by Dennis Flavin at Trident Gallery, 189 Main Street Gloucester
by Dennis Flavin at Trident Gallery, 189 Main Street Gloucester
Gloucester’s former poet laureate John Ronan will read from his most recent book, Taking the Train of Singularity South from Midtown (Backwaters Press, 2017) and discuss its connections to Gloucester, including “Good Harbor, Home,” which was written for and read at John Bell’s first inauguration as Mayor of Gloucester. Through Taking the Train of Singularity South from Midtown Ronan hopes to convey that love and language create community.
John Ronan is a poet, playwright, movie producer and journalist. He has received national honors for his poetry and is a former National Endowment for the Arts Fellow, Ucross Fellow, Bread Loaf Scholar and Poet Laureate of Gloucester, MA. In 2010, his volume of poetry,Marrowbone Lane, won Highly Recommended honors from the Boston Authors Club. As a playwright, Ronan’s works include The Yeats Gameand The Early Bird Special. John is also founder of the media production company American Storyboard, a teacher of film and host of Cape Ann Television’s The Writer’s Block with John J. Ronan which celebrates its 27th anniversary in the 2016–2017 seasons.
Booth 418 February 10-12 — Look forward to hearing their report
Kate Bibeau Cape Ann Museum and Steve Douglass Cape Ann Harbor Tours
John Orlando Harborview Inn and Elizabeth Carey Discover Gloucester (photos sent to GMG from the floor!)
David Hockney’s exhibit opens at the Tate on February 9th as the fastest selling show in Tate exhibition history. It will come to the Metropolitan Museum of Art November 2017-February 2018.
In 2013 I wrote about “A major retrospective of David Hockney’s work completed over the last decade, A Bigger Exhibition (San Francisco, de Young Museum), has generated voluminous press and praise, mostly for his legacy of embracing new technology. Oh, and how old he is now, somehow compelling him to create before time runs out…(See a good overview of the de Young exhibit on Newshour but listen at 4:24 dispensing this cliché while introducing another. When hasn’t Hockney investigated any series, media or pursuit without daunting and constant focus?)”
The first Whitney Biennial presented at the new Whitney opens March 17 – June 11, 2017. Although there are no working artists residing in MA that are on the checklist, two artist filmmakers born in Massachusetts were selected: Robert Beavers and James N. Kienitz Wilkins.
The curator’s job sounds relatively simple: just surprise us. Show us something we haven’t seen before, or lately, or in such depth, or with such clarity. Try to avoid the predictable and familiar, the market approved or academically sanctioned, or what other curators have already done. Try to step outside your museum’s comfort zone or carefully manicured institutional persona with something eccentric, an intuitive leap. After all, there is plenty of art out there.
—Roberta Smith, “Museums Embrace the Unfamiliar” New York Times, September 16, 2016
The current exhibition at the Cape Ann Museum would be music to Ms. Smith’s ears. Voicing the Woods: Jeremy Adams, Instrument Maker is the unpredictable, eccentric delight she calls for. Indeed, the Museum has leaped forward with its intuition that Mr. Adams’s peerless craftsmanship has exactly the genius and beauty for the rapture of an unsuspecting public. And from all accounts, its public has agreed!
A formal lyricism in this exhibition commands attention to more than one art form. From the fabrication of brass hinges to bone keys (not to mention the skunk-tail sharps and cow-toenail couplers!), to sculptural stands and the exacting, exquisite joinery that must move unerringly to create music, the show reveals the prodigious skill and artistry of Jeremy Adams, one of the most gifted musical instrument makers in the United States. Meticulously presented in the Museum’s largest gallery, the exhibition showcases an impressive selection of harpsichords inspired by Flemish and French designs of the 17th and 18th centuries, a chamber organ, a clavichord, a demonstration organ chest, and a beautiful, witty silent keyboard, all built in their entirety by Adams in his Danvers, Massachusetts atelier. Curated from over 40 instruments built since the 1960s, these works reside in public and private collections around the world. The exhibit’s centerpiece is the stunning French (Blanchet) double-manual harpsichord with its very modern stand, which emerged from the Adams workshop this summer and is featured in events for the duration of the exhibit, sometimes in tandem with other instruments in the room. Also in the gallery, Paul Cary Goldberg’s elegant photographs, commissioned by the Museum, document the Adams workshop—the tools, details, atmosphere and the droll, quirky personality from which the instruments come. Read more
Part of the Family Series at The Cabot in Beverly, this show is at 10:30 on Saturday. Doors open at 9:30. Tickets cost $8.50 for children and $13.50 for grown-ups.
