GloucesterCast 189 With @NicholeSchrafft, Cat Ryan, @EJLeFavour @K_HRock, The Bear and @Joey_C 6/26/16
Gloucestercast 188 With @KimSmithDesigns, Jon von Tetxchner, Deb and Frank Sacco,Catherine Ryan, Karen Pischke and @Joey_C
Cat Ryan submits-
Since the first announcement, we now have 10 younger Gloucester artists signed up for the inaugural Thanksgiving Break POP UP ART FAIR on November 28, 2015 at the Hive from 4-8pm.
So far that’s representation from GHS alumni years 2006, 2007, 2011, 2012, and 2015. Pretty good so far!
We hope more artists will sign up and can’t wait to see what they do. Spread the word! Contact Pauline at email@example.com to add your name to the growing list of exhibitors. We are looking for artists working with any media and/or creative service. Writers, musicians, documentarians, performers, printmakers—who is out there?
Friends and family: please share the fair and save the date. And thanks Joey for the first post—it truly helped to get the news out and encourage sign ups.
Click here for the first announcement on GMG https://goodmorninggloucester.wordpress.com/2015/09/22/gloucester-18up-and-under30-cook-up-some-good-art-this-semester-and-let-your-hometown-buy-thanksgiving-break-pop-up-art-fair/
Thank you so much to my friends Charles and George Ryan and Mom Catherine for helping with my Monarch film project.
Nature’s Compass ~ My current group of nine Monarchs are synchronized, all lined up on a north-south axis and pupating within moments of each other.
From the moment a caterpillar emerges, internally it begins to form the adult parts of its body. Adult Monarchs have magnetic receptors along the inner margins of their thorax, which help guide them on their south to north, north to south migration. I wonder if the magnetic receptors are here at work in the caterpillars north-south pattern of pupating.
All nine hung in a J-shape on the north-south axis as well. Since I took this photo three more have also pupated on the north-south axis. In the above photo, you can see the center caterpillar and caterpillar to the far left are in the midst of changing from a caterpillar to a chrysalis (pupating).
Cat Ryan submits-
Check out this great idea! Pauline Bresnahan, artist owner Pauline’s Gifts, mom of three (one a 4th generation Gloucester artist herself) had this great idea to help kids with the business side of art.
Gloucester College Students
Thanksgiving Break Pop Up Art Fair sale and exhibit
Thanksgiving is a time to reflect on how grateful you are and remember others. We want to thank you by celebrating your art. Home for the holidays- or not- here’s a chance to show what you’ve done and add an exhibit to your CV! Way better than calling your mother. But do that, too.
Where: the HIVE part of Art Haven (established 2008!) amazing arts center is the host venue, 11 Pleasant Street, Gloucester, MA 01930.
When: One day only, Saturday 11/28/15, from 4-8pm, Thanksgiving break weekend
It’s also “Small Business Saturday” – just after Black Friday. Come downtown and support our local shops and young artists. BONUS! 8pm is still early night for young creatives
Who: Gloucester creative collegiates, recent grads, 18 up and under 30
What: Exhibit a sample of your art, any media (sculptor, song writer, musician, poet, jeweler, dancer, graphic designer, ceramicist) Take us from “Hey my kid could do that” to “Hey my kid did that!” and “I want it!” We’ll help figure out the display if you can’t. You are responsible for delivery and take away. Stay in touch for more information.
We’re in the ‘save the date’ early planning stage and hope:
· that you can be there in person to experience the pop up art fair exhibit and celebration, host your ‘booth’, network, and more. If you can’t your art can (and your friends and family at home can drop by. More than turkey for the empty nesters.)
· that you can sell something
· that a digital one page tear sheet for each artist is created
· that you buddy up with one TAG artist
· that a directory is fostered – like an alumni news so you can together share contacts and expertise, friendship, and that you can build a contact list of people interested in your work
· Did you know that Pauline’s daughter, Kate, David Brooks (founder Art Haven) and Leon Doucette (currently working at Cape Ann Museum) graduated the same year from Gloucester High? What other local news will we learn?
Contact: Email Pauline Bresnahan firstname.lastname@example.org
if you want to exhibit, if you’re a parent of a college student who may want to hear about it, if you’d like to help, if you’d like to be a sponsor. Three artists have already signed up Kate Bresnahan, James Curcuru and Nicole Dahlmer.
