Tag Archives: Cape Ann Museum

Down the lane: Fitz Henry Lane art shuffled from Gloucester Sawyer Free library to Cape Ann Museum

You may have noticed that the Gloucester Lyceum & Sawyer Free Public Library is sporting noticebly thinned out collections, and it’s not just the books. Three Fitz Henry Lane paintings were moved across the street to the Cape Ann Museum: Gloucester Harbor (gifted to the Library by Judith M Todd); Sawyer Homestead Freshwater Cove, Gloucester; and Coasting Schooner off Boon Harbor, ME. Additionally, a portrait of Sawyer and a Bertha Menzler Payton painting are no longer on view.

BEFORE AND AFTER

Gloucester Lyceum & Sawyer Free Public Library installation views- BEFORE (Lanes installed) / AFTER (Lanes removed)

Installation view two FITZ HENRY LANE paintings GLOUCESTER HARBOR left and SAWYER HOMESTEAD right at Sawyer Free Public Library ©C Ryan IMG_183127

Past the crowd, on the far walls installation view showing pair of Fitz Henry Lane paintings (Gloucester Harbor on the left and Sawyer Homestead Freshwater Cove on the right). A Carlton T Chapman painting is under the clock. Gloucester Lyceum & Sawyer Free Public Library

Installation view two Gruppe paintings former site of two Fitz Henry Lane paintings at Sawyer Free Public Library ©C Ryan_111423

Gloucester, MA. Gloucester Lycecum & Sawyer Free Public Library December 2017 pair of Emile A Gruppe paintings installed (formerly site of two Fitz Henry Lane paintings)

 

You can click on the photos to read captions. The photo pair below show Lane Coasting Schooner replaced with a painting from the Addision Gilbert Hospital collection, a portrait of Sawyer and his wife

 

Library vs Museum

Lane painting installation views comparing Gloucester Lyceum & Sawyer Free Public Library vs Cape Ann Museum

More photos from both collections

 

Cape Ann Museum is just across the street and it’s the world’s most vital Lane collection. Still, I wish the paintings could remain at the library. I lament my industry’s inability, all of us, actually– to find a way to make stewardship affordable for repositories just like this one. I’ve been thinking about the pros and cons of making copies for the library. When access to originals is difficult or impossible, copies can be a boon. For example the Madonna atop Our Lady of Good Voyage is a replica. The original is held at the Cape Ann Museum and affords close observation that was impossible from the street. The copy preserves the impact of the site. Two dimensional  poster reproductions and painted copies are rarely more. Mostly, I advocate for originals. Here, original art was replaced with original art.

The gifts were for the library and Gloucester, in varying degrees of partnership with the library since Sawyer’s private endowment upon his death in 1889. The provenance paperwork for the Lanes can be deciphered differently depending upon context.

The Lanes leaving the library made me think about the James Prendergast Library collection deaccession, for operating funds and a new vision, rather than a relocation just across a city square. That library is located in Jamestown New York. The board consigned 44 paintings to two auction houses for November 2017 sales. The update is that several works did not find purchasers, failing to meet presale estimates. The board rejected lowball offers following the public sales, and the art remains with the auction houses to be sold in future to-be-determined sales. The New York Attorney General office denied a purchase offer that would have held the art in Jamestown, ruling instead for public auction.  A makerspace was crafted from three extant rooms where a children’s computer coding Scratch class was offered at the time of the sales. Jamestown had cut annual funding for its library by $300,000. (see prior GMG posts November 20 2017 and auction results)

I was hoping the Lanes might be featured prominently and safely with any interior buildout proposals at Sawyer Free library, like this installation at the Currier (which was a temporary build out for a museum exhibition), and the library’s other works. The Matz gallery is pretty perfect for changing exhibits of local artists.

Installation view ALBERT BIERSTADT The Emerald Pool Currier Museum of Art Mount Washington exhibit January 2017 © c ryan.jpg

 

“Lean into the blustery sea” Inauguration Ceremony underway #GloucesterMA

Big, beautiful turn out and program featuring wonderful speakers and tributes to Mayor Romeo Theken, her essential address, the swearing in of officials, exceptional arts throughout, and fantastic emcee Ronda Faloon, Director of Cape Ann Museum. Councilor Lundberg is the Chair of City Council and Councilor LeBlanc is the Vice Chair.

