Author Archives: E.J.

How Did You Get There?

ten pound visitors

I took these shots on April 30. At the time, I didn’t know what I was shooting. I could see something in the distance on the wall, but didn’t know what it was (I was shooting from Oakes Cove at Ten Pound Island). There was no boat anywhere near or on shore, so I didn’t think it was people. If you recognize yourselves, tell us – how in the world did you get out there?

E.J. Lefavour

Blake Bell Co.

BLAKE BELL

This is the bell in the front yard of the Community Church of East Gloucester on Chapel Street. I visited the Church last Sunday, but before that I had no idea it existed. I found the bell interesting, and when I did some research on it, I found it very interesting. Blake Bell Co. dates back to the 1800’s and William Blake was an apprentice of Paul Revere.

“William Blake was an apprentice of Paul Revere. William Blake was involved with, and owned, several metal casting companies in private & with partners from 1820 to 1890.

In this historic time period, firms opened & closed based on the individual financer decision to fund, to continue funding, or to withdraw funding, in order to participate in another financial endeavor. If a financial partner withdrew, it was necessary for the principal owner, usually the craftsman, to locate another individual as a source of funding. A change in the funding partner typically required a name change. (Today, this funding is accomplished by the stock market.)
In 1823, Paul Revere III, Wm. Blake & John Sullivan founded the Boston & Braintree Co. The bells cast are not dated. This same year, the foundry’s name was changed to Boston Copper Co. The Boston Copper Co. closed in 1830. Boston Copper Co. bells are dated.

In 1830-1868, Wm. Blake partnered with Henry N. Hooper, & Richardson forming the Hooper, Blake & Richardson Company located in Boston, casting bells.
In 1859 to 1890, Wm. Blake & Henry Hooper formed another bell foundry: Henry N. Hooper & Co., also known as Hooper & Co. in Boston. Hooper bells dated 1859 are located at St. Paul’s Methodist Church in Lynn, Mass., and Old Round Church in Richmond, Vermont.

W. Blake & Company located at Allen Streets in Boston, Massachusetts was in operation from 1820 to 1890. At that time, he operated under the names of W. Blake & Co. and Blake Bell Co. In 1825, Blake cast the first set of chimes by an American foundry. (Previously, all chimes were cast in Europe.) Two chimes were cast: one of eight bells and one of eleven bells. The largest bell weighed 3,000 pounds.

In 1881, the Blake, Lamb & Co. at Brighton & Allen Streets in Waterbury, Connecticut was in operation. Little is recorded of this company.”

Source: https://americanbell.org/aba-forum/topic/blake-bell-company/

E.J. Lefavour

The Event You’ve Been Waiting All Winter For!

sailor stans opening 2016

Sailor Stan’s will be reopening tomorrow (Saturday) at 7:00am, and Sunday too.  Just weekends for now, but that’s when most people probably want to go break their fast on the Neck this time of year.  Karen Roberts has been working all winter on her beautiful and very affordable sea glass jewelry, and will have some on display.  Wayne has been busy at work painting all winter, as you can see from this colorful, iris-filled beauty of Sailor Stan’s.  Spring is Here!  Come on down the Neck.

It is also the final weekend of the Rocky Neck Now exhibit at the Cultural Center, so get some eats and take in some art.  I’ll be gallery sitting from 2-4 on Saturday, so stop in and say hi.  The closing reception for the show will be Sunday from 2-4.  Elynn Kroger Gallery is open, as is John Nesta, and possibly Side Street too.

E.J. Lefavour

PUBLIC FORUMS SCHEDULED ON NEW ARTS AND CULTURAL INITIATIVE AND PUBLIC ARTS POLICY

Gloucester’s City Ward Councilors, the Gloucester Committee for the Arts and the new Arts and Cultural Initiative will host a series of Ward/Community meetings concerning the Arts and Cultural Initiative and a review of a Draft Public Art Policy Ordinance.

The Cultural Arts Initiative will provide an overview of the new initiative and seek community input to help set priorities for the program. The initiative also seeks assistance in identifying the full range of Gloucester’s artistic and cultural community to insure that it understands, connects and advocates for all.

The Gloucester Committee for the Arts will lead a discussion to review a draft art policy ordinance in advance of its submission to the City. All documents pertaining to the art policy will be available for review prior to the Ward meetings on the City’s web site, the Sawyer Free Library and the Mayor’s office.