Cat Ryan submits-
Look up downtown if you haven’t yet seen the wonderful Pleasant & Main ARTISPHERE sign designed and project-boosted by artist and dealer, Ken Riaf. Then head on into his Jeffrey Marshall exhibit Law & Water Gallery.
I bet you’ve seen that Ed Touchette painting catching your eye through Trident’s window—last days to see the group exhibit at Trident Gallery. Just one week away from Ed Touchette’s solo exhibit at Trident. East Gloucester and Veterans School parents please get ready to bring your kids to see his exhibit. East Gloucester kids can find an Mr. Touchette throwback tucked away on East Main. Here’s a snapshot – try and find it.
Pass through Parsons down to Rogers or up to Main to see the progress of the artists of Art Haven/Hive. Their wall mural along a private building of Parsons Street is coming along and their depiction of Man at the Wheel is filling in…check it out! We have cleaned and scrubbed out graffiti on many walls, more than once, and are happy to see new public art added alongside the temporary FISH NET street mural and Dress Code’s.
I’m not sure what artist, Bob Stephenson, would have thought of the latest mural, but I wish he could have seen it. I do know he liked the Calderwood Fish Net mural and was grateful to have the graffiti painted out, the lights installed and anytime we swept and weeded.
Special thanks this week to the folks with Dan Leaman Landscaping and Maintenance Corp for extra clean up and weeding along Parsons Street.
Cat Ryan submits-
There’s a magnificent permanent art collection displayed throughout Gloucester’s City Hall, its public buildings and many outdoor locations. In an effort to promote, encourage and share current local art and artists with the public, Mayor Romeo Theken showcases a wide variety of media on temporary loan throughout the Mayor’s office. I took some photos back in February. She requested that buoys painted by our local youth at Art Haven be featured in Kyrouz Auditorium, along with the ‘Downtown Quilt’, the 13th panel from the Gloucester Neighborhood Quilt Project. These quilts are made by residents creating art with Juni Van Dyke, the Art Program Director Gloucester Council on Aging at Rose Baker Senior Center. (Twelve panels were prominently displayed for the 2014 Inauguration for former Mayor, Honorable Carolyn Kirk.)
Donna Ardizzoni, business owner, GMG contributor https://ardizzoniphotography.wordpress.com/about-2/
Ana Connoli, photograph, Gloucester from Port. Hill
Phil Cusumano, painting, http://www.philcusumanoart.com/
Tina Greel, statue, https://www.facebook.com/tina.greel
Jennifer Johnson, photograph
Ken Knowles, painting, http://www.kenknowlesfineart.com/ken_final/home.html
Marty Luster, photograph, GMG contributor
Bridget Matthews, photograph
Shelly Nugent, photograph
Eileen Patten Oliver, painting, http://eileenpattenoliver.com/ and here https://goodmorninggloucester.wordpress.com/2015/03/03/14-works-by-eileen-patten-oliver-at-island-art-and-hobby/
Premier Imprints, tea tray, http://www.premier-imprints.com/
Louise Welch, photograph City Hall
The local art on display had me thinking about the collection at the ‘People’s House’ for our Nation: what’s the best art inside the White House? No matter what is your artistic preference, Gloucester and the Commonwealth of Massachusetts could top the charts as the City and state with the best and most art ties featured at the White House. Let’s break down a selection of that Massachusetts list currently on display at the White House room-by-room, shall we?
In the Oval Office:
Not one, but two Edward Hopper paintings, lent by the Whitney Museum of American Art, are installed one over the other, Cobb’s Barns, South Truro and Burly Cobb’s House, South Truro. There are more than 100 Edward Hopper works inspired by Gloucester, MA. The Childe Hassam’s painting, Avenue in the Rain, and Norman Rockwell’s painting, Statue of Liberty, remain on view.
