CloselyRelated closes tomorrow!
Lynne Saubele wall or ‘booth’ display from the group exhibition CloselyRelated at Flatrocks Gallery, curated by Juni VanDyke.
Installation views of the exibition Read more
CloselyRelated closes tomorrow!
Lynne Saubele wall or ‘booth’ display from the group exhibition CloselyRelated at Flatrocks Gallery, curated by Juni VanDyke.
Installation views of the exibition Read more
If you missed the I Am More Project by wonderful artist Amy Kerr, this show has been extended. It is an amazing show.
This is just to let you know that due to popular demand, the opening exhibit of the portraits at the Paint Factory has been extended:
The I Am More Opening at the Paint Factory (32 Horton St) has been extended to this afternoon (Wed) from 1-5, Thursday from 9-5 and Friday 9-5.
If you have family or friends who wanted to see all the portraits in one place, this is their chance. This does not include the work from the additional artists.
Gloucester’s Stage Fort Park playground and glorious natural setting spark imagination and exciting adventures. The gigantic truck play sculpture was re-built and resited and it’s been tricked out with a slide and an official Cape Ann license plate. Hoping a sea serpent returns with a few Virginia Lee Burton icons one day soon.
Check out Painting with Pauline LIVE at Trio Restaurant and Bar, Thursday 6:30-7:30pm, 64 Main Street, hosted by Bridge Cape Ann and Pauline’s Gifts. The weather forecast looks perfect for a fun event at that pretty outside deck.
Italiano’s has evolved into Trio: “Owners Deo and Paula Braga are creating a legacy of high quality family dining here on Cape Ann. The acclaimed Azorean celebrates the classic cuisine of the Azores… and now they present the Trio Restaurant, Portuguese, American and Italian cuisine. Trio celebrates Italian American and Portuguese dishes, the ones we all know and love, crafted from the best ingredients, with the professional flair of chef Manny Lapa. From salad to dessert, the menu is familiar, comforting, and always delicious.”
Nice touch that high geranium on Trio’s building.
Beach and going over to the Paint Factory for the amazing I Am More project, artist Amy Kerr.
I Am More Opening Exhibit
I Am More is a project that began in Gloucester to help people remember that they are more than their mental suffering. The opening exhibit will be held this weekend at the Paint Factory, hosted by Ocean Alliance, featuring 16 portraits in pastel and colored pencil by Amy Kerr, accompanied by essays written by the portrait subjects about all the ways they are more than their struggles. The exhibit will also feature work by artists Loren Doucette, Susan B. Field, Brenda Malloy, Rebecca Siswick Graham, Donna Ardizzoni, Katherine Richmond, Ramani Rangan, Joan Keefe, Anita Pandolfe Ruchman, Sophie Trumbour, and Gloucester High School students Gianna Cabral and Kyla Snell. The event will feature the original music of portrait subject and composer, Chris Cho. On Friday evening at sunset there will be live acoustic music on the Paint Factory patio provided by Kitt Cox and Susan Wood. Come join us Friday from 7-10 pm for the opening reception, and Saturday and Sunday from 9-5 pm, and see all of the new work that has been done on the inside of the Paint Factory under the leadership of Geoffrey H. Richon Co., Inc.
Robert Williams event at the Rocky Neck Cultural Center called The Art of Combat Veterans.
Not to be missed.
Amy Kerr a very talented artist has created this great event. Please save the date and come on by June 15, 16, 17, 2018.
Save the date, the unveiling of the I Am More opening exhibit is just 15 days away!
Come down to Ocean Alliance at the Paint Factory on Friday June 15th from 7-10pm for the opening reception. Gallery hours will be June 16th & 17th 9-5pm
Learn more about the I Am More portraits at Amy Kerr’s website: https://amykerrdrawsportraits.wordpress.com
This is one of the paintings in Erin Luman’s upcoming show. It’s called “Thirty Six.”
The Jane Deering Gallery will host a month-long exhibition of the work of Gloucester artist Erin Luman, whose new paintings focus on the cottages of Long Beach in Gloucester. Luman’s previous work explored the power lines, buildings and rooftops of downtown Gloucester (You prolly read about that one on Good Morning Gloucester here), and now she’s turned her view toward the beach to make sure the cottages that have served as the backdrop of generations of family vacations are remembered. The opening reception will be held this Saturday June 2, from 4 to 6 p.m. The Jane Deering Gallery is at 19 Pleasant Street in Gloucester.
Three memorial monuments along a small corner of the Boston Commons by the State House remind us of those who gave their lives for freedom.
“The Freedom Tree: With the vision of universal freedom for mankind this tree is dedicated to Joseph Dunn and all prisoners of war and missing in action. 1976.”
Read more about Maureen Dunn’s advocacy on behalf of her husband, Lt. Joseph Dunn, Vietnam War. Find the book, The Search for Canasta.
“In the Granary Burial Ground, in Boston, rest the remains of Crispus Attucks, Samuel Gray, Jonas Caldwell, and Samuel Maverick, who, together with Patrick Carr, led by Crispus Attucks, were the first Martyrs in the cause of Amerian Liberty, having been shot by the British soldiers on the night of the fifth of March, AD 1770, known as the Boston Massacre.”
Crispus Attucks was a longshoreman and whaler regarded as the first casualty in the Boston Massacre (‘the first to defy, the first to die’). In 1888, the state appropriated $10,000 for the commission. Robert Kraus was the sculptor and he worked with the foundry, Henry Bonnard Company of New York. The base and obelisk are Concord granite.
“The monument is of Concord granite, twenty five feet six inches high, and measures ten feet six inches at the base. The pedestal, which is round, except where a rectangular projection is made tosupport the statue and receive the relief is eight feet two inches high. The bas-releif on the face of the pedestal represents the Boston Massacre in King street. In the foreground lies Crispus Attucks, the first victim of British bullets; the centre of the scene is the old State House, behind which may be seen the steeple of the old brick or First church, which stood on Cornhill, now Washington Street. In the Upper left-hand corner is the following inscription: “From the moment we may date the Severance of the British Empire. Daniel Webster;” and in the upper right hand corner, “On that Night the Foundation of American Independenc was laid. John Adams.” Under the relief on the base appears the date “March 5, 1770.” Above the bas releif stands “Free America.” With her left hand she clasps a flag about to be unfurled, while she holds aloft in her ‘right hand the broken chain of oppression, which, twisted and torn, is falling off the plinth. At her left side, clinging to the edge of the plinth, is an eagle. Its wings are raised, its beak is open, and it has apparently just lit. Its pose is in unison with the fiery spirit of its mistrees, shown in the serious, determined, and heroic gaze of her upturned face.”
( And crushing the crown under her ‘Spirit of America’ foot.)
Joshua Benton Smith pushed for a memorial beginning in 1865. It took another 20 years for a sculptor to be commissioned. A dedicated committee selected sculptor, Augustus Saint-Gaudens. The tribute was unveiled and dedicated on Memorial Day May 31, 1897 (called Decoration Day at the time). Frederick Douglass was in attendance; two of his sons were in the 54th regiment. The memorial was cast by the Gorham Company foundry in Providence, R. I., at a cost of $7,000. The Gorham Company was contracted for Gloucester’s Fisherman at the Wheel memorial by Leonard Craske, and the Joan of Arc WW1 memorial by Anna Hyatt Huntington.
from the National Parks:
“Saint-Gaudens always strove for perfection regarding realism. In this relief he wanted to show a range in facial features and age, as found among the men of the regiment. This was the first time a monument depicted blacks realistically, and not as stereotypes. He hired African American men to pose, and modeled about 40 different heads to use as studies. His concern for accuracy also extended to the clothing and accoutrements.
“Saint-Gaudens, however, worked slowly. A committee member complained in 1894, “. . . that bronze is wanted pretty damned quick! People are grumbling for it, the city howling for it, and most of the committee have become toothless waiting for it!” It would still be three more years until the unveiling. In answer to criticism, Saint-Gaudens wrote:
“My own delay I excuse on the ground that a sculptor’s work endures for so long that it is next to a crime for him to neglect to do everything that lies in his power to execute a result that will not be a disgrace. There is something extraordinarily irritating, when it is not ludicrous, in a bad statue. It is plastered up before the world to stick and stick for centuries, while man and nations pass away. A poor picture goes into the garret, books are forgotten, but the bronze remains to accuse or shame the populace and perpetuate one of our various idiocies.”– Augustus Saint-Gaudens
“Many of them were bent and crippled, many with white heads, some with bouquets… The impression of those old soldiers, passing the very spot where they left for the war so many years before, thrills me even as I write these words. They faced and saluted the relief, with the music playing ‘John Brown’s Body’…. They seemed as if returning from the war, the troops of bronze marching in the opposite direction, the direction in which they had left for the front, and the young men there represented now showing these veterans the vigor and hope of youth. It was a consecration.” – Augustus Saint Gaudens
MAY29 – June 6
The Cape Ann Reads inaugural reception celebrating original children’s picture books by local artists and writers was held at City Hall in Gloucester, Massachusetts, January 27, 2018. Linda Bosselman of Sawyer Free Library was the official photographer for the packed event and she captured all its positive energy and people. An upcoming group exhibition featuring these participants will travel to the four Cape Ann communities. As you can see from the celebration pictures, the touring exhibition and its related receptions and readings will be worth a visit! Cape Ann Reads is an initiative by the four public libraries of Cape Ann.
The Cape Ann Reads reception and awards ceremony opened in style – thanks to the red-ribbon cutting courtesy of the Cape Ann Chamber of Commerce and Ken Riehl.
City Hall is a gorgeous venue for an art fair. Linda photographed all the local artists and writers at their individual picture book display booths. Effort was high. Kind friends manned booths for participants who were unable to attend: Ashley was there for Steven Kennedy and Victoria Petway, and Sinikka Nogelo represented Gail and James Seavey.
Awards ceremony program began with a warm welcome of support for the arts from Mayor Romeo Theken and opening remarks by the Library Directors and special dignitaries
Deliberations were held at Cape Ann Museum and Beauport Hotel.
Cape Ann Reads convened a nine member selection panel that included representatives from each of the public libraries: Justine Vitale Gloucester Lyceum & Sawyer Free Public Library; Carol Bender, former Children’s and Teen Librarian, Rockport Public Library (now at Manchester); Kate Strong Stadt, former Head of Youth Services, Manchester-By-The-Sea Public Library; Ann Cowman, Young Adult Librarian, Manchester-By-The-Sea Public Library; and April Wanner, Assistant Librarian at the TOHP Burnham Library, Essex. Joining these talented library staff members were three artists and award winning children’s book author-illustrators: Pat Lowery Collins; Giles Laroche; and Anna Vojtech. Bob Ritchie proprietor of Dogtown Book Shop provided another crucial area of book world expertise. Cape Ann Reads is grateful for their time and considerable talents to help the participants and the process.
Each library and the Cape Ann Museum designated one child representative for the second jury — a thoughtful panel of children: Eli Porter, Alycia Hogan Lopez, John Recroft, Lucas Rodi, and Josie West. They put in tremendous effort to read every entry, prepare notes, and come together for discussion. They were tasked with close reading and instructions to let us know any books that were favorites or that they wanted to compliment. Several came to assist the event as junior staff.
CLOSELYRELATED group show curated by Juni VanDyke for Flatrocks Gallery opens May 25, 2018. The opening Reception is Saturday May 26. Participating artists: Kathleen Gerdon ARcher, Shelly Champion, Loren Doucette, Paige Farrell, Jay McLachlan, Barbara Moody, Hans Pundt, Lynne Sausele, Patti Sullivan, Juni VanDyke
from the press release: CLOSELY RELATED…an exhibit that attempts to identify and examine artistic elements that appear congruently in works by artists related by friendship or marriage, or by filial kinship, or by the duality of artist and place or…other. (many possibilities)
Is our art influenced by our environment; our politics; the company we keep, and/or by our generic connections? And is what we create truly unique? Or was Picasso right when he said: “Every painting already has a mother and a father.”?
From the MCC:
“We wanted to remind you that the Essex County Power of Culture Regional Meeting will take place next Wednesday, May 23rd, 6-8pm in Ipswich. Please join us for a conversation on arts and culture initiatives in the County, and take part in developing your Power of Culture message for your communities and region.”
Collins Meeting Room
Ipswich Public Library
25 North Main Street
Ipswich, MA 01938-2287
ERIN LUMAN shelter | the cottages of Long Beach
June 2018 Jane Deering Gallery, 19 Pleasant Street, Gloucester
reception June 2, 4-6pm
The O’Maley Innovation Middle School campus setting is rather bucolic. There’s a line of apple trees that still bear fruit and suggest the original farm, playing fields are stepped down surrounded by marsh and pond, Dogtown stretches along one edge, and Pole Hill rises up across the way. Community volunteers and students have created lovely decorative gardens. Yes, the track needs work and the playing field could be upgraded to turf like Gloucester High School’s New Balance-Newell Stadium. But it’s a beautiful spot to walk or catch a game. Ed Tedesco designed O’Maley in 1971. Although I believe the architect was quite sensitive to the setting, I understand how people criticize the exterior as harsh, or worse. “It feels like a prison!” exclaim some (and others joke. It is a middle school afterall.) You know what I see on the exterior when I come to O’Maley? Beautiful walls. Interesting shapes. Expansive public space ready for art and ideas.
O’Maley walls, photos from 2015
You can’t judge a book by its cover. OR can you? O’Maley has the potential for its shell to match the creative arts and legacy at its core. There are stunning historic murals from the 1930s and 40s in the Commons. The arts curriculum is valued and celebrated. The arts teachers are amazing. If there is any school in Massachusetts that sings out arts and legacy, let it be here. Monumental public art and street art abound in Gloucester.
Parsons Street before, after, and after
public art in Gloucester, MA and context collages
And not just for flat surfaces. Artists have suggested creative responses to Americord’s striated surface like a piano keys mural along the wall (a motif you may have seen elsewhere); others proposed a changing light installation when the cultural district designation was underway.
Stephanie Benenson’s temporary installation Harbor Voices at City Hall
Street art has become big business. Cities and towns around the world vie for renowned muralists in a competitive commercialized market with varying degrees of success.
O’Maley Innovation Middle School has the perfect walls for showcasing creative voices of former alumni who are art school grads (or currently enrolled)– professionally trained and inspired to leave a mark. Ever since the dynamite 18UP and Under 30 exhibition, supporters hoped to catalyze possibilities for these emerging artists. Murals taken to this scale warrant investments of $15,000 per artist per wall.
just a few of the grads…Chris Budrow | Kate Bresnahan | Jason Burroughs | Lexi Chipperini |Jon Cooney | Jeff Cluett | James Curcuru | Nicole Dahlmer | Leon Doucette | Alessia LoGrasso | Avery McNiff | Micah O’Conner| Mary Sullivan
Before I saw walls of possibility. I still see that, but now I imagine specific artists and I hope you do, too. There are plenty of walls to go around at O’Maley.
a few more international street art mural examples
Biomedical Breakthrough is win-win for shorebirds and horseshoe crabs: Deborah Cramer of The Narrow Edge spreads the word
“Jay Bolden, a senior biologist with pharma giant Eli Lilly, has spent the last five years proving a synthetic molecule works as well as horseshoe crab blood in a life-saving medical test…It took a dedicated birder to convince pharma giant Eli Lilly to use a synthetic compound instead of horseshoe crab blood in a mandatory medical test. Now, he hopes the rest of industry will follow…” – from National Audubon article published this March 11 2018 Inside the Biomedical Revolution to Save Horseshoe Crabs and the Shorebirds That Need Them, by Deborah Cramer with photographs by Timothy Fadek
Cramer explained that Ryan Phelan, Executive Director and Co-Founder of Revive and Restore contacted her “to see how this organization might help accelerate institutional and government exploration, acceptance of the synthetic endotoxin test to replace the use of horseshoe crabs…In the book, I’d portrayed how essential the energy rich horseshoe crab eggs are to shorebird migration, and how their numbers decline when they leave for the Arctic, hungry. I’d described how every human family, and their pets, depend on the horseshoe crab blood test to detect potentially life-threatening endotoxin in vaccines, joint replacements, PET scans, heart stents, IV lines, etc. And went on to tell the story of the development of the genetically engineered substitute, and the– at the time decade long–that had elapsed without it being accepted or adopted by regulators or the pharmaceutical industry.”
Revive and Restore’s announcement in the NJ Audubon news this week has more information about these dedicated scientists and exciting news. Deborah Cramer is too modest to spell it out, so I will. Revive and Restore was inspired in part by Cramer’s book, The Narrow Edge, an award-winning read that’s smart and lyrical, and an environmental game changer. Have you read it yet?
The Narrow Edge reveals more unexpected alliances and consequences. Readers learn that hunters have done much to protect wildlife at the edge of the sea through the tax on guns and ammunition. The Federal Duck Stamp that’s required on hunting licenses provides millions of dollars to support national wildlife refuges (and supports contemporary fine art). Memberships to organizations like National Audubon and donations from wildlife fans, photographers, and birders make a difference.
Cramer had to be trained how to handle a gun for necessary wild and remote travel research. Gloucester, Cape Ann and North Shore readers: she took the course for her license to carry at Cape Ann Sportsman Club found along Dogtown’s edge where it’s been for over a century. (I’m not certain how Cramer rated there, but a president’s daughter was a good shot. In 1912, Helen Taft, qualified as an “Expert with a Rifle” when she visited the range with her Gloucester friend, Elizbeth Hammond.)
prior gmg post, June 2016– Piping Plover Fans: Local author Deborah Cramer on sandpipers is a must read. Oh, and dogs vs.
To learn more about Deborah Cramer, go to www.deborahcramer.com
Gloucester Public School 10th Annual citywide arts festival held at City Hall, Sawyer Free and Cape Ann Museum May 12, 2018. Thanks to the fantastic teachers, all the parent and community volunteers that pull this beautiful event together, and the special host venues. The Arts Festival is strongly supported by the Gloucester Education Foundation.
A full program of performance and music is underway as well.
O’Maley & GHS students at City Hall | elementary schools at Cape Ann Museum | Gloucester High and elementary school at Sawyer Free
Here are some scenes from City Hall starting with linocuts created by the first 8th grade printmaking classes to use the historic Acorn press on temporary loan from generous supporters of the Manship estate and thanks to Mayor Romeo Theken and O’Maley’s art teacher Brett Dunton. The invited special guest instructor was Mary Rhinelander.
Fantastic display from Gloucester High School cabinet design and innovation– Celebrating 50 years!
More children’s art from O’Maley classes displayed at City Hall
Leon Doucette’s work was recognized in the American Portrait Society‘s 20th annual International Portrait Competition. A group show for the finalists was held April 2018.
Beautiful news! Gloucester Daily Times, May 4, 2018 “Local Artist Wins Global Contest: Portrait of Girlfriend Takes Drawing Category”
20th anniversary International Portrait Competition
2018 Finalists The Art of the Portrait Conference
April 19-22, 2018 – Washington, DC area
It has been a record setting year for the Portrait Society of America. February 1st marked the beginning of our 20th year sharing a passion for the portrait, as of today we have almost 1,000 people registered for the annual conference, and at midnight on February 22, we surpassed our previous number of entries by over 400 – with 2,733 entries submitted to the International Portrait Competition. Portraiture is alive and well! Thank you to all the artists that submitted work and were part of such a historic time in our organization. Congratulations to the 24 selected finalists
photos (click to enlarge): (1)2016 private commission stemming from 18 Up and Under 30 exhibition at the Hive (2)Nov 2015 portrait of Leon (3) 2015 artist page