Vanessa Trien has been performing music for kids and families since 2005, many of those years in collaboration with her lively folk/roots/pop band, the Jumping Monkeys. She has three Parents’ Choice award-winning CDs for kids and families and is currently working on her fourth album, due out this winter. Vanessa packs concert halls, preschool fundraisers and outdoor venues with dancing kids and families.
She is known for her highly interactive shows, featuring plenty of group singing and movement. One of her most requested songs, “Tickle Monster” has families sneaking around on tip toe and then on queue, all start tickling each other!
In addition to performing, Vanessa teaches as an early childhood music specialist in preschool and pre-K classrooms in Brookline and has also taught parent and child group Music Together classes for ten years. Originally from New York City.
Vanessa moved to Boston in the nineties to attend Harvard’s Graduate School for Education and has stayed ever since, first diving into the Cambridge folk music scene and festival production and then eventually jumping with her whole heart into the wild and wonderful world of children’s music!
Tickets are available for different tubing sessions. You can choose either from 10:00-2:00 or 2:00- 5:00, or 5:00-8:00 (Saturday only).
We are so fortunate that the Cape Ann Museum is free to all Cape Ann residents for the month of January! This is the time to go! What a wonderful escape from the winter blues.
Be sure to enjoy one of the Winter Shorts during your visit.
Join the docents of the Cape Ann Museum on a variety of themed mini tours. Several twenty minute tours will be offered, beginning on the hour and on the half hour. Each tour will touch on a particular area within the Museum’s collections. Docents have created tours around their favorite topics, including Gloucester Fishermen, Women Artists of Cape Ann and 19th Century Selfies, among others. Participants are encouraged to spend the entire day at the Museum, enjoying one, two or all of the mini tours.
Tours are free for CAM members and Cape Ann residents or with Museum admission. Tours are “first come, first served” (space is limited – no reservations).
As always, for a comprehensive list of family activity please visit our friends at North Shore Kid
After a year of monthly programming by the libraries and community partners, the Cape Ann Reads original picture book contest is in full swing and has moved into the jury processing stage. The contest is hosted by the 4 public libraries of Cape Ann. They will publish the first edition printing for one book from entries that were submitted by December 15, 2016. The jury selection panel includes representatives from each of the public libraries: Justine Vitale Gloucester Lyceum & Sawyer Free Public Library; Carol Bender, Children’s and Teen Librarian, Rockport Public Library; Kate Strong Stadt, Head of Youth Services, Manchester-By-The-Sea Public Library; Anne Cowman, Young Adult Librarian, Manchester-By-The-Sea Public Library; and April Wanner, Assistant Librarian at the TOHP Burnham Library, Essex. Joining these talented library participants are three artists and award winning children’s picture book authors and illustrators: Pat Lowery Collins; Giles Laroche; and Anna Vojtech. Bob Ritchie proprietor of Dogtown Book Shop will provide another crucial area of book world expertise. Cape Ann Reads is grateful for their time and considerable talents to help the participants and the process. A second jury of children will select their favorites and is chaired by Liza Browning from the Cape Ann Museum, a Cape Ann Reads partner.
About the Cape Ann creates for Cape Ann Reads Children’s Picture Book Contest:
The 4 public libraries hosted a one of a kind call for entry seeking new and original children’s picture books showcasing local artists and writers.