In the Blue Room:
Fitz Hugh Lane’s Boston Harbor gifted by Lew Wasserman
In the East Room:
Gilbert Stuart’s Washington, John Singer Sargent’s Roosevelt
In the Green Room:
Sargent’s Mosquito Net, John Marin’s Circus, George Peter Alexander Healy’s painting of Adams and Polk and Louisa Adams by Stuart
In the Red room:
Martin Johnson Heade’s Sunrise, Bricher’s Castle Rock Nahant, more portraits by Stuart and Healy
In the State Dining room:
Healy’s portrait of Lincoln
In the Ground floor corridor:
Healy’s Millard Fillmore portrait, Thomas Ball Daniel Webster sculpture, a craftsman chair attributed to Samuel MacIntire, and Charles Hopkinson’s portrait of Calvin Coolidge
In the private quarters:
William Glackens Pavilion at Gloucester, and two Maurice Prendergast’s paintings, Boston Harbor and Revere Beach
More examples in the collection and in storage such as: Augustus Saint-Gaudens bronze bust of Lincoln, John Henry Twachtman’s oil painting, Captain Bickford’s Float; Henry Hobart Nichols painting, Gloucester Dock; and Worthington Whittredge oil painting, Thatcher’s Island off Rockport, MA.
Several artists are represented by more than one piece. How does the White House collection work? It is unusual for the White House to accept art by living artists. There are more than 450 works of art in the permanent collection. New art enters the collection after its vetted and is restricted to works created at least 25 years prior to the date of acquisition. For the public rooms, the Office of the Curator works with the White House advisory committee, the First Lady serves as the Honorary Chair, and the White House Historical Association. The private rooms are the domain of the First Family. Works of art from collectors, museums, and galleries can be requested for temporary loans and are returned at the end of the President’s final term. The Obamas have selected contemporary art, including abstract art, from the permanent collection, and borrowed work for their private quarters. Besides the Hopper paintings and John Alston’s Martin Luther King sculpture, they’ve selected art by *Anni Albers, *Josef Albers, Edgar Degas, Jasper Johns, Louise Nevelson, *Robert Rauschenberg, Edward Ruscha, and *Alma Thomas. * indicates works that have been donated to the permanent collection. The Obama Administration upgraded the website so that anyone unable to visit in person can have open access. I encourage visits to the website https://www.whitehouse.gov/about/inside-white-house/art. I love the diverse rooms and all the interconnected doors such as the splendid Green Room installation with the Marin and the Jacob Lawrence activating the threshold.
My gratitude to Chris Pantano, Office of the Mayor, Gloucester, MA, and the Office of the First Lady and the White House Office of the Curator for various courtesies shown to me while I prepared this entry.
Cat Ryan submits-
Look and look again: The spiffed up HarborWalk Fishermen’s Wharf exhibit is deeply channeled–joining fine art and discussion, business and community, wharf and sea. Keep in mind that the installation is a work-in-progress. Look for updates and notices of an official unveiling!
Back in 2010, detailed information panels along Fishermen’s Wharf were created by Mark McDonough, Vito Giacalone, Peter Prybot and Joey Ciaramitaro. The panels were installed along the Giacalone’s wall, between businesses and at the water’s edge. The content, collaborative spirit and contemporary reporting impacted the HarborWalk design. Cambridge Seven Associates, architects for the HarborWalk, were fans. Connections were encouraged. Two HarborWalk story posts (formerly described as Story Moments) were sited at each end: Fishing Today HarborWalk Story Post #5 and Lobstering HarborWalk Story Post #4. Pretty much everybody hoped the signs would be cared for and this outdoor channel would remain.
Thanks to bright sunshine, the panels along Fishermen’s Wharf deteriorated. Some of the fabulous content disappeared. Guess what? Signs are temporary and can be re-visited.
New signs were designed, content edited and updated, and the display taken to a new level with support of the City. Matt Coogan, Senior Planner Community Development, directed the project, working with the original authors and team. Cambridge Seven Associates designed the panels. The addition of fine art photography, drawings and design spiffed up the already museum quality display. Fine art by Joey Ciaramitaro, Marty Luster, Paul Frontiero and others are something else to celebrate this week!
Saunter by. More stories to come. Worth repeating: the exhibit is still a work in progress. It’s not 100% live…yet!
For giving up another Sunday morning to help at the HarborWalk. I am so thankful for your continued help, especially this spring with our daughter’s upcoming wedding. You are doing a tremendous job. I just can’t express how greatly appreciated is your time, energy, hard work, and thoughtfulness. Thank you also to Lise Breen, Amy Kerr, Leslie Heffron, and Beth Chiancola for your help many Sunday mornings this spring.
Through working on the HarborWalk I have met some of the nicest and most kind hearted people one could ever hope to meet. If you would like to lend a hand and come work with the amazing Friends of the HarborWalk, email me at email@example.com.
