Eli has a studio at Madfish Wharf for the month of September where you can see some of her exceptional works and possibly catch her in the act of painting.
Tag Archives: Cape Ann Museum
During the weekend of September 26-28, the City of Gloucester will celebrate the life and work of Sculptor Walker Hancock. The celebration, sponsored by the Gloucester Committee for the Arts, will feature events in several venues, including The Cape Ann Museum, The Cape Ann Community Cinema, and Gloucester City Hall. Other partners include Essex National Heritage Area and Cape Ann TV.
“It’s a three part celebration,” said Judith Hoglander, Event Chair. “We want to showcase not only Hancock’s great talent as sculptor and his contribution to great art as we know it today as a Monuments Man, but to show his private side as well.”
The Cape Ann Museum showcases Hancock’s art with an exhibit titled A Chosen Place-Walker Hancock and His Friends. This exhibit features works by Hancock and by other nationally known artists who lived and worked on Cape Ann during the period from the 1940s until the 1980s. One of the better-known artists in this group is Hancock’s friend, and colleague, sculptor Paul Manship. Manship is best known for his towering golden Prometheus in New York City’s Rockefeller Center. Manship called Hancock, “The last American Master Craftsman in Sculpture. [He is] equally at home in every branch of the art from medals to monuments.”
On Friday evening (9/26) the Cape Ann Museum will host a Conversation With Deanie Hancock French, Walker Hancock’s daughter, and Jonathan Fairbanks, Director of the Fuller Craft Museum in Brockton. This event is free to Cape Ann Museum members with a $10 charge for non-members.
On Saturday (9/27) from 10:30 AM until 2:30 PM, the Cape Ann Museum will conduct private tours of the Hancock exhibit. Space on the tour is limited to 25 persons and is on a first-come first-served basis.
On Saturday afternoon (9/27) at 2:30 PM, the Cape Ann Community Cinema, in downtown Gloucester, will show the film Monuments Men with George Clooney, Matt Damon and John Goodman. Hancock was one of the first to be called to join the now famous Monuments Men. As one of the Monuments Men, Hancock was a key player in the rescue of works of art and priceless relics (including the coffin of Frederick the Great), from the mines at Bernterode in Southern Germany. The mines were packed with an enormous cache of dynamite. The Monuments Men arrived just in time to stop their destruction by order of the Nazis. This event and others during the weekend are part of the Essex National Heritage Area’s Trails and Sails weekend and are free to the public.
On Saturday evening (9/27) at Gloucester City Hall at 7PM there will be a special event featuring –ROBERT EDSEL– the author of the book Monuments Men- on which the film was based – will talk about the book and the great importance of the work these men and women did to preserve many of the priceless art treasures we have today. Mr. Edsel is founder of the Monuments Men Foundation, created to “raise public awareness of the importance of protecting and safeguarding civilization’s most important artistic and cultural treasures from armed conflict.” A “Meet and Greet” and book signing by Mr. Edsel will follow the talk. This event is free to the public with donations accepted to defray costs.
On Sunday (9/28) at 1PM, the Cape Ann Community Cinema will have another showing of Monuments Men.
On Sunday (9/28) at 3PM in Gloucester City Hall there will be a panel discussion featuring friends and neighbors of Hancock’s in Lanesville, The panel will be moderated by local artist and former Cable TV host, Sinikka Nogelo. Panelists will share memories of Hancock as friend and neighbor. Among the panelists will be Hancock’s daughter, Deanie Hancock French and Gloria Parsons, Hancock’s long time cook. The audience will also be invited to contribute their memories. © Matthew Green photo
Segments of the weekend’s events will be filmed in order to preserve memories of Hancock’s life and work for the future.