Cape Ann residents of all ages, students attending school on Cape Ann, and people who work on Cape Ann were invited to create part or all of a picture book for consideration to be published, and to submit their entries by December 15th, 2016. A first edition printing of one of these submissions will be published in 2017 by the 4 public libraries and with the support of various sponsors. The copyright is timed to coincide with the 75th anniversary of a Caldecott award for the children’s book, “Little House”, by Virginia Lee Burton, eminent Gloucester artist, author and illustrator.
Watch Open Studio tonight at 8:30 on WGBH for a profile of Jeremy Adams and the Voicing the Woods exhibition. Jared spoke with curator Martha Oaks in the gallery and with Jeremy Adams in the gallery and at his workshop. Adams even plays a little harpsichord music!
“No finer place for sure, downtown.”
Seeing double? Yes, you’re supposed to. The Sawyer Free Library addition was designed to mirror Cape Ann Museum as a balanced and nuanced architectural symmetry in deference to City Hall, and catalyst for a graceful center.
Sawyer Free Library has announced a public meeting January 11th for discussions of a new building. (See the flyer at the end of this post.)
City Hall may have some upcoming construction on the Dale Avenue side as well.
Both projects are largely in the name of accessibility of a physical nature. Can they be cost effective, worthy of our history and culture, protect our significant buildings, and address current and future needs? The following are some of the issues, local coverage, links to resources, and archival material for your interest.
Although there are several new handicap parking spaces along Dale Avenue by City Hall, carving out the landscape on the left for more spots is in the cards because of grant money. Why? Several people told me that Dale Avenue parking spaces are hazardous for anyone exiting on the street. Although I do not want to minimize any pressing needs, I still ask, “Really?” Have we become so car dependent we would rather a thoroughfare here than the elegant streetscape we have (once a tree lined walk from the train station.) I was also told that it will increase visitation counts. It is an unfair advantage that historic sites with access to more funding (Monticello, Smithsonian, Colonial Williamsburg, and more) are better equipped to face these seemingly no-win situations. But there are creative retrofitting options for Gloucester, too. Universal design is about balance, not chasing funding sources at the expense of preservation and beauty, nor backwards planning.
Before the current 2015-16 library outreach, the library hosted extensive visioning sessions throughout 2013. I went to a couple, and I was invited to take part in a focus group (on schools and the library.) A completely new library and jettisoning of the historic Saunders library building was not an expressed community value. What were some common discussion points? A strategy for digitization of historic archives and newspapers, more staff, more hours of operation (Sundays), better bathrooms, parking issues, air conditioning, electrical work, maintenance, security, maximizing technology/ content access with schools, ditto Cape Ann TV, and attendance (see this great video from Lisa Smith by kids for kids ) were some goals that were mentioned.
So it was a surprise to see the unveiling of new architectural renderings that did not showcase the Saunders house. It’s like the White House not featuring the White House. I think the Saunders house should be key and central to any building overhaul, not tossed aside. Providing universal access should preserve the intended awe factors if there are any, FOR EVERYBODY–such as the architectural details, proportion, welcoming entrance and unique heritage of a historic building. In this proposal, with Saunders severed there is zero physical access to the main event. What a missed opportunity. And for a library. What do you think?
Today’s paper mentioned that the Saunders house could be used for other purposes instead of the library. Why can’t that be the case and the library maintain its #1 asset? The downtown cultural district (which is not going forward in the same capacity) and other organizations could use the library meeting spaces. Do we really need to conjure up another stand alone endeavor?
Back in 1973, the Trustees of the Library began a fund drive for the new library addition; the city of Gloucester paid 2/3. As the Library’s General Chairman, Joe Garland led that campaign. Not surprising, the text of the brochure is a good read! The architect was Donald F. Monnell. (In 1971 Monnell was quoted in the papers speaking about the attributes of Central Grammar. One likes him more and more.) The population served was 27,000–nearly what it is today.