Today we planted patches of butterfly, bee, and songbird attracting annuals. I am so proud of the job George and Charles accomplished–64 plants all on their own!
Thank you Lynn Bird, Amy Kerr, Catherine Ryan, Charles and George for an awesome and fabulous job! We spent the morning weeding and getting the HarborWalk beds ready to plant butterfly attracting annuals. Lynn, Amy, and Catherine are just amazingly helpful and super hard workers. With special thanks to Charles and George for their enthusiasm and wonderfully positive attitude. The boys pitch right in and just really attack the worst of the oversized weeds–we especially enjoyed the funny names they’ve assigned the most offensive weeds, names such as tidy whities!
Gloucester HarborWalk Volunteers Lynn Bird, Amy Kerr, Catherine Ryan, George, and Charles
See More Photos Here Read more
Most of our group went into the State House thru the General Hooker entrance. Escorted by Catherine Ryan, I entered via the accessible Bowdoin Street door, because it has a ramp instead of stairs. Once inside and past security, there are elevators aplenty. The first thing I wanted to see was one of the two large cod sculptures. By chance, we immediately ran into our State Senator, Bruce Tarr, who took the time to give us a short tour. Art in all media was everywhere, including the 1798 “new” State House itself.
Reminder Gloucester’s Harbortown Cultural District
The 2nd Annual Meeting and celebration
Wednesday, November 5th, 2014
At the HIVE 5-7pm
Meet the new partners. Surprises, special performance, and…
2014 Windows Gallery at the HIVE
Featuring Harbortown Cultural District Partner group exhibit
On exhibit November 5, 2014
David Cox, Harbortown Cultural District *Founding Partner, photograph
Fred Bodin, Harbortown Cultural District *Founding Partner, photograph
Joey Ciaramitaro, Harbortown Cultural District *Founding Partner, photograph
Loren Doucette, Harbortown Cultural District *Founding Partner, painting
John Sarkin, represented by Ken Riaf’s Law and Water Gallery, Harbortown Cultural District Partner, drawing
Juni Van Dyke, Harbortown Cultural District Partner, painting
Ken Riaf, Harbortown Cultural District Partner, box constructions, mixed media assemblage sculpture
Beth Williams, Harbortown Cultural District new Partner, artist & downtown proprietor, handmade glass beads and jewelry
goodlinens, Harbortown Cultural District new Partner, artist and entrepreneur JoAnne
Chirico downtown textile business
Belle + Me, Harbortown Cultural District new Partner, designers Anne Malvaux and Lisa LeVasseur, French inspired custom scarves with jewelry
Ten Pound Studio, Harbortown Cultural District Partner, artist and a Ten Pound founder, Susan Quateman, silk painting; artist Muriel Lee Steele, silk painting scarf
BEYOND THE WINDOW! Art Haven is a Harbortown *Founding Partner
Check out HIVE, TAG, and other artists including Jason Burroughs currently on exhibit within all Art Haven’s amazing artistic community spaces. Sign up for classes! Use TAG services: printing and design, graphics, digital printing, screen printing, and more!
Founding Partner Art Haven has generously offered the HIVE for Harbortown Cultural District’s 2nd Annual Meeting and partner celebration which will be the perfect setting! Join us in celebrating a spectacular year filled with museum openings, special events, national press, and other landmark programming and happenings. Plus…meet the new Harbortown Cultural District Partners! Here’s a link to the current partners list (http://www.gloucesterharbortown.org/partner-profiles) Thanks to founding partners: GMG for helping us connect and spread the word, and to Fred Bodin, Maritime Gloucester and the Cape Ann Museum for hosting our 3 previous Harbortown Partner Events.
