Category Archives: Art

Jane Deering Gallery upcoming shows- yours could be one of them in May

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On view at Jane Deering Gallery Saturdays and Sundays this January – GEORGE WINGATE show

upcoming:

February – Peter Herbert and Pia Nadel
March – Kevin Lucey curates
April – Anna Kasabian
May – could be you info@janedeeringgallery.com

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New York Times features Edward Hopper #GloucesterMA painting

 

“What was an important early personal acquisition?

“The Hopper painting. It’s called “Hodgkin’s House.” I was really nervous about it. It was at the time certainly the most expensive thing by far I had ever bought. It belonged to David Geffen. It’s one of the things that’s skyrocketed in value. There are just so few in private hands.”

EDWARD HOPPER all around Gloucester Hodgkin's House 505 Washington Street GLOUCESTER MA© c ryan

New York Times Jan 8 2018 Laurie Tisch Edward Hopper Hodgkins House prior owner was David Geffen

Hodgkin’s House was one of nine Gloucester paintings included in the 1933 Museum of Modern Art Edward Hopper retrospective. The eight other paintings were: Cape Ann Granite,  Houses of Squam Light, Haskell’s House, Marty Welch’s House, Adams’s House,  Freight Cars at Gloucester, Italian Quarter, and Box Factory Gloucester

 Christie’s auction house has released more information about one of the upcoming Rockefeller sales. It includes a good reproduction of Cape Ann Granite.

Edward hopper Cape Ann Pasture ©Christies photograph 2017

Reminder! Cape Ann Narratives of Art and other special museum events this January

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From the Cape Ann Museum – Entrance to the museum is free in January for Cape Ann residents. Some programs require registering and tickets.

3PM Saturday, January 6 Quick Steps & Ballads prior GMG post

10AM- 12PM Saturday, January 13  CAM KIDS LEGO STUDIO. See prior GMG post

3PM Saturday, January 13, 2017 Cape Ann Narratives of Art in Life- A Discussion at the Cape Ann Museum

“The Cape Ann Museum is pleased to present Cape Ann Narratives of Art in Life: A Discussion on Saturday, January 13 at 3:00 p.m.  This program is free for CAM members and Cape Ann residents or with Museum admission. Reservations are not required. Call (978)283-0455 x10 for more information.

Join Martin Ray and several of the artists featured in his new book Cape Ann Narratives of Art in Life. Ray’s work explores the artistic talent that local residents have brought to their occupations. Whether one is a writer or woodworker, pastor or painter, mayor or musician, Ray classifies each as an artist, and celebrates the mastery that is exhibited in his/her craft. Panelists include Anne Deneen, pastor; Nan Webber, theater director; Brian King, musician; and Stephen Bates, musician/sculptor.

During the month of January the Cape Ann Museum opens its doors to all Cape Ann residents, in an effort to encourage membership, but also to bring the greater community into closer contact with their art, history and culture. This program will do just that, shedding light on locals who take pride in their craft with unwavering commitment and dedication. Does pursuing one’s vocation make one an artist? You decide.” Image credit (book cover): Martin Ray, 2017.

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10AM -12:15PM, Wednesdays, January 17-February 7, three Wednesdays– print workshop with Mary Rhinelander

Visit the museum event’s page to see the plentiful programming

Down the lane: Fitz Henry Lane art shuffled from Gloucester Sawyer Free library to Cape Ann Museum

You may have noticed that the Gloucester Lyceum & Sawyer Free Public Library is sporting noticebly thinned out collections, and it’s not just the books. Three Fitz Henry Lane paintings were moved across the street to the Cape Ann Museum: Gloucester Harbor (gifted to the Library by Judith M Todd); Sawyer Homestead Freshwater Cove, Gloucester; and Coasting Schooner off Boon Harbor, ME. Additionally, a portrait of Sawyer and a Bertha Menzler Payton painting are no longer on view.