A quip about the concept of Scaling UP that I remember from a conference this past September at Peabody Essex Museum and hosted by Essex National Heritage was to “think about the farm not just a barn”; in this case a downtown, or an entire city and region. I like thinking this way in general–architecture and planning, art, and schools. But this conference pushed me to add overlays beyond my areas of expertise or focus like wildlife and waterways. Gloucester, Cape Ann, Massachusetts–there’s so much! Mayor Romeo Theken is committed to working together and feels that planning is important and broad. One example, see Gloucester Daily Times Dec 19, 2016 Officials: City to Prioritize Its (competing) Needs
Every era has choices. The prior library expansion plans began well before 1972. Possibilities swirled as they do now. (Back then, Central Grammar was also in the news, may or may not have been razed, and possible uses favored senior housing, commercial development, an annex to City Hall, and a courthouse police station.) Today there are competing building needs and uses floated for properties as diverse as: the Cape Ann YMCA on Middle Street, the post office on Dale, the Gloucester Fire Department, police headquarters, St. Ann’s, and the elementary schools–and that’s just to name a few. Let’s celebrate enviable architectural strengths, and not fuss with buildings that should be venerated, unless it’s to help them be accessible and healthy. Let’s get the balance right.
The prohibitive costs of best practice historic preservation (ADA compliant, temperature and humidity controls, security, sustainability, in house scanning/OCR/audio transcription, etc) is impossible for all the worthy collections in town, and pits them as foes when vying for funds. Let’s flip that impediment on its head and make Gloucester a model for the state. Its treasures would be available worldwide if they were truly accessible –digitized.Two words may help accomplish this goal and free up cash for individual operations: shared overhead. It’s one hope I continue to stress–the need to share necessary resources for a state-of-the-art research and warehouse repository. This universal hub should be large enough to encompass any holdings not on view. There could be a smaller downtown central site combined with a larger off site location, such as at Blackburn. The list of sharing institutions could include and is by no means exhaustive: our municipal archives that date back to 1642; Cape Ann Museum; Sawyer Free Library; North Shore Art Association; Beauport; Hammond Castle; the Legion; Amvets and other social clubs; Sargent House; several places of worship; Gloucester Daily Times; Annisquam historical building collections; Lanesville; Magnolia’s historic collections; artists/writers estates; Veterans office; our schools; Isabel Babson Memorial Library, and perhaps businesses such as Cape Pond Ice and Gortons. The library plans don’t appear to retrofit their site(s) for this goal.
If incentives and policy supported neighborhood character over less generic construction
that would be wonderful. It’s not just Gloucester.
The Cape Ann Museum was closed today and early yesterday to prepare for their incredible luncheon. This year it was throughout the museum with formal seating upstairs and downstairs and a rock star video feed. It was elegant, inspiring and fun! For more information see the earlier GMG post.
Mariposa founder Livia Cowan with Mariposa designers, Shelly Bradbury and Michael Updike, were the featured speakers. Timothy S. Hopkins catered; it was scrumptious. Tiny special red peppers looked like ornaments in our salads and were a discovery for many. The new tote bag featuring the Lee Natti chicadee print was flying out the museum shop. Kathleen Adams (harpsichord) and Dawn Pratson (flute) filled our hearts with LIVE music directly from the Jeremy Adams exquisite special exhibition. The Paul Manship tortoise was festooned for the holidays which seemed extra fitting as last year’s luncheon raised more than $25,000 towards this acquisition.
The Cape Ann Museum is closed today for this festive and cherished women’s only soiree hosted by the museum’s active Fitz Henry Lane Society and Red Cottage Society committees in concert with the outstanding museum staff. There is ample time for lingering points of vantage throughout the exhibits, holiday shopping, and dining in the galleries upstairs and downstairs.
The 2016 gathering is catered by Timothy S. Hopkins. Mariposa founder and designers are the featured speakers. Felicia Ciaramitaro (SistaFelicia) has featured Mariposa designs in her work and on the GMG blog.
For many museum guests, it will be the last chance to visit the special exhibition featuring recent Cape Ann Museum acquisitions, closing Sunday, December 11th. The extraordinary exhibition with a modest title Voicing the Woods: Jeremy Adams Instrument Maker will be up through February 26th.