Sponsored by: the Gloucester Committee for the Arts, its Partners and Friends
GloucesterCast With Guests Peter and Vickie Van Ness and Host Joey Ciaramitaro Taped 8/12/14
Topics Include: Peter and Vickie Van Ness, www.gimmesound.com ,Seafood Throwdown at The Farmer’s Market, Mercedes Flavin vs Rosalie From Rosalie’s, Niaz Dorry, NAMA, Fisherman’s Wives, Robin Williams, Everybody’s Life Is Hard For Them, Celebrate Gloucester Series, Cape Ann Marina Waterfront Pavillion, Kudos To Tobin Dominick and Joe Liacono, Gloucester UU, Top 4-10 Must Do Things In Gloucester, John Sebastian, Block Party This Weekend, Kudos To The Current Block Party Committee, Henry Smith, Schooner Festival, Maritime Gloucester, Tracy Arabian, Props To Tom Ellis and Harold Blackburn, Sea Shanty Crazies, Cape Ann Museum, Cape Ann Whale Watch, Seven Seas Whale Watch, Gloucester Restaurants, The Atlantis for Breakfast, Duckworth Bistro, Passports, The Studio, GMG Mug Up Saturday This Week, EJ LeFavour, Lady Jillian Harbor Shuttle, The Other Cape, Peter Paul and Mary, Shout Out To Aurelia Nelson from 104.9, Curtain Up with Aurelia Nelson, Cape Ann TV, Being a Perfectionist With Online Media vs Creating Content Naturally, Realism vs Perfectionism, Putting The Content Before Advertising, GMG On Facebook, The Need To Respond To People’s Requests, An Idea For The Holistic People, Cape Ann SUP, Cape Ann Harbor Tours, All the Ways To Get Out On Gloucester Harbor.
You have to come see these works: Illuminating the world’s largest collection of America’s master luminist Fitz Henry Lane
Click for video with Cape Ann Museum Director Ronda Faloon-
Cat Ryan writes-
RE-OPENING THE CAPE ANN MUSEUM with Director RONDA FALOON
Part 2 of 3: illuminating the world’s largest collection of America’s master luminist Fitz Henry Lane
In part 2 of touring the Cape Ann Museum, Director Ronda Faloon shares some of the NEW as we follow along with her. GET READY TO SEE THINGS YOU’VE NEVER SEEN BEFORE.
The Cape Ann Museum’s focus on art and artists is everywhere.
The dramatically redesigned welcome area and exhibition galleries enhance access and connections. There are new windows bringing the outside in. New amenities (welcome desk! coat room! lockers! bathroom!) on the ground floor orient and encourage us to get ready to take a breath, stop and look.
Hundreds of legacy pottery shards with transferred text from the museum’s archives are tucked along four new walls in Diane KW’s new installation, At World’s End- The Story of a Shipwreck.
When the Cape Ann Museum re-opens in August, the world’s largest repository of Gloucester’s very own Fitz Henry Lane collection will be 10x brighter thanks to new installation and lighting design. There’s more to Lane still to be revealed. Thanks to higher resolution images and powerful new media, the museum is producing a state of the art catalogue raissone and research tool, The Complete Works of Fitz Henry Lane, that will glow with close ups, archives, artifacts and stories. Nothing though can take the place of standing close and viewing these beauties in person. As Joey insists, “You have to come see these!”
It’s a GMG mission to make sure everyone understands how amazing this museum is and how fortunate it’s here in Gloucester.
SAVE THE DATES
August 19- Museum reopens to the public
Cape Ann Museum website: www.capeannmuseum.org
Part 1 Director of the Cape Ann Museum, Ronda Faloon, digs deep and shares what we need to know about its dazzling transformation, maps it out and starts us at the enticing ground floor
Click video to listen-
Cat Ryan writes-
With a world class collection and legacy, its ongoing support of contemporary arts, and robust exhibition schedule the Cape Ann Museum has no problem keeping the experience of art alive and present, and compelling.
It’s where you can come experience something that is not part of everyday life.
Ronda Faloon, Director of the Cape Ann Museum, discusses the museum’s transformation over the past 10 months and gives GMG exclusive access leading up to the grand re-opening. Getting there required long hours and difficult conditions, a 5 million dollar capital campaign and a ten month closure. This stellar collection is shown in even better conditions.
There will be a week of celebratory and special events beginning with the kick-off gala of August 16, 2014, and open to the public Tuesday August 19th. Visit www.capeannmuseum.org for all the details, and sign up for progress updates.