The meetings will be moderated by John Sarrouf from Gloucester Conversations.

MEETING DATES:

April 19th – Councilors Cox and LeBlanc will host a meeting for Wards 2 and 3 starting at 6pm in the Sawyer Free Library.

April 20th – Councilor Memhard will host a meeting for Ward 1 at 6:30pm at the Gloucester Stage

April 21st – Councilor Nolan will host the Ward 5 meeting at 5pm in the Magnolia Library

April 25th – Councilor Gilman will host the Ward 4 meeting at 7:00 pm in the Lanesville Community Center

Cultural and Arts Initiative Background Material –

In September, 2015, a partnership of three arts organizations – Rocky Neck Art colony, ArtsGloucester, and seARTS – received $45,500 in grant funding over two years for the establishment of the Gloucester Arts and Cultural Initiative, a project whose mission is to champion innovation and excellence in the cultural landscape, to support private and public cultural development across all sectors, and to strengthen and promote the cultural vitality of the city’s waterfront and neighborhoods.

The Initiative will be led by Martha Wood, the Project Manager, and a Steering Committee. The initiative will engage in long-term projects including development of a Cultural Master Plan for Gloucester, investigating ways to provide affordable studio space for visual, performing and other artists; and researching how best to provide resources and advocacy for Gloucester’s many-faceted cultural organizations and communities. Among the Initiative’s tasks will be to determine priorities for the program and to assemble the Steering Committee, a council of citizens dedicated to the future and sustainability of Gloucester as a city rooted in its arts, culture, and the unique heritage of its natural environment.

Community input will play an important part in determining the priorities and shaping this Initiative. To that end, we invite and encourage you to attend one of the forums and complete an online survey to gather public input at https://www.surveymonkey.com/r/F62NTPQ.

Art Policy Background Material –

History

The Committee for the Arts was established in 2000. Over the years since, the City and the Committee (CFTA) have realized that the City needs a public art policy that deals with not only its current art holdings, but also includes a process to provide City officials and the community with assurances that proper procedures are in place to guide future public art decisions for the City. As early as 2005, CFTA Chair Kate Bodin and CFTA member John Ronan drafted a very lengthy and inclusive art policy. Although this policy was offered, but not considered by City Council, its value as a guide remains to this day. Later, in 2012, another partial and more condensed art policy was written by CFTA member, Marcia Hart, but this policy was never submitted to the City.

Following the concerns and confusion regarding the proposed gift of sculpture from David Black in late 2014, Mayor Sefatia Romeo Theken with the assistance of Jack Clarke hosted the first of several public meetings regarding public art. In 2015, at the request of CFTA, the City put out a request for proposals for a public art consultant to assist in formulating a public art policy. As a result of the RFP, CFTA selected consultant Elizabeth Keithline to advise CFTA on what such a policy should address and how to get public input on it. Keithline conducted additional public meetings and did direct public outreach, through which public concerns regarding a public art policy were collected.   Keithline’s report was submitted in March of this year. After review of that report and the previous reports, CFTA now has developed a new proposed ordinance that will be considered by the public and City officials over the next few months.

Approach

As demonstrated by the 2005 report (totaling over 60 pages), a comprehensive public art policy is a large document, with a lot of detailed procedures. While those details are important, most important at the beginning is to establish the framework through the ordinance to incorporate the safeguards and overarching requirements that the public wants and the City needs to ensure that the process is transparent and fair, and consistent into the future. Once that framework is adopted by the City, CFTA can then begin writing specific policies and procedures on various aspects of the overall policy.

To move the remaining process forward, several critical steps will be taken:

All related documents (including the current and proposed ordinances, previous proposals, and the consultant’s report, will be available for public view on the CFTA page of the City’s website and copies will be placed in the Sawyer Free Library and the Mayor’s Office in City Hall.

The draft ordinance will be reviewed throughout Gloucester’s communities via public forums in the various wards. During these meetings, the community will have an opportunity to comment on the draft ordinance and offer their assistance and input on several issues that remain unresolved.

Once CFTA has heard from the communities, the Committee will address any additions or corrections to the draft ordinance and submit it to the City’s General Counsel and the Mayor. Once a final ordinance is approved by the Mayor, it will be presented to City Council, which before considering it , will hold a formal public hearing. As in the past few months, the public is encouraged to stay involved as this process moves forward.