More information about the gallant day’s keynote conversation from the Cape Ann Museum release: Read more
Fitz Henry Lane house, Harbor Loop, Gloucester, MA. For more information on Lane visit Cape Ann Museum’s amazing digital catalog raisonne http://www.fitzhenrylaneonline.org or the museum at 27 Pleasant St., Gloucester, MA. Maritime Gloucester discovery museum is just around the loop from the Fitz Henry Lane house. The crane is part of the National Grid remediation work by Solomon Jacobs Park.
How? Executive Director Erich Archer states it plainly: “The team at Cape Ann TV and this community make that goal possible. There’s something special and local: the characters, stories and the beauty of Cape Ann. People actively participate in this community, which is incredibly important. Plus, there’s high caliber and diverse talent.”
Cape Ann TV is located at 38 Blackburn Center in Gloucester, MA, and it’s community television, local, social, and non-commercial. Unlike PBS –which produces shows for a national audience and broadcasts broadly via satellites– community television stations create, produce, and distribute content locally, via a cable provider. There are 350+ active community television stations across the country that operate with a variety of funding sources depending upon how they’re set up. *Since an FCC mandate in 1972, cable providers receive access to rights of way in exchange for funding local cable TV channels by and for the public. The cable television franchise contract fees pay for equipment, training, facilities, studio time and channels (air time). Currently the fiscal model for Cape Ann TV covers operation and capital needs. Comcast is the local Cape Ann TV cable provider. Archer said that Cape Ann TV has spent more than a year working together with local governments, area schools, partners and citizens to outline and identify what the communities wanted to include in renegotiation terms for the next 10 year contract with Comcast. It was a massive document and effort, and is currently under negotiation.
The original purpose of cable access continues to be providing TV studios and support for community members so they can make their own content. Our station, CATV, has much to offer that’s relevant. If you need video, CATV can make it for you whether you are an individual, non-profit, for profit or municipality. Make it a point to visit the station and use this invaluable resource. While you’re at it, why not
Here’s your chance. Members can use the cameras, production, and the studio to make their own TV show. You can sign up for film maker and editing classes, lunch workshops, state of the art equipment, cameras, the conference room for community meetings, editing banks, and studio time. Do it. Have fun.
There have been upgrades to CATV headquarters: new wall color, original art, and re-design including transposing an under-utilized lobby into a beautiful podcast studio. Podcasts are on an uptick everywhere thanks to easy on demand listening. Since the podcast studio was put in at Cape Ann TV there have been hundreds of downloads–beyond clicking and listening. Invested audiences are saving the shows to listen at their convenience. Archer notes, “We have podcasts about high school sports, one from NOAA about fishery-related issues, arts and variety, and more.” CATV encourages people to start one if they’re interested. “We’ll help them every step of the way.”
Cape Ann TV broadcasts original programs and local coverage: area high school sports, city council and municipal meetings, community meetings, Cape Ann Museum programs, library events, local artists and art groups, Cape Ann scenics, and school productions to name just a few. Award winning programs include: The Portrait Series; Awesome Gloucester; GMG podcasts; Writers Block with John Ronan; All Things Victorian; and the Emmy-winning On the Waterfront, a series about how local seafood gets to your plate.
Does your business or organization need any professional video shot? Cape Ann TV funding sources also include for profit productions for commercial content. So, if you want to make a video for commercial purposes that will not air on Cape Ann TV, you can contract Cape Ann TV to make it. CATV can work at a high quality and any budget. Do you have an exciting event you’d like to capture? Do you need to film a board room meeting? One example- CATV produced film for a permanent display at Cape Ann Museum.
CATV has strategically partnered with organizations seeking grant funding. If an organization is writing a grant proposal that includes a video element, they can write CATV into the grant, and CATV will match the grant funds with in kind services. So for example Cape Ann Seafood Exchange wrote a big grant, and they won $5000 as part of this big grant to make a video. CATV matched that award which meant Seafood Exchange could make a $10,000 value video. Next time you’re writing a grant, think about ramping up the application with a video component, and plan ahead so it can happen!