Click Floor Plan to Expand Full Screen
Topics Include: Gloucester, Massachusetts, Kim Smith Designs, Pleasant Street Tea and Coffee Co, Gloucester HarborWalk Cleanup, Catherine Ryan, Beth Chiancola, Susan Kelly, Jessie Carini, Earth Day April 22, Gloucester Strong With Art Haven and The Hive, The Hive Screen Printing, Killer Gloucester Strong Logo, Cape Ann Trail Stewards, Send In Your Earth Day Community Activity Information So We Can Post Them, Patti Amaral, Kim Smith’s Photos Featured In Sunday Boston Globe, Samson GoMic vs The Mutumbo Mic, Portable Podcasting Equipment, Cape Ann Media Group, Carry In Carry Out vs Trash Cans On The Beach, Proper Way To Send A Press Release, Tina Ketchopolos, GMG PR Person Of The Year, Addison Gilbert Hospital, Alison The Owner Of Pleasant Street Tea and Coffee Co Is Going With Dreadlocks, The Origin Of FOB, “American Blogger Documentary” A Spoof or Not?, Frances Bouchie Asks Does Anyone Do Gloucester Geneology, Cape Ann Museum, Ann Kennedy, Call In Question, Google Hangouts Just Too Wonky, Planning The Podcasts, Washington St Sidewalks Looking Good, Email Subscription Service Is Broken, Webmasters Need To Understand Just How Many People Do Not Know How To Use A Search Engine To Find A Website Even If They Know The Name Of The Web Page, People Not Understanding How To Find And Bookmark The Blog, Please Explain To People That Aren’t Getting Their Email Subscription To The Blog That They Can Go Directly at www.goodmorninggloucester.com , Katrina’s, The Rudder, The Studio Opening Date!, Madfish,Gloucester MA, 01930
The GloucesterCast Has Been Been Invited To Be A Station On Stitcher Radio On Demand!
Kim Smith Is A Regular Contributor On Good Morning Gloucester Here is Her Profile:
Currently creating documentary films about the Monarch Butterfly, Black Swallowtail Butterfly, and Gloucester’s Feast of St. Joseph. Landscape designer for the Gloucester Harbor Walk Gardens. Designer, lecturer, author, illustrator, photographer. Visit my blog for more information about my landscape and interior design firm- kimsmithdesigns.wordpress.com. Good Morning Gloucester daily contributor.
Author/illustrator “Oh Garden of Fresh Possibilities! Notes from a Gloucester Garden”
Cat Ryan Submits-
Turner, Monet, Whistler, Dow…Lane?
Check out John Wilmerding’s review of Fitz Henry Lane’s half-dozen foggy views such as Ship Starlight in the Fog (c.1860) which is in the collection of the Butler Institute of American Art in Youngstown, OH.
For more hazy light and atmosphere, rivers and tides, and artists born in MA: the WSJ has covered the James Abbott McNeill Whistler biography by Sutherland
and current Whistler exhibitions which you can check out if you hustle. An American in London: Whistler and the Thames at Addison Gallery of American Art is closing April 13, 2014. Go!
Make time to visit Ipswich and seek out work by Arthur Wesley Dow.
And when it re-opens, Cape Ann Museum for all things Lane.
GloucesterCast With Guest Linn Parisi From Discover Gloucester and Host Joey Ciaramitaro Taped 3/24/14
GloucesterCast With Guest Linn Parisi From Discover Gloucester and Host Joey Ciaramitaro Taped 3/24/14
Topics Include: Discover Gloucester, Social Media and Wholesale Travel, Travel Trade Shows, Gloucester Land Transportation Opportunities, Newport Rhode Island Bus Transfer Station, Tourism Complementing The Fishing Industry and Vice Verse, Steve Douglass Water Taxi- A Great Take, King Eider, Bev, The Studio, Downtown Parking, The Amount Of People Who Thought That Rogers Street Was Gloucester’s Main Street, Lighting The Side Streets To Main Street, Life Is Good, Toodeloos, Hours On Main Street, Seafood Trail, Mass Office Of Travel and Tourism, Farm To Table…Really? , North Of Boston Tourism Bureau, Linn Uses Google, Nothing Like Fresh Fish, Cape Ann Museum Closed Through Mid August, Discover Gloucester Visitor Guide, Waterfronts In Newport Vs Gloucester, Oldest Working Fishing Port, Death Row Sub- Destinos Bomb With Pickles and Tomatoes, Seaport Grille Beet Salad, Seaport Grille Desserts, Chococoa, Newburyport Farmer’s Market, Gloucester’s Restaurant Community, St Joseph’s and St Patrick’s Day, St Joseph’s Pasta, firstname.lastname@example.org
Catherine Ryan Submits-
Gloucester, MA in landmark FSA/OWI documentary photographs
American Photographer HOWARD LIBERMAN
150 FSA/OWI photos in Gloucester, MA, September 1942
Here is Part 3 in a series about Gloucester photographs in the legendary Farm Security Administration / Office of War Information (FSA/OWI) collection within the Library of Congress.
