler project, part of the UU restoration efforts.

 

Middle Street was alive with the sounds of New Orleans thanks to the Cape Ann Big Band players: 
Gary Wolsieffer – Tuba/bass
Carlos Menezes Jr. – Saxes/Vocals

Zach Gorrell – Keys/Saxes
Rick Geraghty – Drums/Vocals
Jon Persson – Trumpet
Tom Bones – Trombone
Joe Wilkins – Guitar/Vocals

Anthony Rocco – Trumpet/Vocals

sound snippet solos:

Jon Persson trumpet (9 sec)

 

Zach Gorrell sax (19 sec)

 

Joe Wilkins guitar (13 secs)

 

I missed hearing the students from Gloucester’s O’Maley Innovation Middle School jamming with the Cape Ann Big Band. Carlos Menezes has to be among the coolest school music directors in the country.

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There was a soccer game at Gloucester High School, a short walk and many pleasant route options away. I marvel at Gloucester’s amazing public spaces.

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About the concert series
FREE! “Nine Friday Nights. Nine Great Outdoor Concerts to benefit nine local non-profits.” 
Mayor Romeo Theken likes to remind everyone that “There’s always something going on in Gloucester!” including all the free performances for most every Gloucester Summer NightGloucester MA Free Outdoor Performances Daily…

Fish here now

Someone’s been carving more – now there’s fish schooling up, “Sacred Cod”, is chain saw carving commission by Doug out of Lynn. Find the tree stump carved into public art between Walgreens and Orange Leaf, roughly 102 Rogers Street, Gloucester, MA. There’s a ‘cap’ atop the column which fostered various descriptions and predictions (suggestion of street lamp or light, quotas, more to come…) 

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GIF public art tree sculpture fish schooling up Gloucester MA

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Someone’s carving where were we – earlier post work in progress

There are extensive examples of fish and public art in Gloucester. For a quick mini FISH SCULPTURE TRAIL …Head down the street for another intricate wood carving of fish in Latitude 43 arts collection

Latitude 43.jpg

and close by  Aristides Demetrios swirling Sea Harvest sculpture fountain (click here for more about that one)  at Sawyer Free Library.

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Perfect! Toodeloos! is perfect sponsor for The Princess Bride HarborWalk summer cinema tonight

Toodeloos! and Island Art and Hobby at 142 Main Street is year round fun. They’ve consolidated two long standing creative and well curated independent local stores together into one space: both a fabulous local toy store and a professional art supply shop.

 

Toodeloos! is between the Birdseye and Winslow Homer HarborWalk story moment markers, and a short jaunt to the summer cinema at I4C2.

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gentleman reading the Winslow Homer plaque on the HarborWalk trail today, Gloucester MA

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James Owen Calderwood and Cape Ann Art Haven murals are such a great pass through on Parsons between Main and Rogers (across the street from Toodeloos!)

And from the HarborWalk marker at St. Peter’s park, it’s easy to check out the new murals by Danny Diamond at Cape Ann Brewery 11 Rogers Street!

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HarborWalk Summer Cinema 2017 poster

 

Diamond in the rough…

but not for long! Danny Diamond is completing the monumental Cape Ann Brewery mural wrap on the Rogers Street side today.

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Cape Ann Brewery is located at 11 Rogers Street on the water by St. Peter’s park. If you’re in town it’s a gorgeous day for a harbor walk to check the painting out LIVE! I’ll post more info and photographs of the mural in progress.

If you miss seeing him in action today, you’ll have another chance as he’s signed on to paint LIVE again at the Harvest Festival. You can follow Danny on Instagram @pyse117 and http://www.skribblefish.com

before…

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during…

Danny Diamond in action mural Cape Ann Brewery

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Liz Sibley Fletcher art sale to benefit two local organizations

Save the date- meet the artist. June 3, Rocky Neck. Dozens of sculpture and wall works by local artist Liz Sibley Fletcher will be available for a  special one day sale to benefit Maritime Gloucester and Pathway.

Liz Fletcher

OLYMPUS DIGITAL CAMERALiz Fletcher – Old Frog Pond Farm & Studio Annual Sculpture Walk around the pond and through the woods

http://www.liz-fletcher-sculpture.com/

Since graduating from Mass. College of Art in 1970, Liz Fletcher has worked in clay as a sculptor, potter, and teacher. She is an exhibiting member of the NH Art Association and the League of NH Craftsmen, showing her work around New England and as far as Georgia, Texas, and the state of Washington. Living in the woods, Fletcher became concerned about human impacts on the land. After getting a Masters degree in Resource Management at Antioch New England, she assisted the Nashua River Watershed Association with open space planning, coordinating their Greenway program to protect the rivers of the region. “The wonders of the natural world inspire me, as do the absurdities of the human condition, which is often not beautiful but sometimes humorous! People often sense a narrative quality in my work — the images speak, telling stories. Life forms fascinate me. I love to shape clay into creatures and strange beings whose combinations of human, beast, and bone embody the interpenetration of the natural and human worlds, of geologic time and daily life. We’re all in it together — voyaging in this great mysterious universe.”

Past exhibits, installations and commissions

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