“Cape Ann Television is an invaluable asset to Gloucester and the Cape Ann community. The city turns to CATV for important local news, information and media education opportunities. The dedicated staff members and volunteers at Cape Ann Television through the leadership of Erich Archer work tirelessly to improve and broaden their coverage of public, education, and government events, keeping our citizens informed and entertained. I have been involved with Cape Ann Television for many years, sharing my views as a city councilor, mayoral candidate and finally, today as Mayor. From this personal experience, I have always recognized the value that CATV provides, allowing local citizens the opportunity to share opinions and information. It is a critical piece of our city’s democracy.” Mayor Romeo Theken, City of Gloucester, MA
Erich Archer has been at the helm of Cape Ann TV for three years. He is a filmmaker and editor by profession. “I try to produce at least one original project a year that I’m proud of. The two On the Waterfront episodes are definitely in that category, as are the two Portrait Series pieces.”
Prior to running the station he worked in Los Angeles in TV and advertising. He moved back from LA for…love. His wife, Tara, is a wardrobe stylist who grew up on the North Shore. They have two children and reside in Beverly. As a boy, Archer spent summers on Wingaersheek beach with his family. His parents recently moved to Rocky Neck; his mother, Kathleen Gerdon Archer, had a gallery on Rocky Neck. That’s her original art on the walls.
MassAccess (Massachusetts Community Media, INC) state advocacy membership organization and network. Cape Ann TV is a member and Archer is serving as an officer.
*For more information see Cable Communications Act of 1984
2014 Boston Globe good article by Steven Rosenberg
Applicants have until December 15th to upload a book submission,
Shout out to local artists John Bassett, Bonnie Sylvester and Alexia Parker. Last week we reached out to local media including the Gloucester Daily Times, Cape Ann Beacon, Cape Ann Chamber newsletter, This Week on Rocky Neck and Good Morning Gloucester to help us broadcast the contest and/or seeking volunteer artists. Artists (and writers!) generously stepped forward with intriguing and generous offers! Scroll down to read more about three of the artist volunteers that responded to this recent public appeal. At this time we have more volunteers than requests. Amazing and inspiring!
Glass sculptor, artist John Bassett www.basglas.com, was the first to reach out with a generous and flexible offer. His website links to pages of glorious works.
His offer was quickly followed by Bonnie Sylvester’s thoughtful reasoning: “As an artist and early childhood educator, I would love to add my name to the mix of local volunteer artists that writers may consider. I think it will be a lot of fun to work this way.” Sylvester works in a wide range of material including mixed media, acrylic, and watercolor. “I believe exceptional picture books are a marriage of story and picture. It’s so important to see the creativity in the author’s vision.” She has a master’s degree in early education and is a docent at Cape Ann Museum.
Alexia Parker wanted to volunteer after she was urged by a couple of her friends and fans: “I had couple of friends and coworkers who saw it in the Gloucester Daily Times and contacted me. I grew up in Essex…I also work…in Essex. As far as my art goes, I have just recently been exploring avenues to get my name out there a little. Illustrating childrens’ books has been a dream of mine since I was a child, so I thought this could be a fun way to try it out.” She included this stunning collage as an example.
There will be a second jury panel made up of children. If you know a Cape Ann K-5th grader who likes to read or be read to, and would be excited to be part of the kids jury panel, let your library know! Names will be pulled out of a hat. For more information contact Capeannreads2016@gmail.com.
Cape Ann Reads children’s picture book contest is open to Cape Ann residents of ALL ages, students attending school on Cape Ann and people who work on Cape Ann. One winning book will be published by Cape Ann Reads in 2017, a first-edition printing prize valued up to $10,000. Additional honors will be announced.
The 4 Cape Ann libraries and many regional partners have coordinated a calendar of wonderful events throughout 2016. Additional sponsors and support are sought and welcome! After the registration deadline, the contest organizers will announce additional specific prize categories.
Juni Van Dyke’s show at Jane Deering Gallery 19 Pleasant Street Gloucester MA opens Saturday October 29 5-7PM and continues through December 2017. I think Juni’s art transposes her passions and delights into works of sumptuous color and significance. They are beautiful, moving and resonant with her life experiences.