You can go back to Part 1 about artist Gordon Parks, and for some background about the program (1935-42).
Part 2 is about photographer Arthur Rothstein with a timeline and quick facts.
In 1942, the Farm Security Administration Historic Photographic section program was winding down as it transitioned and prioritized for WWII. It was temporarily folded into the Office of War Information before shutting down completely. (Gordon Parks was brought on board during this transition.) Director Roy Stryker was occupied with many directives including securing a safe haven for the FSA archives. He was also maintaining a network of contacts in the publishing world and private sectors, and writing. He contributed a chapter for Caroline Ware’s influential book, The Cultural Approach to History. There was magazine work such as the 1942 issue of The Complete Photographer which published articles by both Arthur Rothstein (“Direction in the Picture Story”) and Roy Stryker (“Documentary Photography”.)
Rothstein had already left the FSA. In 1940, Peter E. Smith Publishers, Gloucester, MA, produced his photo book, Depression Years as Photographed by Arthur Rothstein. This compilation of photographs included the best known Gloucester image from his 1937 visit; was it one of the publisher’s, too.
In 1941, Elmer Davis was appointed as the Director of the newly created Office of War Information (OWI). In 1942, Davis hired Francis Edwin Brennan from FORTUNE magazine to head the Graphics Department of the OWI.
As Art Director of Fortune (1938-1942), Brennan commissioned famous covers by artists such as Otto Hagel and Fernand Leger. He was known in the industry as a serious art and publishing expert and was a favorite of Henry Luce.
It’s likely that Brennan was one contact for Howard Liberman’s engagement at OWI. In August of 1941 Brennan featured a FORTUNE magazine special portfolio of sample posters to showcase the development and potential of this media. Howard Liberman was one of the artists he commissioned; here’s his contribution for that issue:
And here is a poster Liberman created for the OWI.
Liberman worked with color photography, too, which is a sub-collection at the Library of Congress, less known than the black and white. Color photography was available, but more expensive to process and for media publishers to print.
Howard Liberman was dispatched to Gloucester in September of 1942. His photographs show a clear emphasis on WWII dominant coverage, sometimes with an FSA take. The titles on Liberman’s OWI photos often lead with a heading. For Gloucester, many images have caption leads that begin with the patriotic category: VICTORY FOOD FROM AMERICAN WATERS.
In Gloucester, Howard Liberman spent a time on the docks and out with the crew of the OLD GLORY.
His captions seldom include surnames of the portrait subjects. They do have lengthy– sometimes general, sometimes quite specific– descriptions to support the category heading.
There are action and portrait shots of the crew catching rosefish during an Old Glory voyage.
“Victory food from American waters. At the docks in Gloucester, Massachusetts, crew members prepare their trawler for a week’s voyage. Most of the fishermen in the city come from a line of fishermen that dates back for centuries.”
“Victory food from American waters. Immediately after being caught rosefish are shoveled into the hold for packing the ice. Once called “goldfish” because of their brilliant color, the fish are finding a ready market because of their manifold uses–as food for humans, as fish meal and fish oil.”
“Crew members throw overboard excess ice from Old Glory’s hold. Fishmen allow a proportion of one ton of ice to three tons of fish. When the catch is unusually large as on this trip, some ice is removed to make room for the fish.”
“Victory food from American waters. Decks are covered with tons of rosefish as the Old Glory reaches its capacity load. After two and one half days of fishing, a catch of 85,000 pounds has been hauled in”
“Tomorrow’s fishermen–young Gloucester boys push wagons of rosefish from the unloading pier to the processing plant where the fish are filleted and frozen…Many of the boys will follow their forefathers and fishermen in New England waters”
Look for ‘scenes’ such as Captain John Ribiera (surname spelled a couple of ways in the archive) at work and with his wife at home. 1942 census indicates “Oscar (Irene) fishermn Riberio” at 18 Perkins Street.