-quote in title an excerpt from John Ronan great poem WE, HELMSMEN

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Reminder: Quick Steps & Ballads at Cape Ann Museum

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DETAIL (Fitz Henry Lane sheet music cover displayed at Cape Ann Museum’s Drawn From Nature & On Stone exhibition)

FHL sheet music cover for a yankee ship and a yankee crew 1865 litho

photo: FH Lane illustration (Boston Harbor/USS Constitution/State House) for

Captn. E.G. Austin’s quick step
As first performed by the
BOSTON BRIGADE BAND on the anniversary of the
Boston Light Infantry,
May 31st 1837
also the new nautical song A Yankee ship and a Yankee crew,
sung by Mr. Williamson

From Cape Ann Museum- Upcoming Saturday January 6, 2018

Cape Ann Museum Fitz Henry Lane Quick Steps and Ballads

“The Cape Ann Museum is pleased to present Quick Steps and Ballads: The Sheet Music Lithographs of Fitz Henry Lane, on Saturday, January 6 at 3:00 p.m.  This musical performance is free for Cape Ann residents, Museum members or with Museum admission. Reservations are required and can be made online at camuseum.eventbrite.com or call (978)283-0455 x10.

The performance was conceptualized and coordinated by local musicians Kristina Martin, Kathleen Adams and Beverly Soll with music transcription and program design by Andrew Soll. Featured performers include the Waring School Singers, ‘Leven, Vintage Victorian of Nahant, and other individuals from around the north shore area. Don’t miss this opportunity to see the dances and hear the songs that were popular in the 19th century!

The performance is offered in conjunction with the special exhibition Drawn from Nature & on Stone: The Lithographs of Fitz Henry Lane, which was designed to explore artist Fitz Henry Lane’s life and career in detail and against the backdrop of 19th century printmaking culture in America. As early as 1833 Lane was illustrating sheet music for these popular songs of the time. The special exhibition is on display until March 4, 2018.

Image credit: (left) Song of the Fisher’s Wife. Lithograph on paper (sheet music). Drawn by F.H. Lane. Lithograph by Sharp & Michelin Lithography. Published by Oakes & Swan, Boston, 1840. American Antiquarian Society.  (center) The Maniac. Lithograph on paper (sheet music). Drawn by F. H. Lane. Lithograph by Thayer’s Lithographic Press. Published by Parker & Ditson, Boston, 1840. American Antiquarian Society. (right) Sicilian Vespers. Lithograph on paper (sheet music). Drawn by F. H. Lane. Lithograph by Pendleton’s Lithography, Boston. Published by C. Bradlee, Boston, c.1832. Boston Athenaeum. Gift of Charles E. Mason, Jr., 1978.”

Bring it home! Rockefeller Edward Hopper #GloucesterMA Dogtown painting @ChristiesInc

EDWARD HOPPER Cape Ann Granite oc 29 x 40 1928 est 6 to 9 mil private collection Rockefeller

Christies, the New York auction power house is currently marketing the Peggy and David Rockefeller art collection across the (art)world–Hong Kong, London, and Los Angeles– before the spring 2018 live sale back in New York. The collection includes a painting by American artist, Edward Hopper (1882-1967), that was inspired by Gloucester: Cape Ann Granite is one of the rare Hopper paintings remaining that’s not currently held in a museum. There are more than 110 Gloucester houses and vistas depicted by Edward Hopper.

Advance promotion of Christie’s upcoming Rockefeller auction have yet to illustrate the painting, although the artist’s recognizable name is mentioned in every press release and the painting is included in the world tour highlights exhibit. The catalogue for the sale is not ready.

Former owners of Cape Ann Granite have in common connections to Harvard, banking and art collecting

Billionaire and philanthropist, David Rockefeller (1915-2017), was a Harvard graduate and longtime CEO of Chase Manhattan bank (later JP Morgan Chase). His art appreciation began early,  influenced by both parents and the Rockefeller family collections. His father was the only son of  John D. Rockefeller, a co-founder of Standard Oil Corp. His mother, Abby Aldrich Rockefeller (1874-1948), helped establish the Museum of Modern Art, and the fund in her name helped secure Hopper’s Corner Saloon for the permanent collection. Several family members were Trustees. After his mother’s death, David took her Trustee seat.

Like David Rockefeller, the first owner to acquire Cape Ann Granite was a Harvard graduate, art collector and financier, about the same age as Rockefeller’s parents, and Hopper. Benjamin Harrison Dibblee (1876 – 1945) was the scion of  California businessman, Albert Dibblee. The family estate “Fernhill” was built in 1870 in Ross, California (later the Katharine Branson School). Benjamin H Dibblee was a Harvard graduate (1895-1899), an All-American Crimson football player (halfback and Team Captain), and head coach (1899-1900). W.H. Lewis, a famous center rush, was the Assistant Coach. (Harvard football dominated under this coaching team. See the standings below the “read more’ break.) In 1909, Dibblee donated his father’s historic papers concerning California’s secret Civil War group “The Home Guard of 1861” including its muster roll and pledge of loyalty to Lincoln and the Union cause. Dibblee was an alternate delegate from California to the Republican National Convention in 1912. As a  Lt. Col. he was listed as one of five California committee members for the American Legion in 1919. He was a big wheel investment banker at EH Rollins & Sons, a firm impacted by the Wall Street crash of 1929.