Jane Deering Gallery is located within the 1842 home built for Capt. Harvey Coffin MacKay and Sally (Somes) MacKay. They were married in 1816. The building is one of many distinctive assets within Gloucester’s Central Historic District. There aren’t many wood structures dating from this time because of fires.
McKay’s name is on the 1821 First Fire Club list, established in 1766, appointed to Engine No. Two. Members agreed to 14 Articles: “to be helpful to each other in case of fire; 2, each member to provide two good leather buckets and two strong bags of not less than three bushels capacity, the fine for non-compliance being 12-1/2 cents; 3, to meet annually, also quarterly, with a fine of 12-1/2 cents for non-attendance; 4, a committee of two to inspect each other’s premises and inspect all fire apparatus quarterly; 5, a moderator and clerk to be elected; 6, prescribe the duties of the clerk; 7, to expel members absent from four quarterly meetings and refusing to pay the fines and assessments; 8, to pay for buckets or bags lost at any fire; 9, each member to pay 50 cents for a printed copy of the articles; 10, a secret watch-word for the society, the fine for divulging the same being 40 cents; 11, a fine of 12-1/2 cents for buckets or bags being out of their proper places; 12, fines and assessments to be paid to the Clerk; 12, a three-fourths vote necessary for admission, etc.; 14, a quarterly assessment of 25 cents to meet ordinary expenses.” See The Gloucester Fire Department: its history and work from 1793 to 1893 by John J Somes, ©1892
In 2014, a trunk filled with archival material attributed to Captain MacKay including papers about the ship Parthian fetched $900 (est. $150-200) at online auction site, Invaluable, for The Gallery at Knotty Pine in West Swanzey, NH.
“I, Harvey C. Mackay do solemnly, sincerely, and truly swear, that the within REPORT and LIST, subscribed with my name and now delivered by me to the Collector of the district of BOSTON AND CHARLESTOWN, contains, to the best of my knowledge and belief, the names, age, sex and occupation of all the passengers, together with the name of the country to which they severally belong, and that of which they intend to become inhabitants, which were on board the London Packet whereof I am at present master, at the time of her sailing from the port of London or which have at any time since been taken on board the said vessel. And I do likewise swear, that all matters whatsoever in said report and list expressed, are, to the best of my knowledge and belief, just and true. SO HELP ME GOD. (Signed) Harvey Mackay, MASTER. Sworn to before me, this twenty-fifth day of April 1827, (signed) J. W., Dy. COLLECTOR.” See the (short) Passenger list on board the packet Ship London from England to Boston, Massachusetts on 25 April 1827
A fishing schooner built in Essex in 1866 was named for ‘intrepid Capt Harvey C Mackay (1786-1869). From Out of Gloucester, http://www.downtosea.com: On December 24, 1879: The Sch. ‘Harvey C. Mackay’ Given Up as Lost: The Schooner Harvey C. Mackay, for whose safety fears have been entertained, and for whose coming back to port anxious ears have long been waiting, has been given up as lost by her owners, and she must be added, with her crew of hardy men, to the list of lost fishermen. She left port…
The outstanding exhibit of Jeremy Adams instruments and furniture is not to be missed. To accompany the exhibit Voicing the Woods: Jeremy Adams, Instrument Maker, the Cape Ann Museum is offering a series of mini concerts and instrument demonstration. The series runs as follows:
Saturday, November 5 at 11:00a.m. – Kevin Birch
Birch has performed throughout the United States, Europe and South America. He holds the Doctor of Musical Arts from the University of Iowa with previous studies at the Sweelinck Conservatory (Amsterdam) and the New England Conservatory (Boston).
Saturday, December 3 at 11:00a.m. – Jeremy and Kathleen Adams
Kathleen Adams is the organist and choirmaster at the Annisquam Village Church in Gloucester, MA. She studied singing at the American Conservatory of Music and organ and conducting at Harvard University. Jeremy Adams, one of the most gifted musical instrument makers in New England, studied at the Longy School of Music in Cambridge.