Contacts:

Judith Hoglander, Chair, Committee for the Arts

judith@nii.net

978-865-3920

202-669-4412 (Cell)

 

Martha Wood, Project Manager

Gloucester Arts and Cultural Initiative

Martha@GloucesterArtsandCulture.org

(978) 857-6731

Beaux Arts Ball

beaux arts ball 2016 shots

It was overcast and chilly, so the parade wasn’t quite what it has been in the past during summer balls, but in spite of the weather, people turned out with some great costumes.  The Studio looked amazing, the Ball Committee did an incredible job of decorating, food was plentiful and delicious and fun was had by all.

E.J. Lefavour

Raymond Gonzalez in Concert

raymond gonzalez at CC

April 16, 2016, Doors at 7:00 PM Concert Starts 7:30 PM

Tickets $25, $20 for RNAC Members

Buy Now: http://rockyneckartcolony.org/event/concert-raymond-gonzalez/

The Cultural Center at Rocky Neck

6 Wonson Street, Gloucester, MA 01930

Raymond Gonzalez is a composer, arranger, producer and multi-instrumentalist. A professional guitarist since the age of 16, he has traveled extensively throughout the US performing on concert stages, festivals, radio, TV, coffeehouses, house concerts, and most things in between. Classical, celtic, jazz, folk, blues, rock and the avant-garde are all in Raymond’s arsenal of musical styles. He began composing for solo guitar, piano, and small (classical) ensembles at a very young age, which ultimately lead to a Master’s degree in Composition from the New England Conservatory of Music.  He continues to compose and perform in the classical and modern music arena. Raymond taught guitar (all styles) at University of Massachusetts, Boston for 11 years and currently teaches at Salem State University.

In addition to his commercial writing and production work at blue fish sound productions (see the production tab), Raymond has written and produced eleven albums of original songs and solo guitar pieces. Curly-Headed Humans (1989), and On the Water (1993) were both recorded with Amy Malkoff ; since going solo, Raymond has recorded Thieves (1997), the company you keep (1999), Moonlight and Sage(2004), tunes from the blue fish-ballades, breakdowns and tributes (2006), tunes from the blue fish II (2008), and Night Sky (2008), Carols(2011) Open Tuning (2012), One Bright Light (2013).

“One of America’s finest guitarists and composers”

-Dave Palmater, WUMB Radio Boston

“It’s hard to say which is better, his way with a six string or his way with a pen”

-Neil Fagan, Performing Songwriter Magazine

“Raymond Gonzalez proves himself to be a world class artist worthy of recognition beyond our humble seaside state” -Brian Owens, Metronome Magazine, Boston.

Open Tuning” listed in the top 20 Albums for 2012 – Metronome Magazine

According to Neil Fagen in Performing Songwriter magazine, “It’s hard to say which is better, his way with a six string or his way with a pen.”

“A world class Musician” Peter Janson, Acoustic Guitarist, Eastern Woods Music.

Raymond Gonzalez

blue fish sound productions

781-367-2664

raymondgonzalez.net

New Jerusalem

new jerusalem2

Most people are aware that there are two possible endings in the Bible.  This is the one I choose, and I hope everyone I have ever known in life chooses it too.

Revelation 21

Then I saw a new heaven and a new earth; for the first heaven and the first earth had passed away, and the sea was no more. And I saw the holy city, the new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband. And I heard a loud voice from the throne saying,

“Behold, the dwelling of God is with men. He will dwell with them; they will be his people, and God himself will be with them; he will wipe every tear from their eyes. Death will be no more; mourning and crying and pain will be no more, for the first things have passed away.”

And the one who was seated on the throne said, “See, I am making all things new.” Also he said, “Write this, for these words are trustworthy and true.” Then he said to me, “It is done! I am the Alpha and the Omega, the beginning and the end. To the thirsty I will give water as a gift from the spring of the water of life. Those who conquer will inherit these things, and I will be their God and they will be my children. But as for the cowardly, the faithless, the polluted, the murderers, the fornicators, the sorcerers, the idolaters, and all liars, their place will be in the lake that burns with fire and sulfur, which is the second death.”