BEFORE AND AFTER

Gloucester Lyceum & Sawyer Free Public Library installation views- BEFORE (Lanes installed) / AFTER (Lanes removed)

Installation view two FITZ HENRY LANE paintings GLOUCESTER HARBOR left and SAWYER HOMESTEAD right at Sawyer Free Public Library ©C Ryan IMG_183127

Past the crowd, on the far walls installation view showing pair of Fitz Henry Lane paintings (Gloucester Harbor on the left and Sawyer Homestead Freshwater Cove on the right). A Carlton T Chapman painting is under the clock. Gloucester Lyceum & Sawyer Free Public Library

Installation view two Gruppe paintings former site of two Fitz Henry Lane paintings at Sawyer Free Public Library ©C Ryan_111423

Gloucester, MA. Gloucester Lycecum & Sawyer Free Public Library December 2017 pair of Emile A Gruppe paintings installed (formerly site of two Fitz Henry Lane paintings)

 

You can click on the photos to read captions. The photo pair below show Lane Coasting Schooner replaced with a painting from the Addision Gilbert Hospital collection, a portrait of Sawyer and his wife

 

Library vs Museum

Lane painting installation views comparing Gloucester Lyceum & Sawyer Free Public Library vs Cape Ann Museum

More photos from both collections

 

Cape Ann Museum is just across the street and it’s the world’s most vital Lane collection. Still, I wish the paintings could remain at the library. I lament my industry’s inability, all of us, actually– to find a way to make stewardship affordable for repositories just like this one. I’ve been thinking about the pros and cons of making copies for the library. When access to originals is difficult or impossible, copies can be a boon. For example the Madonna atop Our Lady of Good Voyage is a replica. The original is held at the Cape Ann Museum and affords close observation that was impossible from the street. The copy preserves the impact of the site. Two dimensional  poster reproductions and painted copies are rarely more. Mostly, I advocate for originals. Here, original art was replaced with original art.

The gifts were for the library and Gloucester, in varying degrees of partnership with the library since Sawyer’s private endowment upon his death in 1889. The provenance paperwork for the Lanes can be deciphered differently depending upon context.

The Lanes leaving the library made me think about the James Prendergast Library collection deaccession, for operating funds and a new vision, rather than a relocation just across a city square. That library is located in Jamestown New York. The board consigned 44 paintings to two auction houses for November 2017 sales. The update is that several works did not find purchasers, failing to meet presale estimates. The board rejected lowball offers following the public sales, and the art remains with the auction houses to be sold in future to-be-determined sales. The New York Attorney General office denied a purchase offer that would have held the art in Jamestown, ruling instead for public auction.  A makerspace was crafted from three extant rooms where a children’s computer coding Scratch class was offered at the time of the sales. Jamestown had cut annual funding for its library by $300,000. (see prior GMG posts November 20 2017 and auction results)

I was hoping the Lanes might be featured prominently and safely with any interior buildout proposals at Sawyer Free library, like this installation at the Currier (which was a temporary build out for a museum exhibition), and the library’s other works. The Matz gallery is pretty perfect for changing exhibits of local artists.

Installation view ALBERT BIERSTADT The Emerald Pool Currier Museum of Art Mount Washington exhibit January 2017 © c ryan.jpg

 

Edward Hopper at Oxford and T S Eliot at Turner Contemporary

Several European museum shows in 2018 contain examples or are devoted to American 20th century artists and modernism like the ones curated for the Ashmolean Museum at Oxford, the Royal Academy, Tate Modern and British Museum.

Massachusetts loans boast the Edward Hopper painting Manhattan Bridge Loop from the Addison Gallery of Art collection, Phillips Academy, Andover, selected for America’s Cool Modernism at Oxford. Three Hopper etchings (The Cat Boat, Night Shadows, and The Railroad) are on the checklist. Hopper depicted Gloucester in over 110 works of art. Besides Hopper, notable artists and writer with various Gloucester connections selected are: Stuart Davis, Marsden Hartley, e e cummings, and Louis Lozowick.