Carol Thistle, Gloucester Community Development Director
Year round, select one of three Gloucester MA HarborWalk walking tours
1) Self-guided, year round, free, public-access and award winning walkway. 42 story moment granite posts installed as a permanent outdoor exhibit. The reclaimed granite posts feature plaques highlighting the city’s past and contemporary cultural treasures. Gloucester’s maritime heritage, innovators in business, politics and the arts are all featured. The signs also provide suggestions for exploration elsewhere in Gloucester and there are QR codes which scan to additional content. It’s family friendly for all ages and accessible for all. Visit just one story moment marker or “hop-on, hop off” like a transit line. Follow a specific inner loop 1.2 miles or extend it for a nice, long walk (3 miles RT). It is designed to be flexible for any length or duration, and for educational and programming opportunities for community and visitors. It was designed by Cambridge Seven Associates. http://www.ghwalk.org Contact: friends of the HarborWalk firstname.lastname@example.org
2) Guided: a mini mobile tour that leads you to 14 story moments and is narrated by the coolest host ever, Gloucester singer, Ann Marie. You may know her work with Bandit Kings and elsewhere. The HarborWalk mobile guided tour –an American Alliance of Museums gold MUSE winner- can be downloaded ahead of time and brought along wherever you go. Loads of talented Gloucester creatives helped and/or featured. You’ll be guided along a shorter trail (14 stops) by following Ann Marie to the Story Moment markers that include an extra sign, postcards lettered “A” through “N”. There are surprises within stores, public spaces, and businesses as you explore our community via the app’s activities. Along with the video introduction, the two short films, “HarborWalk Cinema”, can be viewed anytime, but reward a visit downtown with not to be missed interactive elements! http://www.ghwalk.org Contact: friends of the HarborWalk email@example.com
3) Self–guided kids and family activity: Become a “Gloucester Explorer”
Any kid who hunts and finds each trail marker icon can receive a certificate signed by the Mayor for becoming an official “HarborWalk Explorer”. People can print out this 2-page tracing master sheet (see attached PDF) ahead of time from their own printer OR check at the Chamber or Stage Fort Welcoming Center for copies. http://www.ghwalk.org Contact: friends of the HarborWalk at firstname.lastname@example.org
Click below for the video with Cape Ann Museum Director Ronda Faloon
Catherine Ryan writes-
RE-OPENING THE CAPE ANN MUSEUM with Director RONDA FALOON
Part 3 of 3: From ceramic shards and Lane’s light to more than 1000 prisms
In part 3 of touring the Cape Ann Museum’s recent renovation, Director Ronda Faloon heads upstairs and inspires several portrait shots by Joey Ciaramitaro.
designLAB Architects were tasked with orchestrating four projects for this Cape Ann Museum 2013-14 renovation. The museum required interior repairs and updates for older parts of the building “studs in” such as electrical, plumbing, fire and security systems. There was some necessary upkeep and care of fifty year old surfaces. Underutilized spaces were re-configured. Lastly, the renovation provided an opportunity to reinstall the permanent collection. Prior to this renovation, one of the museum’s last building projects was the Graham Gund master plan, a dramatic facility expansion and redesign begun in 1990 and completed in multi-stages so the museum could remain open.
It’s not easy to temporarily close a Cape Ann mainstay. In order to continue to encourage such a superb experience and repeat visitation, the Cape Ann Museum has continually improved. The museum has been in existence since the 1870s. The various buildings, architects and additions are part of its history and success in sharing the arts and culture of Cape Ann.
When the museum re-opens in August 2014 , as visitors ascend the familiar Graham Gund staircase to the second floor (or elevator—Cape Ann Museum is fully accessible), they’ll encounter a new gallery space custom designed for the massive and rare first order Fresnel Lens, one of 39 remaining in the United States. French physicist Augustine-Jean Fresnel designed these lens in the early 1820s. This one was manufactured in Paris, France, and installed on Thatcher Island in 1861. The lens is remarkable for the science and history and is just one of many objects of notable design in the museum’s collection.
Funding support also tells the story of a museum. This project was successful in raising 5 million for a capital campaign including funding from the Gloucester Community Preservation Act, the Massachusetts Cultural Council, the Henry Luce Foundation, the Wyeth Foundation for American Art, among others- and most recently the NEA for the upcoming Fitz Henry Lane Online project.
Although we could not pin her down on a new favorite spot to recommend (“Hopeful that folks will find their own!”)
THREE QUESTIONS FOR MUSEUM DIRECTOR RONDA FALOON
Congratulations on the successful capital campaign and major facilities renovation and collection updates! When did you start as Director?
“I worked as the Assistant Director from 2004-06 and was hired for the Director’s position in 2006. I’ve lived on Cape Ann for 25 years.”
How does it feel to be almost opening?
“10 months is a long time to be closed- I look forward to having people in the museum enjoying and enlivening the spaces! Everyone here on staff has done more than 200% to make this transformation a reality.”