Saturday, January 7 at 11:00a.m. – Frances Conover Fitch
Fitch is an internationally touring harpsichordist and organist. She is currently on the faculty at the New England Conservatory of Music, Tufts University and Brandeis University.
Saturday, February 4 at 11:00a.m. – Carolyn Day Skelton and John Skelton
Carolyn Day Skelton has served as the summer organist at Emmanuel Church in Manchester-by-the-Sea since 1984 and received her Master of Music degree from the New England Conservatory. John Skelton also began his career at the New England Conservatory and has served as music director at the Maple Street Church in Danvers for 28 years.
This program is free for CAM members or with Museum admission paid upon arrival. Space is limited; reservations required. Reservations can be made by calling 978-283-0455 x10, firstname.lastname@example.org or online at Eventbrite.
Opening tomorrow at the Cape Ann Museum, “Voicing the Woods” is a very special exhibition of some of the exquisite instruments created by Jeremy Adams. The exhibit is accompanied by Paul Cary Goldberg photographs of the instruments and of the artist at work .
A world renowned instrument maker, Jeremy Adams is a Gloucester artist whose extraordinarily beautiful instruments will be treasured for generations to come. To see these works of art displayed in the light filled gallery of the museum’s top floor is a magnificent gift to the community, and one not to missed. Additionally, a selection of Jeremy’s witty and whimsical furniture is displayed in the Museum’s 1804 Captain Elias Davis House.
Jeremy Adams Bent-side Form, used to bend wood that has been steamed to create the curved side of the harpsichord. The process of steaming wood for the planks is similar to the technique used in boat building.
“Voicing the Woods” opens tomorrow, Saturday, October 22nd, at the Cape Ann Museum. Throughout the months of November, December, and January instrument demonstrations and concerts will be held at the Museum and at the Annisquam Village Church. See the schedule of events here.
About Jeremy Adams, Instrument Maker, from the Cape Ann Museum exhibit catalogue:
A keyboard player from early childhood, Jeremy Adams took his formal training with Roland Sturgis, Gregory Tucker and Melville Smith at the Longy School of Music in Cambridge. In the 1960s, an auspicious time for early music enthusiasts, Adams entered into a six-year apprenticeship at William Dowd’s Cambridge harpsichord shop, where he gained recognition for his skills as a musician and quickly developed his hand as a fine woodworker. (Dowd had established his workshop in the 1950s with harpsichord maker Frank Hubbard, engaging with the international movement to revive historic practices of performance and instrument building.) In the two years following his harpsichord apprenticeship, Adams honed his skills in reed voicing and tonal finishing in an organ building apprenticeship at the Gloucester workshop of Charles Fisk, working on signature instruments at Old West Methodist in Boston and Harvard University, among others. In 1969 Adams opened his own workshop on the North Shore.
Read more here.Annisquam Village Church Jeremy Adams Pipe Organ
The life and accomplishments of Eleanor Raymond (1887–1989), a pioneering woman in the field of architecture during the mid-20th century, will be the subject of a talk presented by documentary filmmaker Lyda Kuth. A graduate of the Cambridge School of Art and Landscape Architecture for Women, Eleanor Raymond was a noted innovator partnering with solar energy researcher Dr. Maria Telkes to design one of the first successful solar-heated buildings in the Northeast. On Cape Ann, Raymond designed homes for artist Natalie Hays Hammond, anthropologist Carlton S. Coon and a summer cottage for herself overlooking Gloucester’s outer harbor. Lyda Kuth is an independent filmmaker and Executive Director of the LEF Foundation, which supports New England independent documentary filmmakers. She has been recognized by the Massachusetts Cultural Council with the prestigious Commonwealth Award and honored by Women in Film and Video New England with an Image Award.
Member cost is $10 per lecture / $25 for the series; Non-member cost is $15 per lecture / $40 for the series. Reservations are required. To purchase tickets or for more information please call (978)283-0455 x10 or email email@example.com.
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