Note the picture of “the Pilot at the Wheel” above the stove
Another reminder to look for exhibits to see vintage prints in person, rather than the low resolution files I’m showing here. Various resolution options are available at the Library of Congress. Besides the formal details, check out the Captain’s eyes!
The “Mother of Good Voyages” statue in Captain John Riberia’s quarters on the fishing trawler “Old Glory”
There are a couple of Gloucester interiors (deteriorated negatives) of the Gloucester Mariners’ Association; they infer “captains welcome only.” One shows a gentleman playing cribbage; another shows Captain Ben Pine, the man who raced the schooner Gertrud Thebud.
Joey, beautiful dangerous industry: shoveling fish into the rotary scaler at a fish packing plant.
For assignments in other towns, typical headings for Liberman categories include:
Americans All; Subcontracting; School Boys in Training; Industrial Safety; Office Equipment Used by WPB; Women at War; Fuel Oil Consumption; Women Workers (see below making flags); Airports (ditto other industries); Military (e.g. Fort Belvoir); African American Aircraft Propeller Workers (ditto other jobs); Shipyard Workers; Bomber Plant Workers; Price Control; Production; Submarine Chasers; and Conversions (from this to look here it is now was a useful WWII product)
There are more than 50 additional Gloucester photos in the Library of Congress collection, and one Royden Dixon image from 1940.
We are fortunate that so many talented artists worked on the FSA/OWI project, that a few visited Gloucester, and that so many folks across the county were willing to participate as subjects (easier during the War)
The municipal employees and the curators and staff who have worked on these collections (over decades) are superstars. Beverly Brannan is the curator of 20th C documentary photography at the Library of Congress.
For the FSA/OWI program, Director Roy Stryker proselytized that photography was perhaps the best tool for analyzing living history. He felt that photography as a fine art form and its gains in technical ease and advances coincided ideally with the timing of the FSA/OWI historical photographic section. He forecast rapid and constant increase in photography use and adapters. He was inspired by individual and private pioneering antecedents (Brady/Civil War, Hines/Russell Sage), and public ones such as the documentary photographs by William Jackson for the Department of the Interior.
Sometimes I think of Stryker’s Section work along a continuum of government spending on exploration that produced great contemporaneous historical records. The journals of Lewis & Clark. The work created by artists who participated in the NASA Art Program. These FSA photographs.
Stryker realized that there were collections of photography building up in municipalities big and small; how they were catalogued and assessed were critical to their use. Here in Gloucester, the Cape Ann Museum maintains a Historic Photo Collection containing over 100,000 images from 1840s through now. Photography is included among its permanent and temporary exhibits and what’s not on view can be researched at their archives.
GLOUCESTER PHOTOGRAPHY PRE, DURING AND POST FSA/OWI
There were many independent artists as well as staff photographers (local newspapers, businesses such as Gorton’s, etc.) working in photography here in Gloucester. Every decade has wonderful examples such as Herbert Turner, Alice Curtis (and other photographers that Fred Bodin features), and David Cox’s father, Frank L. Cox.
There were numerous visits from staff photographers of major publications like Life, Vogue, National Geographic, and more. Gordon Parks came back at least two more times; a few other celebrated staff photographers that came through include Luis Marden, Eliot Elisofon, Yale Joel, Co Rentmeester and Arthur Schatz.
No- photographic artists who also worked in photography is another long list, and would include Leonard Craske, Emil Gruppe, Philip Reisman, and many others.
Good Morning Gloucester features photography, that’s for sure.
-Catherine Ryan / all photos Library of Congress, FSA/OWI black and white photography collection
Cat Ryan submits-
19th, 20th and 21st Century green in the mix
From the distinguished Cape Ann Museum’s fresh coat of paint and ongoing preservation
To many weathered, copper-clad architectural details like these rare repeat oriel windows
Elegant oriels along Parsons’ pedestrian street, too, though no pressed metal. But look up for the green tiled roof!
Creating a nice umbra mix alongside the newish-ish green exterior for the Jeff Weaver/Restoration Works, 16 Rogers Street – the newcomer (former Old Timers/Catch 22/Fiesta Pub) joins the green in Gloucester. Check out its distinct porthole window on the door.
Then and then: 16 Rogers before photos (green middle elements against textured and well acclimated exterior).
Adam Bolonsky submits-
If you’re cleaning out your old Gloucester house or the one you grew up in..