Is there anything you’ll miss from the prior design?
“Change is hard and it was tough to see rooms you loved being disassembled, but now that they have been replaced with something wonderful it’s exciting! We are so grateful to the members, friends, and community for being so very generous and offering such broad support.”
SAVE THE DATES
August 19- Museum grand reopening to the public
Cape Ann Museum website: www.capeannmuseum.org
Architect 2013-14 renovation: designLAB
Lighting designer: LAM Assoc
Exhibition consultant: Naomi Chapman
Display cases: Jeff Westlake
Locals businesses: Timberline, Spittle Electric, Hiltz, Clean Pro and many more
For more on the legacy of artists on Cape Ann and how important the Cape Ann Museum is…
LOOK UP this August to see Hopper, Homer, Hassam, Lane and more on billboards across the country. The Art Everywhere US campaign will feature works by American artists on displays, ads and transportation platforms across the country. Popular vote decided which images will go large. Visithttp://arteverywhereus.org/art-gallery to see the 58 works of art that were crowd sourced from high lights of 5 museums. Hopper, Homer, Lane, Hassam, Heade: images by artists with some Massachusetts and/or Cape Ann –and Cape Ann Museum–connections are represented. Edward Hopper’s Nighthawksat the Art Institute of Chicago received the most votes. Look for Homer’s Gloucester image, Breezing Up (A Fair Wind), from the National Gallery (which granted Gloucester permission for the Winslow Homer story moment marker for the Gloucester HarborWalk) and Lane’s Boston Harbor, Sunset, Los Angeles County Museum of Art. Several artists have more than one image chosen (Homer, Cassatt, and O’Keefe to name a few).
Click for video with Cape Ann Museum Director Ronda Faloon-
Cat Ryan writes-
RE-OPENING THE CAPE ANN MUSEUM with Director RONDA FALOON
Part 2 of 3: illuminating the world’s largest collection of America’s master luminist Fitz Henry Lane
In part 2 of touring the Cape Ann Museum, Director Ronda Faloon shares some of the NEW as we follow along with her. GET READY TO SEE THINGS YOU’VE NEVER SEEN BEFORE.
The Cape Ann Museum’s focus on art and artists is everywhere.
The dramatically redesigned welcome area and exhibition galleries enhance access and connections. There are new windows bringing the outside in. New amenities (welcome desk! coat room! lockers! bathroom!) on the ground floor orient and encourage us to get ready to take a breath, stop and look.
Hundreds of legacy pottery shards with transferred text from the museum’s archives are tucked along four new walls in Diane KW’s new installation, At World’s End- The Story of a Shipwreck.
When the Cape Ann Museum re-opens in August, the world’s largest repository of Gloucester’s very own Fitz Henry Lane collection will be 10x brighter thanks to new installation and lighting design. There’s more to Lane still to be revealed. Thanks to higher resolution images and powerful new media, the museum is producing a state of the art catalogue raissone and research tool, The Complete Works of Fitz Henry Lane, that will glow with close ups, archives, artifacts and stories. Nothing though can take the place of standing close and viewing these beauties in person. As Joey insists, “You have to come see these!”
It’s a GMG mission to make sure everyone understands how amazing this museum is and how fortunate it’s here in Gloucester.
SAVE THE DATES
August 19- Museum reopens to the public
Cape Ann Museum website: www.capeannmuseum.org
EDWARD HOPPER (July 22, 1882-1967)
See what’s on their easels: a 1960s video excerpt of Edward Hopper and Jo working in their former studio and home at 3 Washington Square North, NYC.
Click video to listen-
Cat Ryan writes-
With a world class collection and legacy, its ongoing support of contemporary arts, and robust exhibition schedule the Cape Ann Museum has no problem keeping the experience of art alive and present, and compelling.
It’s where you can come experience something that is not part of everyday life.
Ronda Faloon, Director of the Cape Ann Museum, discusses the museum’s transformation over the past 10 months and gives GMG exclusive access leading up to the grand re-opening. Getting there required long hours and difficult conditions, a 5 million dollar capital campaign and a ten month closure. This stellar collection is shown in even better conditions.
There will be a week of celebratory and special events beginning with the kick-off gala of August 16, 2014, and open to the public Tuesday August 19th. Visit www.capeannmuseum.org for all the details, and sign up for progress updates.
Click Floor Plan to Expand Full Screen