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Forgot the cry of gulls and the deep sea swell

 

 

Upcoming at Turner Contemporary – “Journeys with ‘The Waste Land’   a major exhibition (Sat 3 Feb – Mon 7 May 2018) considering Eliot’s watershed poem through visal arts, and Margate. I hope they turn to Gloucester and Cape Ann, unspoken in the final poem yet approachable (and specified in excised iterations). From the museum’s press release:

“Presenting artworks from the 19th century to the present, including film, photography and artefacts, the exhibition explores how contemporary and historical art can enable us to reflect on the T. S. Eliot poem, The Waste Land, and its shifting flow of diverse voices, references, characters and places.

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If Not, Not (1975-6), R.B. Kitaj, National Galleries of Scotland

In 1921, T.S. Eliot spent a few weeks in Margate at a crucial moment in his career. He arrived in a fragile state, physically and mentally, and worked on The Waste Land. The poem was published the following year, and proved to be a pivotal and influential modernist work.  Building on Turner Contemporary’s extensive experience in participation and engagement, the exhibition is being co-curated with a research group of 30 volunteers from the community, supported by the programme team at Turner Contemporary and external curator Professor Mike Tooby. Journeys with ‘The Waste Land’ is being funded by the Paul Mellon Centre for Studies in British Art and the John Ellerman Foundation.”

City Hall acoustics Inauguration Celebration 2018

Here are a few brief (less than 30 seconds each) sound snippets from the 2018 City of Gloucester Inauguration Celebration including Gordon Baird (God Bless America), Alexandra Grace, Josh Cominelli (National Anthem, You’ve Got A Friend), Fly Amero, John Ronan recitation (poem We, Helmsmen), Charlee Bianchini & Jack Tomaiolo (Don’t Stop Thinking About Tomorrow). To see great photos and portraits of the day, see Kim Smith’s post Inspiring City of Gloucester Inauguration Ceremony 2018. To see the printed program and the Mayor’s full remarks, visit the city website: http://gloucester-ma.gov/index.aspx?nid=956. I’ll add Cape Ann TV video link if/when it’s ready. Ray Lamont’s excellent coverage in the Gloucester Daily Times Taking the Oath of Office 

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Reminder: Quick Steps & Ballads at Cape Ann Museum

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DETAIL (Fitz Henry Lane sheet music cover displayed at Cape Ann Museum’s Drawn From Nature & On Stone exhibition)

FHL sheet music cover for a yankee ship and a yankee crew 1865 litho

photo: FH Lane illustration (Boston Harbor/USS Constitution/State House) for

Captn. E.G. Austin’s quick step
As first performed by the
BOSTON BRIGADE BAND on the anniversary of the
Boston Light Infantry,
May 31st 1837
also the new nautical song A Yankee ship and a Yankee crew,
sung by Mr. Williamson

From Cape Ann Museum- Upcoming Saturday January 6, 2018

Cape Ann Museum Fitz Henry Lane Quick Steps and Ballads

“The Cape Ann Museum is pleased to present Quick Steps and Ballads: The Sheet Music Lithographs of Fitz Henry Lane, on Saturday, January 6 at 3:00 p.m.  This musical performance is free for Cape Ann residents, Museum members or with Museum admission. Reservations are required and can be made online at camuseum.eventbrite.com or call (978)283-0455 x10.

The performance was conceptualized and coordinated by local musicians Kristina Martin, Kathleen Adams and Beverly Soll with music transcription and program design by Andrew Soll. Featured performers include the Waring School Singers, ‘Leven, Vintage Victorian of Nahant, and other individuals from around the north shore area. Don’t miss this opportunity to see the dances and hear the songs that were popular in the 19th century!

The performance is offered in conjunction with the special exhibition Drawn from Nature & on Stone: The Lithographs of Fitz Henry Lane, which was designed to explore artist Fitz Henry Lane’s life and career in detail and against the backdrop of 19th century printmaking culture in America. As early as 1833 Lane was illustrating sheet music for these popular songs of the time. The special exhibition is on display until March 4, 2018.

Image credit: (left) Song of the Fisher’s Wife. Lithograph on paper (sheet music). Drawn by F.H. Lane. Lithograph by Sharp & Michelin Lithography. Published by Oakes & Swan, Boston, 1840. American Antiquarian Society.  (center) The Maniac. Lithograph on paper (sheet music). Drawn by F. H. Lane. Lithograph by Thayer’s Lithographic Press. Published by Parker & Ditson, Boston, 1840. American Antiquarian Society. (right) Sicilian Vespers. Lithograph on paper (sheet music). Drawn by F. H. Lane. Lithograph by Pendleton’s Lithography, Boston. Published by C. Bradlee, Boston, c.1832. Boston Athenaeum. Gift of Charles E. Mason, Jr., 1978.”

Last chance: Peter Lyons December art exhibition at Trident Gallery

Various installation views of Peter Lyons striking paintings at Trident Gallery, Main Street, Gloucester, MA. There’s still time to catch the show, on view through December 31, 2017. Lyons was born in New Zealand in 1960 and was in the US by 1990. He’s lived and worked on both coasts, currently in Natick. He’s shown at Richard York Gallery in New York.

PETER LYONS installation view Trident Gallery December 2 2017 © C Ryan 123210

Local photographer Steve Howard closes out Sawyer Free 2017 exhibitions

Last chance to catch the Steve Howard photography exhibition, December 2017, at Matz Gallery, Gloucester Lyceum & Sawyer Free Library, Gloucester, MA. Howard resides in Gloucester and is an exhibiting member of the Rockport Art Association.

contact: Steve.howard328@gmail.com
Photographer Steve Howard Sawyer Free exhibition December 2017 20171206_150525

 

 

Deadline for the 2018 Bruce J Anderson Foundation funding opportunities

Don’t miss the Bruce J Anderson Foundation funding opportunity in the New Year! The foundation has helped many local organizations such as: Cape Ann Art Haven, City of Gloucester Committee for the Arts, Cape Ann Museum, Cape Ann YMCA, Rocky Neck, Cape Ann Reads, Cape Ann Symphony, Gloucester Stage, and many more.

From the Boston Foundation outreach by Carmen Savarino:

“We are pleased to announce the 2018 Request for Proposals for the Bruce J. Anderson Foundation, a supporting organization of the Boston Foundation.  The Bruce J. Anderson Foundation has been making grants on Cape Ann and the communities of Harvard, Ayer, Groton, Pepperell, Shirley and Townsend for over 30 years.  Please review the guidelines carefully and note that the application deadline is Monday, February 5, 2018. Please note that this year all applications will be submitted online.

Please find the application HERE

Grant decisions will be made in mid-June and announcements will be made at the end of June. This year we will be hosting an informational webinar session on Tuesday, January 9th. Those interested in attending can join us to hear about the Bruce J. Anderson Foundation’s grantmaking priorities and to answer any questions you may have.  More information will be sent out in the coming weeks on how to attend the call if interested. We hope you will consider taking advantage of the Bruce J. Anderson Foundation funding opportunity.  Questions regarding program eligibility can be directed to my attention at carmen.savarino@tbf.org or (617) 338-2676″

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Carmen Savarino (with scarf) leading informational session for the 2017 Request for Proposals for Bruce J Anderson Foundation

Cape Ann Reads Children’s Picture Book Celebration reception and fair

Calling all children’s picture book fans! The four Cape Ann library directors and Mayor Romeo Theken hope you’ll join us for a very special Cape Ann Reads reception at Gloucester’s City Hall on Saturday January 27, 2018, to honor the scores of writers and artists that participated in the Cape Ann Reads contest. The party and pop-up portfolio/book fair will be open to the public from 12pm-4pm. There will be a brief awards ceremony at 1:30. Along with the medal and honor books, the jurors selected several more for special recognition. Breaking news: a group show of these will travel to all four communities in 2018 with support from the Bruce J Anderson Foundation, a Gold Sponsor.

Cape Ann Massachusetts can now boast the country’s FIRST ever picture book contest and programming hosted by four public libraries and wonderful community partners. The contest fostered the local children’s picture book network, and business in the region. Five books were self-published (or in the works) since the contest closed, reviewed and sold in local stores. An original Cape Ann Reads trophy by local artist, Jason Burroughs, has been commissioned and will be unveiled at the celebration.

SAVE THE DATE Cape Ann Reads celebration reception Jan 27 2018 (3)

Please contact capeannreads2016@gmail.com if you’d like to sponsor a prize or award–or any cafes or restaurants that want to showcase a small tray of light fare or coffee/tea–as there’s time to be included in the printed matter.

Bluebird Nesting Box at O’Maley

Was honored to have teacher Mr. David Brown call me and ask if I could come and take some photos of the 6th graders making these very awesome Bluebird Nesting box.  I really enjoyed this, the 6th graders did a great job making these special Birdhouses.  The kids, measured, clamped, sawed the pieces, made the opening for the bird and even had a side door that opened to be able to feed the birds.  Thank you O’Maley for putting these projects into place for the kids.  Just one more thing, lots of smiles on these 6th graders.  Now I want one.

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Jingle Rock Sip’n’Shop – Come Support Cape Ann Vendors

We are very excited to be hosting our first Sip’n’ShopSeveral Gloucester vendors will be selling their wares (come support them) like

Come enjoy some Rockin’ Holiday Music, a cocktail and fun hassle-free shopping.  Hope to see you all on Wednesday.

Bring it home! Rockefeller Edward Hopper #GloucesterMA Dogtown painting @ChristiesInc

EDWARD HOPPER Cape Ann Granite oc 29 x 40 1928 est 6 to 9 mil private collection Rockefeller

Christies, the New York auction power house is currently marketing the Peggy and David Rockefeller art collection across the (art)world–Hong Kong, London, and Los Angeles– before the spring 2018 live sale back in New York. The collection includes a painting by American artist, Edward Hopper (1882-1967), that was inspired by Gloucester: Cape Ann Granite is one of the rare Hopper paintings remaining that’s not currently held in a museum. There are more than 110 Gloucester houses and vistas depicted by Edward Hopper.

Advance promotion of Christie’s upcoming Rockefeller auction have yet to illustrate the painting, although the artist’s recognizable name is mentioned in every press release and the painting is included in the world tour highlights exhibit. The catalogue for the sale is not ready.

Former owners of Cape Ann Granite have in common connections to Harvard, banking and art collecting

Billionaire and philanthropist, David Rockefeller (1915-2017), was a Harvard graduate and longtime CEO of Chase Manhattan bank (later JP Morgan Chase). His art appreciation began early,  influenced by both parents and the Rockefeller family collections. His father was the only son of  John D. Rockefeller, a co-founder of Standard Oil Corp. His mother, Abby Aldrich Rockefeller (1874-1948), helped establish the Museum of Modern Art, and the fund in her name helped secure Hopper’s Corner Saloon for the permanent collection. Several family members were Trustees. After his mother’s death, David took her Trustee seat.

Like David Rockefeller, the first owner to acquire Cape Ann Granite was a Harvard graduate, art collector and financier, about the same age as Rockefeller’s parents, and Hopper. Benjamin Harrison Dibblee (1876 – 1945) was the scion of  California businessman, Albert Dibblee. The family estate “Fernhill” was built in 1870 in Ross, California (later the Katharine Branson School). Benjamin H Dibblee was a Harvard graduate (1895-1899), an All-American Crimson football player (halfback and Team Captain), and head coach (1899-1900). W.H. Lewis, a famous center rush, was the Assistant Coach. (Harvard football dominated under this coaching team. See the standings below the “read more’ break.) In 1909, Dibblee donated his father’s historic papers concerning California’s secret Civil War group “The Home Guard of 1861” including its muster roll and pledge of loyalty to Lincoln and the Union cause. Dibblee was an alternate delegate from California to the Republican National Convention in 1912. As a  Lt. Col. he was listed as one of five California committee members for the American Legion in 1919. He was a big wheel investment banker at EH Rollins & Sons, a firm impacted by the Wall Street crash of 1929.

Benjamin Harrison Dibblee Harvard Football all american then Captain Wikipedia photo first purchaser of Edward Hopper Cape Ann Granite Gloucester MA Dogtown painting later owned by Rock
Wikipedia photo of Dibblee  from The Official National Collegiate Athletic Association football guide, 1899

It’s fun to think about Dibblee possibly visiting Gloucester during his time at Harvard, like so many students and faculty; then, decades later, acquiring a major Hopper because it was both a modern masterpiece, and a Gloucester landscape.

The Hopper Cape Ann Granite painting has me itching to research all Crimson team photos– not simply varsity nor football circa 1895-97– because of the (remote) chance of another Gloucester-Harvard and athletic connection. In 1895 Dibblee was involved with sports at Harvard at the same time as author and Olympian, James Connolly.  In 1899 both were involved with football; Dibblee as the Harvard coach and Connolly as Gloucester’s athletic director and football player**. Maybe they scrimmaged. Maybe they scrimmaged in Gloucester.

Hopper’s artist inventory log pages for ‘1928 oils’ itemizes Cape Ann Granite as follows: “Sent on from Gloucester September 27, 1928, 3 canvases. Cape Ann Granite, 29 x 40, Green picture on hill with rocks. Fresh green in foreground. Slanting shadows cast by rocks and boulders. Sky blue with clouds. Small tree on R. BH Mr. Dibblee 49 Wall Streeet of San Francisco (Lived near 14 miles from San Francisco. Knows Alex Baldwin in Calif. (SanFrancisco) 1500 -1/3. 1000 on June 5, 194 ” 

EDWARD HOPPER diary page includes Gloucester entries

From Hopper’s Artist’s ledger -Book, ink graphite on paper, Whitney Museum of American Art, Gift of Lloyd Goodrich

 

The pencil annotation “Modern Masters EH 1933” accompanying the thumbnail sketch for the painting on the right of this entry may be mixed up. There was a  “Modern Masters” exhibition at the Museum of Modern Art (MoMA) held in 1940 but it did not include this painting on the checklist. There was an Edward Hopper Retrospective held at MoMA October 30–December 8 in 1933 that did list this Gloucester painting, and the lender, Dibblee. (Incidentally, two other 1928 oils catalogued on that same inventory page, Manhattan Bridge Loop and Freightcars Gloucester, would both end up in the Addison Gallery collection at Phillips Academy.)

The Pure Landscapes

Excerpts from the 1933 MoMa Hopper retrospective exhibition catalogue:

“…When Hopper went to art school the swagger brushstroke of such painters as Duveneck, Henri, and Chase was much admired. Perhaps as a reaction against this his own brushwork has grown more and more modest until it is scarcely noticeable. He shuns all richness of surface save where it helps him to express a particular sensation…in spite of his matter-of-factness, Hopper is a master of pictorial drama. But his actors are rarely human: the houses and thoroughfares of humanity are there, but they are peopled more often by fire hydrants, lamp posts, barber poles and telegraph poles than by human beings. When he does introduce figures among his buildings they often seem merely incidental. Perhaps during his long years as an illustrator he grew tired drawing obviously dramatic figures for magazines. Hopper has painted a few pictures in which there are neither men nor houses. The pure landscapes Cape Ann Granite (9), Hills, South Truro (16), Camel’s Hump (22) occupy a place apart in his work. they reveal a power which is diconcertingly hard to analyze. Cezanne and Courbet and John Crome convey sometimes a similar depth of feeling towards the earth and nature…” Alfred Barr, 1933

“In its most limited sense, modern art would seem to concern itself only with the technical innovations of the period. In its larger and to me irrevocable sense it is the art of all time; of definite personalites that remain forever modern by the fundamental truth that is in them. It makes Moliere at his greatest as new as Ibsen, or Giotto as modern as Cezanne.” Edward Hopper, 1933 

Yale owns a related watercolor by Edward Hopper, Cape Ann Pasture

EDWARD HOPPER, oil on canvas, Yale University collection, Edward Hopper All Around Gloucester by Catherine Ryan

 

Catherine Ryan art image design Edward Hopper all around Gloucester MAProceeds from the sale of the Peggy and David Rockefeller art collection at Christies next spring will benefit 10 selected charities. Perhaps a magnanimous collector might consider this Hopper Dogtown purchase for the Cape Ann Museum, a philanthropic twofer in this case, and needed. Cape Ann Museum does not possess a Hopper Gloucester painting and if any musuem should, it’s CAM. We need to eventually guide back the Hopper painting Gloucester Street, too.

Gloucester Street private collection Edward Hopper all around Gloucester

Glou Street Edward Hopper

To date Christie’s auction house has promoted primarily a Picasso and Matisse as the star lots from this collection of masterpieces because of their hefty valuation. The presale estimate for the Matisse Odalisque couchée aux magnolias (1923) is 50 million.  The Picasso painting, Fillette à la corbeille fleurie (1905), a “Rose period Masterwork”, is estimated to top 70 million. The presale estimate for the Hopper is 6 million to 8 million.

Christies highlight page for Rockefeller does not show the Hopper yet Dec 12 2017

Christies first press roll out features the Pciasso and Matisse

 

The Picasso was diplayed in the  libary of  the Rockefeller Upper East Side mansion at 146 East 65th Street.   Its first owners were Gertrude and Leo Stein. Gertrude Stein hated it though her brother bought it anyway. After Alice B. Toklas (Stein’s partner) died in 1965,  MoMa trustees drew lots and were offered first pass on the legendary Stein collection. David Rockefeller won first pick, and selected the Picasso. I wonder how it will fare in this #metoo awakening. At the time of her death, Toklas had long been evicted from their Paris home as she had no legal standing nor benefit from any estate sales.

Gertrude and Leo Stein Rockefeller Picasso provenance

installation Leo and Gertrude Stein

Gertrude Stein and Alice Toklas collection at home

installation Gertrude Stein and Alice Toklas

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LIVE: Go, just go! City Hall #GloucesterMA, Stephanie Benenson Harbor Voices

What a celebration of pubic art and community! And such a stunning experience in City Hall. Don’t miss Stephanie Benenson’s Harbor Voices public art installation happening now at City Hall, Gloucester, MA. Open until 8pm tonight. Tomorrow 4-8pm. Participate remotely anytime. Read more about Stephanie Benenson and Harbor Voices.

Stephanie Benenson HARBOR VOICES Dec 8 2017 City Hall Gloucester MA ©C Ryan 20171208_163630.jpg

photos – We went back twice and saw all ages visiting and myriad reactions and interactions. Julie was there from Open Doors, one of the non-profit partners in the project.

www.harborvoices.com
action@harborvoices.com
Instagram @harborvoices
Facebook @harborvoicescapeann

 

Sista Felicia’s awesome Gingerbread House

For our grandchildren, this Gingerbread House is amazing. The photo only shows a little of how wonderful the Gingerbread House is. It is amazing with the candy, gingerbread, directions, etc. My grandchildren will love this.

Cape Ann Museum Tenth Annual Women’s Luncheon rolls out the @GrosvenorWilton carpet

December 6, 2017 – more photos to come!

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Hundreds of guests streaming in to enjoy the 10th Annual Women’s Luncheon, Cape Ann Museum’s wonderful annual benefit to help raise funds for a unique collections-related project.

Ahead of the lunch, happy guests  are viewing the stunning wallpaper in the Davis house,l– acquired with support from last year’s luncheon–, current exhibitions, and holiday shopping in the museum’s boutique shop.

New to the gift shop- custom sampler

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The 2017 luncheon campaign will support “the purchase and installation of historically accurate carpeting in the Captain Elias Davis House, a Federal style structure built in 1804…Carpet for this project will be made by the Grosvenor Wilton Company Ltd. founded in 1790.” 

Photo – Davis House before carpet

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The 10th Annual Women’s Luncheon welcomes Melissa Geisler Trafton, an art historian specializing in 19th century landscape painting, as the special speaker. Trafton was the Adjunct Curator and Managing Editor for the museum’s momentous Fitz Henry Lane Online and wrote one of the essays in the exhibition catalog for the current exhibition: Drawn from Nature & on Stone: The Lithographs of Fitz Henry Lane.

Gals

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