Be sure to give the Cape Ann Museum a call.
When I cleaned out my dad’s basement in East Gloucester this summer, I
came across tons of Gloucester memorabilia from the 1960’s, 70’s and
..old programs from the Cape Ann Symphony when it used to play at the
…theater programs from the Gloucester Stage Company when it staged
its plays at the BlackburnTavern…
…GHS graduation programs…
…Gloucester postcards from the 1950’s…
…announcements from the Rockport Art Association containing min bios
of members from the 1940’s…
All sorts of stuff, valuable and not, ephemeral and permanent, that
captured eras of not-recent Gloucester history.
Anyhow, I stuffed all of the paper and books and Gloucester
knickknacks into a box, and the archivist from the museum came over to
pick through it. She took a lot for the museum archives, sent a deed
of gift later in the mail, and mentioned that she wished more
Gloucester residents would call the museum come time to clean out
their parent’s homes.
Cat Ryan submits-
Harbortown Cultural District will be included in an upcoming AAA publication featuring 10 cultural districts! Also look for some breaking tech news. Our Harbortown cultural district joined forces with the 3 other Cape Ann Cultural Districts (Harbortown, Rocky Neck, Rockport and Essex) to apply for a Massachusetts Cultural Council grant to help us towards some exciting shared marketing. We found out that YES we were awarded a grant, and are looking forward to creating a new mobile APP.
We’re also crossing our fingers this week, waiting to see if an amendment to the state’s supplemental budget happens or not. The MCC is asking for an amendment that will include $500,000 to market the state’s cultural districts through advertising on commuter rail lines, the subway and on busses in the Boston area.
GMG contributor and the ever affable Main Street proprietor Fred Bodin is one of our many talented founding partners. During our August event at the Cape Ann Museum, he multi-tasked. The good photos from the event are his! Visit http://www.gloucesterharbortown.org
Cape Ann Museum Director, Ronda Faloon, outlined the museum’s impressive next steps and guided us on a mini tour. Cape Ann TV –also a founding partner—was filming. The Fresnel lens is gorgeous! I can’t wait to see it in its new location when the museum re-opens. Look at the scale of this thing (see photo with Bob Whitmarsh, Co-Chair, to get an idea of size—)!
We followed up with a discussion of our district goals led by Bex Borden.
We are so grateful to Cape Ann Museum for hosting and the lovely appetizer spread and beverages. They also set up and readied for our visit and meeting. Harbortown founding partner, Lise Breen, and other members also helped set and clean up for this double billing. What a spot to have it. Check out the large Gordon Goetemann oil on canvas From a High Place Nice!
More party photos
CAPE ANN MUSEUM * IS THE NEXT BIG HARBORTOWN CULTURAL DISTRICT EVENT
Date: August 27, 2013
Let’s support our GHCD partner! The Cape Ann Museum, a Harbortown founding partner, has generously offered an exclusive after hours treat.
Come wander the hallways, rooms, expansive permanent collection and not one, but TWO well-thought and expertly curated, rotating exhibits, all the while sipping a beverage and enjoying your fellow GHCD cohorts. Museum Director Ronda Faloon will lead a tour of the Museum’ s renovation plans, with the most up to date and exciting reveal and news. Let’s put it this way…their campaign is inspiring! Take your own mental “before” snapshots and be ready for the Museum’s “after” plans: aiming for an even better visual, intellectual and cultural classic for downtownGloucester.
Along with socializing, having a bit of wine, cheese and fruit (compliments of the Museum), we’ll also mesh this event seamlessly with a partners meeting. We’ll do some GHCD business while we’re hobnobbing and doing business!
Questions, please contact
Judith Hoglander, Co-Chair, email@example.com
Bob Whitmarsh, Co-Chair, firstname.lastname@example.org
*Gloucester Harbortown Cultural District founding partner institution
Deanie Hancock French showed Kristi our wonderful exhibits and art of the Finnish at the Cape Ann Museum .
Kristi is in the US performing research on the Finnish, she visited Rockport and the Cape Ann Museum. See Video below:
David Cox and I are also in the process of publishing our own research which we will be shared with Kristi on the Finnish People in Gloucester. Frank Cox, David’s father wrote several papers for the WPA (Work Project Administration) in 1938.
Photo from an earlier Music in the Courtyard featuring Renee & Joe, 2013.