Benjamin Harrison Dibblee Harvard Football all american then Captain Wikipedia photo first purchaser of Edward Hopper Cape Ann Granite Gloucester MA Dogtown painting later owned by Rock
Wikipedia photo of Dibblee  from The Official National Collegiate Athletic Association football guide, 1899

It’s fun to think about Dibblee possibly visiting Gloucester during his time at Harvard, like so many students and faculty; then, decades later, acquiring a major Hopper because it was both a modern masterpiece, and a Gloucester landscape.

The Hopper Cape Ann Granite painting has me itching to research all Crimson team photos– not simply varsity nor football circa 1895-97– because of the (remote) chance of another Gloucester-Harvard and athletic connection. In 1895 Dibblee was involved with sports at Harvard at the same time as author and Olympian, James Connolly.  In 1899 both were involved with football; Dibblee as the Harvard coach and Connolly as Gloucester’s athletic director and football player**. Maybe they scrimmaged. Maybe they scrimmaged in Gloucester.

Hopper’s artist inventory log pages for ‘1928 oils’ itemizes Cape Ann Granite as follows: “Sent on from Gloucester September 27, 1928, 3 canvases. Cape Ann Granite, 29 x 40, Green picture on hill with rocks. Fresh green in foreground. Slanting shadows cast by rocks and boulders. Sky blue with clouds. Small tree on R. BH Mr. Dibblee 49 Wall Streeet of San Francisco (Lived near 14 miles from San Francisco. Knows Alex Baldwin in Calif. (SanFrancisco) 1500 -1/3. 1000 on June 5, 194 ” 

EDWARD HOPPER diary page includes Gloucester entries

From Hopper’s Artist’s ledger -Book, ink graphite on paper, Whitney Museum of American Art, Gift of Lloyd Goodrich

 

The pencil annotation “Modern Masters EH 1933” accompanying the thumbnail sketch for the painting on the right of this entry may be mixed up. There was a  “Modern Masters” exhibition at the Museum of Modern Art (MoMA) held in 1940 but it did not include this painting on the checklist. There was an Edward Hopper Retrospective held at MoMA October 30–December 8 in 1933 that did list this Gloucester painting, and the lender, Dibblee. (Incidentally, two other 1928 oils catalogued on that same inventory page, Manhattan Bridge Loop and Freightcars Gloucester, would both end up in the Addison Gallery collection at Phillips Academy.)

The Pure Landscapes

Excerpts from the 1933 MoMa Hopper retrospective exhibition catalogue:

“…When Hopper went to art school the swagger brushstroke of such painters as Duveneck, Henri, and Chase was much admired. Perhaps as a reaction against this his own brushwork has grown more and more modest until it is scarcely noticeable. He shuns all richness of surface save where it helps him to express a particular sensation…in spite of his matter-of-factness, Hopper is a master of pictorial drama. But his actors are rarely human: the houses and thoroughfares of humanity are there, but they are peopled more often by fire hydrants, lamp posts, barber poles and telegraph poles than by human beings. When he does introduce figures among his buildings they often seem merely incidental. Perhaps during his long years as an illustrator he grew tired drawing obviously dramatic figures for magazines. Hopper has painted a few pictures in which there are neither men nor houses. The pure landscapes Cape Ann Granite (9), Hills, South Truro (16), Camel’s Hump (22) occupy a place apart in his work. they reveal a power which is diconcertingly hard to analyze. Cezanne and Courbet and John Crome convey sometimes a similar depth of feeling towards the earth and nature…” Alfred Barr, 1933

“In its most limited sense, modern art would seem to concern itself only with the technical innovations of the period. In its larger and to me irrevocable sense it is the art of all time; of definite personalites that remain forever modern by the fundamental truth that is in them. It makes Moliere at his greatest as new as Ibsen, or Giotto as modern as Cezanne.” Edward Hopper, 1933 

Yale owns a related watercolor by Edward Hopper, Cape Ann Pasture

EDWARD HOPPER, oil on canvas, Yale University collection, Edward Hopper All Around Gloucester by Catherine Ryan

 

Catherine Ryan art image design Edward Hopper all around Gloucester MAProceeds from the sale of the Peggy and David Rockefeller art collection at Christies next spring will benefit 10 selected charities. Perhaps a magnanimous collector might consider this Hopper Dogtown purchase for the Cape Ann Museum, a philanthropic twofer in this case, and needed. Cape Ann Museum does not possess a Hopper Gloucester painting and if any musuem should, it’s CAM. We need to eventually guide back the Hopper painting Gloucester Street, too.

Gloucester Street private collection Edward Hopper all around Gloucester

Glou Street Edward Hopper

To date Christie’s auction house has promoted primarily a Picasso and Matisse as the star lots from this collection of masterpieces because of their hefty valuation. The presale estimate for the Matisse Odalisque couchée aux magnolias (1923) is 50 million.  The Picasso painting, Fillette à la corbeille fleurie (1905), a “Rose period Masterwork”, is estimated to top 70 million. The presale estimate for the Hopper is 6 million to 8 million.

Christies highlight page for Rockefeller does not show the Hopper yet Dec 12 2017

Christies first press roll out features the Pciasso and Matisse

 

The Picasso was diplayed in the  libary of  the Rockefeller Upper East Side mansion at 146 East 65th Street.   Its first owners were Gertrude and Leo Stein. Gertrude Stein hated it though her brother bought it anyway. After Alice B. Toklas (Stein’s partner) died in 1965,  MoMa trustees drew lots and were offered first pass on the legendary Stein collection. David Rockefeller won first pick, and selected the Picasso. I wonder how it will fare in this #metoo awakening. At the time of her death, Toklas had long been evicted from their Paris home as she had no legal standing nor benefit from any estate sales.

Gertrude and Leo Stein Rockefeller Picasso provenance

installation Leo and Gertrude Stein

Gertrude Stein and Alice Toklas collection at home

installation Gertrude Stein and Alice Toklas

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Cape Ann Museum Tenth Annual Women’s Luncheon rolls out the @GrosvenorWilton carpet

December 6, 2017 – more photos to come!

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Hundreds of guests streaming in to enjoy the 10th Annual Women’s Luncheon, Cape Ann Museum’s wonderful annual benefit to help raise funds for a unique collections-related project.

Ahead of the lunch, happy guests  are viewing the stunning wallpaper in the Davis house,l– acquired with support from last year’s luncheon–, current exhibitions, and holiday shopping in the museum’s boutique shop.

New to the gift shop- custom sampler

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The 2017 luncheon campaign will support “the purchase and installation of historically accurate carpeting in the Captain Elias Davis House, a Federal style structure built in 1804…Carpet for this project will be made by the Grosvenor Wilton Company Ltd. founded in 1790.” 

Photo – Davis House before carpet

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The 10th Annual Women’s Luncheon welcomes Melissa Geisler Trafton, an art historian specializing in 19th century landscape painting, as the special speaker. Trafton was the Adjunct Curator and Managing Editor for the museum’s momentous Fitz Henry Lane Online and wrote one of the essays in the exhibition catalog for the current exhibition: Drawn from Nature & on Stone: The Lithographs of Fitz Henry Lane.

Gals

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Martin Ray’s new book! Cape Ann Narratives of Art in Life

Cape Ann Narratives of Art in Life, by Martin Ray

December 4, 2017 at Trident Gallery

“The book will be offered for sale at $30.00 during a SIGNING PARTY at Trident Gallery, 189 Main Street, Gloucester, 3:00-5:00 Sunday afternoon December 10. At 4:00 I will give remarks of acknowledgement to the profilees and to the team which coalesced to grace the printed book with elegance. I hope to see you there.” – Martin Ray

January 13, 2018 Cape Ann Museum reception and panel

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Boston Globe on Cape Ann Museum Fitz Henry Lane

view of gloucester from rocky neck

The wonderful Cape Ann Museum exhibition Drawn from Nature & on Stone: The Lithographs of Fitz Henry Lane was in the news two more times this week: reviewed by Cate McQuid in the Boston Globe, and Rick Russack in Antiques and Arts Weekly.

Click the link to read the Boston Globe article:  “Honoring an artistic native son in Gloucester” by Cate McQuaid 

Click the link to read the Antiques and Arts Weekly article: Drawn From Nature & On Stone: The Lithographs of Fitz Henry Lane

This comprehensive exhibition focusing on Fitz Henry Lane (1804-1865) as a printmaker runs through March 2018. Georgia Barnhill, Andrew W. Mellon Curator of Graphic Arts Emerita at the American Antiquarian Society in Worcester, MA, served as guest curator and worked closely with the Museum to organize this special show.

Barnhill will be giving another curator gallery talk Saturday, December 2, 9:30AM.

More photos from the exhibition

Stephanie Benenson HARBOR VOICES light show #GloucesterMA | immigration, conversation & acts of generosity manifest as public art

Stephanie Benenson, artist studio, discussing 2017 Harbor Lights 20171122_091510

Stephanie Benenson, artist studio, discussing Harbor Lights, GIF 1122091429

from a studio visit with Stephanie Benenson Nov 2017

You can join in Stephanie Benenson’s fascinating big vision, Harbor Voices, a public art and cultural piece that’s made from light, sound and community participation. Part of the project is a  large-scale and temporary LIVE light & sound installation which will happen on ten minute loops from 4-8pm on Friday December 8th, and Saturday December 9th, one of many featured events for the 2017 Middle Street Walk. Harbor Voices will be held inside the Kyrouz Auditorium in City Hall , 9 Dale Avenue, Gloucester, MA.

Come experience a sweeping ocean of sound, stories and light, drawn by the voices and acts of generosity of neighbors and friends.

Benenson, a Rockport native and North Shore based fine artist, received a prestigious and competitive RISD grant to create Harbor Voices. Benenson collected over 100 stories in eight languages of recent and ancestral immigration to Cape Ann. For the past year she led (and continues to lead) practical and creative storytelling sessions and workshops at area schools like Veteran’s Memorial and Gloucester High School,  as well as community organizations and centers such as Sandy Bay Historical Society. Students talked with Benenson about “their ancestors* and families bringing cultural heritage to Cape Ann.” She said that kids mentioned “family members that started businesses here (like Jalapenos, Sclafanis, and other cultural destinations on Cape Ann)…and how meangingful that was to them…and people that they had deep respect and admiration for…” They discussed “family recipes, music, food and how immigration historically has made American art and culture come alive.”  Mayor Romeo Theken was the first story collected. Other Cape Ann storytellers outside of the schools and non profit partners include: Jean Testaverde (Portuguese fishing ancestry), Ingrid Swan (Swedith quarrying ancestry), Heather Lovett (descendent of Roger Babson), Sal Zerilli (Awesome Gloucester and Rockport), Jan Bell, Buddy Woods, Susannah Natti (Finnish and descendent of Folly Cove designer), Rich Francis (GHS teacher), and Celestino Basille (GHS teacher).

Depending upon age and preference, stories were written, recorded, or drawn. All were mixed into materials and audio that will choreograph connections directly into the light installation, and an enlarging community. At first, Benenson thought the light might guide any audio. Instead voices continue to guide the light.

Every story and act of generosity is linked to the installation and transformed into light.

Blurring the lines between public art and social sculpture, LIVE happening and virtual action, Harbor Voices emblematically presents stories, shared connections and actions. Participants of all ages are encouraged to interact with the project www.harborvoices.com and its installation– to bathe so to speak in a community of vibrancy and waves of interconnectedness and support.  Benenson adds that from 4-6PM during the two days of this installation iteration, “children will be offered a small flashlight to engage with this artwork, allowing them a tangible moment to consider their part in this interconnected network of community and local history by creating their own beam of light.” Also, before the installation opens to the public, one hundred Gloucester High School students –including some who have already added into the piece– will come to City Hall to experience Harbor Voices.

Benenson’s promotion for Harbor Voices launched in September. Leveraging attention for this remarkably ambitious project is an essential component as more involvement means more impact. Straight away it fostered community and brought opportunities. For example, Benenson spoke about the project and shared audio of the stories with Rose Baker seniors, Gloucester Rotary and the Cape Ann Museum’s Red Cottage Society. Someone from Beverly has already underwrittten  support for a class at Veteran’s Memorial Elementary School. She spoke about the project with Joey as part of GMG podcast #253

As a third generation Cape Ann artist, Benenson is especially excited to “create art and conversations around our cultural heritage and our contributions to the vibrant mix of people that live on Cape Ann.”

See more pictures and read more about the artist

Read more

7PM tonight | Dogtown National Heritage project kicks off at Gloucester city hall

Reminder-  Dogtown could be eligible for the National Register. A team of archaeologists began surveying and reviewing Dogtown the week of November 13. Come to a special public presentation TONIGHT – November 29th in Kyrouz Auditorium, Gloucester City Hall, 9 Dale Avenue, at 7pm.

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 Artistic practice inspired by Dogtown takes on many forms across generations and centuries. I’ve shown examples of 20th century artists and writers connected to Dogtown. Here’s a 21st century one to note: Deborah Guertze, Babson Boulders # (Courage), original small and lovely hand colored etching, ed.50. This particular impression is currently for sale at Rockport Art Association.

Oct 28 GMG post announcing tonight’s public meeting: Before Dogtown was Dogtown: archaeological survey project to be presented at City Hall November 29! Maybe hello blueberries bye bye lyme disease

“Presenters at City Hall on Nov 29th will include Betsy Friedberg from the Massachusetts Historical Commission, who will explain how the National Register program works and what it does and does not do, and Kristen Heitert from the PAL, who will present an initial plan for defining the boundaries of Dogtown as a National Register District. People attending the meeting will be asked to respond to that plan and to express their views about what makes Dogtown special. What should be the boundaries of the proposed National Register District, and what cultural features should be included in it? What would be the benefits of National Register status, and are there any drawbacks?”

North Shore Magazine on superb Cape Ann Museum #GloucesterMA Lane art exhibit

Gloucester, MA:  Cape Ann Museum has generated more good news. Check out the article in North Shore Magazine’s current issue“Collaborative & Commercial: Cape Ann Museum’s latest exhibit focuses on the printmaking skills of Gloucester artists Fitz Henry Lane” , by Robert G. Pushkar

North Shore Magazine holiday gift guide highlighted specialty items from the Cape Ann Museum gift shop like Michael Updike slates and Sarah Eliz pillows. Another article about Sweetgum Textiles Co and its new magazine, PLACE, mentions Gloucester woodworkers Alyssa Pitman and Winston Daddario of Spire Woodshop.

Beyond Gloucester and Cape Ann articles: Who knew The Stories Podcast was produced in Haverhill, the Gambino Prosecco co-founders (and couple) live in Swampscott and grew up in Lynn, and that an Amazon store opened at Lynnfield Market?

CAM Lane exhibition featured in Dec 2017 North Shore Magazine

The must see Cape Ann Museum exhibition Drawn from Nature & on Stone: The Lithographs of Fitz Henry Lane- opened  October 7, 2017 and continues through March 4, 2018. Drawn from Nature & on Stone is the FIRST comprehensive exhibition focusing on Fitz Henry Lane (1804-1865) as a printmaker. Georgia Barnhill, Andrew W. Mellon Curator of Graphic Arts Emerita at the American Antiquarian Society in Worcester, MA, served as guest curator and worked closely with the Museum to organize this special show. Barnhill will be giving another curator gallery talk Saturday, December 2, 9:30AM.

TV coverage about the Lane print exhibition includes a WGBH story.

UPCOMING

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#GloucesterMA on WGBH TV & Morning Edition radio: Jared Bowen Open Studio covers Cape Ann Museum Fitz Henry Lane exhibition

In case you missed the tv and radio coverage:

The Cape Ann Museum was featured on the WGBH TV program, Open Studio with Jared Bowen on November 10 and 11. Bowen interviewed Cape Ann Museum staff Martha Oaks and Georgia Barnhill about the fabulous new Fitz Henry Lane exhibition.  “They also toured the Lane House, so there are some good outside shots of Gloucester!”  Click the picture below or follow the link.

#GloucesterMA Cape Ann Museum Fitz Henry Lane exhibition featured on WGBH Open Studio with Jared Bowen.jpg

WGBH Open Studio with Jared Bowen espisode 2162 aired Nov 10th and 11th 

VIDEO LINK FOR THE WGBH REPORT timestamp 1:08- 5:18min

Bowen was interviewed on WGBH radio Morning Edition, and high lighted this special Lane exhibition (begins at the 4:47 mark)

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The Cape Ann Museum Drawn From Nature and Stone: Lithographs of Fitz Henry Lane exhibition opened October 4th and will continue through March 4, 2018. Cape Ann Museum is located at 27 Pleasant Street in Gloucester, MA. Look for special programming inspired by the exhibition. Next up: Emerald Rae concert at the Cape Ann Museum
Saturday, November 25 at 3:00 p.m
a concert inspired by Fitz Henry Lane’s Sheet Music covers

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Exhibition Sponsors include John Rando| Jerry and Margaretta Hausman  |  Linzee and Beth Coolidge  |  Jay Last | J.J. and Jackie Bell  |  Bill and Anne Kneisel  |  Arthur Ryan | International Fine Print Dealers Association  |  American Historical Print Collectors Society, Inc. | Beauport Hospitality Group

DOCUMENTARY #GLOUCESTERMA “DEAD IN THE WATER” IS OUTSTANDING AND SUPER EXCITING NEWS: SAVE THE DATE FOR THE FILM’S CAPE ANN MUEUM SCREENING!!!

Producers John Bell and Angela Sanfilippo with Filmmaker David Whittkower

Dead in the Water, a documentary film by David Whittkower, premiered at the Rockport High School auditorium this afternoon. Photos and video clips of the Q and A will be posted tomorrow.

Save the date for the next local showing, which will be at the Cape Ann Museum on February 10th, 2018. This film is a must see for every member of our community and will inspire you to take an active role in helping to preserve our most treasured and valuable resource. Without the help of the entire community, the industry will soon be Dead in the Water.

Georgia Barnhill curator’s talk “What Makes Fitz Henry Lane’s Lithographs So Special?”

view of gloucester from rocky neck

20170929_162640Curator’s talk at the Cape Ann Museum SATURDAY NOVEMBER 18, 2pm

RESERVE YOUR TICKETS $10 for members ($20 for non members includes museum admission)

read about the talk from the Cape Ann Museum press release:

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Rare Edward Hopper print The Lonely House fetched record auction price @SwannGalleries

The Edward Hopper etching The Lonely House was the star lot going into the sale and in the live auction last night. The print sold for $310,000 vaulting past its pre auction estimate of $150,000-$200,000.

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Hopper’s Les Poilus circa 1915 surpassed its $15000-$20,000 pre-sale estimate as well, selling for $42,500. I’ve sold an impression of the Lonely House before but I’ve only scene Les Poilus in the Whitney collection.

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The sale featured Old Master through Modern prints by American and European artists.

Here’s a link to the Swann Galleries catalogue for the November 4th 2017 sale 2460 and the Swann Galleries auction results. Images in this post are from Swann Galleries.

Besides Edward Hopper, there were prints by artists with Gloucester connections (or topics of interest such as a 1680 engraving of a beached whale).

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Willem Van Gouwen after matham A Beached Whale between Scheveningen and Katwijk 1680 engraving sold for 1875

Records were achieved for other prints like Martin Lewis, Relics, $55,000

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a rare Odilon Redon 1892 lithograph sold for $47,500

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and a Rembrandt 1631 etching, Self portrait with Cap Pulled Forward, that sold for $65,000.

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See more highlights below the “read more” break from the nearly 500 prints that were sold at the November Swann Galleries auction.

Head to the Cape Ann museum Fitz Henry Lane exhibition Drawn from Nature and on Stone: The lithgraphs of Fitz Henry Lane to experience a great print show in person. Read more

Jason Grow photo portraits of WWII Veterans at Cape Ann Museum

Jason Grow’s World War II Veterans Photographs

On view October 27 through November 26 at the Cape Ann Museum

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Portraits by Jason Grow from a 2015 series of WWII veterans. Left to right: Joseph Mesquita III, Arnold Knauth, Adele Ervin

Don’t miss the show, one month only

Reminder from the museum:

“The Cape Ann Museum is pleased to announce WWII Veterans: Portrait Photographs by Jason Grow, a special exhibition on view from October 27 – November 26, 2017. First shown at Gloucester City Hall in 2015, Grow’s portrait photographs of Cape Ann’s World War II veterans were enthusiastically received by audiences of all ages and walks of life. The exhibit makes an encore appearance at the Museum this autumn, offering visitors another opportunity to view these remarkable images as a group.

Admission is free throughout the exhibition run for veterans and all active-duty military personnel and their families, including National Guard and Reserve.

On Saturday, November 11, in honor of Veterans Day, the Museum will be free and open to the public and Jason Grow will present a talk about the exhibit at 2:00 p.m. in the Museum’s auditorium.

The Cape Ann Museum is proud to participate in the national Blue Star Museum program. Blue Star Museums is a collaboration among the National Endowment for the Arts, Blue Star Families, the Department of Defense, and museums across America. Each summer since 2010, Blue Star Museums have offered free admission to the nation’s active-duty military personnel and their families, including National Guard and Reserve, from Memorial Day through Labor Day. For more information please visit the Blue Star Museums’ website: arts.gov/bluestarmuseums.

Jason Grow is a Boston-based photographer and Gloucester resident. He specializes in photographing exceptionally accomplished, busy people with real time constraints in real environments. With a background based in photojournalism his experience has ranged from refugee camps to conference rooms.”

Before Dogtown was Dogtown: Archaeological Survey project to be presented at City Hall November 29! Maybe hello blueberries bye bye Lyme Disease

Old tree Rockport Road ca.1892

Dogtown is eligible for the National Register! Will Gloucester earn another major district designation?

Nov 29th, 7PM, Public Meeting

Come to a special public presentation November 29th in Kyrouz Auditorium in Gloucester City Hall, 9 Dale Avenue, at 7pm.

Read excerpts from the press release shared by Bill Remsen, local project coordinator, and Mary Ellen Lepionka, co-chair Gloucester Historical Commission, and some Dogtown maps and memorabilia 1633-1961:

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Beeman Memorial Elementary School Art Show at Cape Ann Museum

Reminder just a few days left to see amazing Rockbound exhibition! Upcoming collaboration among the museum, GPS,  and teachers at the Cape Ann Museum:

“The Cape Ann Museum is pleased to present the November 2017 Student Art Gallery exhibit. Projects by Beeman Memorial Elementary School (Gloucester) students will be on view in the CAM Activity Center throughout the month. The  show is curated by Art Specialist Anne Pieterse BFA/MAT and student teacher Lindsay Smith who is earning her BFA in Art Education at Montserrat.

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PROJECTS

Grade 5:     Drawings inspired by their sail on          the Schooner Thomas E. Lannon

Grades 3-5: Pastel pumpkins

Grades 3-4: Positive and negative designs

Grade 3:      Paper tree sculptures

Grade 2:     Totem poles

Grade 1:     Walk with a Line painting 

Kindergarten:       Line Explosions sculptures

The second Saturday of every month is free for families with school-age children and special youth programs take place from 10:00AM to 12:00PM. Join us Saturday November 11th to view a new exhibit of WWII Veterans portraits by photographer Jason Grow. In the CAM Activity Center create a self-portrait and make a kind craft for a veteran. Drop into the Activity Center anytime for hands on play and art activities, updated monthly.

The Museum is located at 27 Pleasant Street in Gloucester.”

 

You have Til Tuesday to register for major Lane symposium at Cape Ann Museum

REGISTER BY OCTOBER 24, 2017 for “Laid down on Paper: Printmaking in America 1800-1865” symposium to be held at Cape Ann Museum October 28 10-4pm

offered in conjunction with the major exhibition DRAWN FROM NATURE: The Lithographs of Fitz Henry Lane (through March 8, 2018) and Fitz Henry Lane Online

Lane Symposium Evite 09-06

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Finding Fall: bound into exquisite Rockbound art exhibit at Cape Ann Museum before Oct 29!

CLOSING SOON

The blanketing New England autumn is stronger on the walls at Cape Ann Museum than the fall landscape all around us just now. (When I saw this ravishing exhibit at the beginning of June, I had that same feeling about ‘summer’.) Though the seasons of color may disappoint us one year to the next, the impact of these paintings only intensifies with close observation. This is a show for anyone with an interest in painting. Rockbound at Cape Ann Museum features a terrific variety of  iconic Cape Ann seacoast scenes and artists. There’s an added urgency to see the show in person: most are on loan from private collections, shown together for the first time. Come fill your eyes and heart before this exclusive opportunity passes by.

Rockbound:  Painting the American Scene on Cape Ann and Along the Shore closes October 29th.The Cape Ann Museum “gratefully acknowledges the many collectors* who lent to this exhibition and the following individuals: Mary Craven, Margaret Pearson, John Rando and Arthur Ryan.”  *anonymous private lenders, Endicott College, Roswitha and William Trayes, JJ and Jackie Bell, and others

(The wonderful Fitz Henry Lane exhibition that just opened will be on view through March 4, 2018.)

W Lester Stevens Hilltops Gloucester ROCKBOUND installation Cape Ann Museum ©c ryan 20170602_120926 (1)

3 works by W Lester Stevens

 

EXHIBIT MYSTERY

I think that the “Unattributed decorative mirror for over mantel” may be the hand of artist Frederick Stoddard. Perhaps it’s from a series or the “Morning Mantle Decoration by Fred L. Stoddard” that’s listed in the 1923 Gloucester Society of Artists inaugural exhibition.

UNATTRIBUTED over mantel view of Good Harbor Beach ca1920 ROCKBOUND installation Cape Ann Museum 170602_110624

INSTALLATION highlights

Ptown printmaker goucache by Margaret Patterson Motif Number One Rockport Harbor collection Roswitha & William Trayes RROCKBOUND installation Cape Ann Museum 20170602_110133.jpg

Margaret Patterson, Motif Number One Rockport Harbor, ca.1920, goauche, collection Roswitha & William Trayes, installed at Cape Ann Museum 2017 Rockbound exhibition

Artists include Yarnall Abbott, Gifford Beal, George Bellows, Theresa Berenstein, Hugh Breckenridge, Stuart Davis, Marsden Hartley,  Aldro Hibbard, Max Kuehne, Emma Fordyce Macrae, Margaret Patterson, Lester Stevens, Anthony Thieme, and more (hover over image to see artist information)

 

photos pairings below: Finding Cape Ann Museum Rockbound color/mood inspiration just outside in Gloucester October vistas (not literal place/time pairings but that could be done as well!)

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