Then one of the seven angels who had the seven bowls full of the seven last plagues came and said to me, “Come, I will show you the bride, the wife of the Lamb.” And in the spirit he carried me away to a great, high mountain and showed me the holy city Jerusalem coming down out of heaven from God. It has the glory of God and a radiance like a very rare jewel, like jasper, clear as crystal. It has a great, high wall with twelve gates, and at the gates twelve angels, and on the gates are inscribed the names of the twelve tribes of the Israelites; on the east three gates, on the north three gates, on the south three gates, and on the west three gates. And the wall of the city has twelve foundations, and on them are the twelve names of the twelve apostles of the Lamb.

The angel who talked to me had a measuring rod of gold to measure the city and its gates and walls. The city lies foursquare, its length the same as its width; and he measured the city with his rod, fifteen hundred miles; its length and width and height are equal. He also measured its wall, one hundred forty-four cubits by human measurement, which the angel was using. The wall is built of jasper, while the city is pure gold, clear as glass. The foundations of the wall of the city are adorned with every jewel; the first was jasper, the second sapphire, the third agate, the fourth emerald, the fifth onyx, the sixth carnelian, the seventh chrysolite, the eighth beryl, the ninth topaz, the tenth chrysoprase, the eleventh jacinth, the twelfth amethyst. And the twelve gates are twelve pearls, each of the gates is a single pearl, and the street of the city is pure gold, transparent as glass.

I saw no temple in the city, for its temple is the Lord God the Almighty and the Lamb. And the city has no need of sun or moon to shine on it, for the glory of God is its light, and its lamp is the Lamb. The nations will walk by its light, and the kings of the earth will bring their glory into it. Its gates will never be shut by day—and there will be no night there. People will bring into it the glory and the honor of the nations. But nothing unclean will enter it, nor anyone who practices abomination or falsehood, but only those who are written in the Lamb’s book of life.

Revelation 22:1-7

Then he showed me a river of the water of life, clear as crystal, coming from the throne of God and of the Lamb, in the middle of its street. On either side of the river was the tree of life, bearing twelve kinds of fruit, yielding its fruit every month; and the leaves of the tree were for the healing of the nations. There will no longer be any curse; and the throne of God and of the Lamb will be in it, and His bond-servants will serve Him; they will see His face, and His name will be on their foreheads. And there will no longer be any night; and they will not have need of the light of a lamp nor the light of the sun, because the Lord God will illumine them; and they will reign forever and ever.

And he said to me, “These words are faithful and true”; and the Lord, the God of the spirits of the prophets, sent His angel to show to His bond-servants the things which must soon take place.

“And behold, I am coming quickly. Blessed is he who heeds the words of the prophecy of this book.”

“No eye has seen, no ear has heard, no mind has conceived what God has prepared for those who love him.” (1 Corinthians 2:9). Even our wildest imaginings cannot begin to approach the threshold of what God has prepared in eternity for those who love him, and are written in the Lamb’s Book of Life.

Bananas Fashion Show City Hall Benefit

Bananas fashion show

A benefit Bananas Fashion Show to get the hot air out of City Hall.

Richard Leonard, the owner of the iconic Main Street vintage clothing store, Bananas, is staging one of his rare fashion extravaganzas on Saturday April 23 and Sunday April 24. The production will benefit the Gloucester City Hall restoration fund with the proceeds being used to restore the auditorium’s ventilation system. As Maggie Rosa, Chair of the City Hall Restoration Commission says with a smile, “we are aiming to get the hot air out of City Hall!”

This show, Leonard’s third held to benefit City Hall restoration, will include his Bananarettes, a group of both women and men, some of whom travel from New York City to participate.

The creative black tie Saturday gala starts at 7:00 p.m. and will include live & silent auctions, champagne & dessert – tickets are $75 each. On Sunday the doors open at 2:30 p.m. and the show will include a pick-a-prize auction and light refreshments – tickets are $35 each for adults and $15 for people 18 years and under.

“This being Gloucester, you can dress however you want to, but it’s a lot of fun to wear something different. If you have nothing to wear, go to Bananas and you will find something” says Jan Bell, Co-chair of the event.

Tickets are on sale at Bananas (78 Main St., Gloucester,) Alexandra’s Bread (265 Main St., Gloucester,) and online at Eventbrite. For more information, please contact BananasFashionShow@gmail.com.

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