Friday, July 26
Music in the Courtyard, 4:00 to 5:00 p.m.
Join us in the Museum’s sculpture garden for an afternoon of acoustic music with local performer John Rockwell. This program is free and open to the public.
Saturday, July 27
Hopper’s Houses Walking Tour, 10:00 a.m.
Take a docent-led stroll past select Gloucester houses made famous by painter Edward Hopper. $10 members; $20 nonmembers. Space is limited. Reservations required.
August 5 – August 9th, 9:00 a.m. to 3:00 p.m.
Science Explorations Through Art with Maritime Gloucester
For children ages 6-12, Mornings will be spent at Maritime Gloucester exploring wind and energy. Projects will include turbines, windsocks, sails and kites. After lunch, students will travel to the Cape Ann Museum to explore wind in Art, make wind powered kinetic sculptures and other projects. For more information contact Maritime Gloucester at (978) 281-0470 or email@example.com.
Saturday, August 3
Tin — Relics and Remakes by Sinikka Nogelo, 11:00 a.m. to 3:00 p.m.
Contemporary Art Installation at the White-Ellery House. This program is free and open to the public as part of Escapes North’s 17th Century Saturdays.
Wednesday, August 7
Fitz Henry Lane’s Sunset Harbor Cruise, 6:00 to 8:00 p.m.
A narrated tour of Gloucester Harbor aboard the schooner Ardelle. This program is offered in collaboration with Maritime Gloucester. Members only, $20. Reservations required. For more information call (978) 281-0470 or visitmaritimegloucester.org.
Saturday, August 10
Fitz Henry Lane’s Gloucester Walking Tour, 10:00 a.m.
Join Museum docents for an informative stroll through this 19th century maritime artist’s Gloucester neighborhood. $10 members; $20 nonmembers. Reservations required.
Having a Wonderful Time, Wish You Were Here:
A Picture Postcard Tour of Cape Ann During the Gilded Age, 3:00 p.m.
An illustrated talk with Manchester Historical Museum Curator John Huss and Cape Ann Museum Archivist Stephanie Buck. This program is free for members or with Museum admission.
From the collections of the CAPE ANN MUSEUM, Gloucester, Massachusetts
“Start of the first race of the International Race showing ‘Elsie’ in the lead with Bluenose in the rear” 1921 Halifax, Nova Scotia
Thanks to Fred Buck for locating this photograph and sharing it with the Gloucester Schooner Festival committee.
From A Race for Real Sailors The first ELSIE – BLUENOSE RACE.
_________ The two fairly flew across the water, all sails filled in the stiff quartering breeze and hulls rolling heavily in the deep chop. “The end of Bluenose’s 80-ft. boom was now in the water, now halfway up to the masthead as she gained on her rival. The Elsie rolled still harder and three times brought her main boom across the Bluenose’s deck, between the fore and main rigging.” It was a constant battle for the weather berth, with members of both crews either handling lines or working aloft or hugging the windward rails. Anyone daring to raise his head above the weather rail on Bluenose caught the caught the edge of Walter’s caustic tongue. __________
A Race for Real Sailors is in stock at the Cape Ann Museum.
The stirring and poignant tale is illustrated with 51 historical photographs and five maps, and rounded out by a glossary of sailing terms and an appendix of the ever-changing race rules. This is a story that will keep even confirmed landlubbers pegged to their seats, a tale of iron men and wooden ships whose time will never come again.
On May 12 at 2PM, Barbara Moody gave a presentation on “Finding Your Unique Voice as an Artist”. She spoke to a fairly large audience about her own experience as an artist, accompanied by a slideshow illustrating her artistic journey through a wide variety of themes and styles in her work. She also showed a sort of time-lapse video of herself doing a charcoal painting; it was fascinating to watch the work evolve and change radically before our eyes!
Barbara Moody was invited as the Distinguished Artist/Teacher this year for the Goetemann Artist in Residency Program, Rocky Neck Art Colony. Click here for more details about her career and the Goetemann Artist in Residency Program.
As a part of the Gloucester Public Schools Arts Festival, the Cape Ann Museum has embraced an avalanche of visual arts produced by the school children. The work is displayed all over the museum’s galleries, making an interesting juxtaposition with the work of professional artists.
Here’s a slideshow with more photos: