There’s a monumental outdoor mural behind Prince Insurance at 3 Washington Street, Gloucester, Massachusetts, that changes every year. It’s sited on private property.
Thanks to the Greeke family who own Prince Insurance and let him have at it, artist and writer Danny Diamond has expressed his ideas and showcased his can command on this same outside wall annually since 2011.
My favorite sight line is from Middle Street heading to the Captain Lester S. Wass American Legion Post 3 and the Joan of Arc sculpture by Anna Hyatt Huntington. It’s in a tight spot, and so is the kid with the green, green eyes staring back from the latest mural.
Diamond is using his talents to bring awareness to homelessness and the economy. Here’s an excerpt from his statement about 21st Century Orphans: “The windfall of green-backs that flies from my letters gives way to dingy news-print and beggars’ placards–this orphaned child’s currency. It’s rarely discussed, in our scenic little fishing town, that the homeless population has increased in Massachusetts by 40% since 2007, even as the national average was in decline. This in part due to the fact that the cost of living here in Mass is among the highest in the country; the cost of housing continues to increase now that the market has come back, and there is no relief in sight… Fifteen percent (over half a million) of our children here in the Bay state live in poverty; of the over seventeen-thousand homeless people here, thirty-eight percent are children.” – Danny Diamond, 2016
A Gloucester native, Diamond is busy with commercial art and commissions on both coasts. I had a chance to ask him more about his art and writing after I did a post about the sea monster fence he painted. He brushed off the street artist description: “I consider myself a graffiti-writer and sometimes a mural-artist, but not a “street-artist” (semantic distinction).” I asked him about Gloucester connections and if he went to the high school. Did any teachers influence him? He wrote back swiftly:
“I studied art under Jackie Underwood, who was “Jackie Kapp” at the time, as well as theatre and set-design with Krista Cowan and Kim Trigilio. I went on to earn a cum laude BA in English Lit and Creative Writing at UMass Boston, class of ’06… I spent a lot of time at Artspace on Center St. as a kid, and so Gloucester’s sub-cultural grandmaster Shep Abbott had a big effect on me by bringing punk rock and mural art into downtown. I was mentored in the world of graffiti art by the late Jed Richardson of Manhattan who was a major figure in the NYC subway-train art movement of the 1980’s; he moved to Gloucester in 2001 or so and remained here until his passing in September of ’09… ”
Diamond created a tribute chalk mural to his mentor at Minglewood Tavern. I worked in New York and saw first hand the 1980 era kings (and not so kings) of subway and club graffiti. I didn’t know Jed Richardson’s work and wondered if Diamond had an image to share for this post.
I also thought about the owners who turned over their wall for Diamond’s art. I learned that the building is owned by Peter Greeke who founded Prince Insurance. Aha! A creative family that understood and allows Danny Diamond the use of a large wall to practice and express his art. The Prince Insurance company is on Washington Street between Middle and Main and directly across from the Legion. It is a second generation family business that has specialized in personal insurance for more than 35 years. It’s now co-owned by sisters, Melissa Moseley and Wendy Prendergast. A third sister, fashion designer Jennifer Greeke, operates Harpy Fashion out of the back office. The Prince Insurance storefront stands out with such original picture window displays.These windows are an entire family affair. Melissa doesn’t remember a time before the windows. Their mother creates them; Jen has made clothing, sculpted papier-mâché creatures and mermaids. “Of course because of the community we live in, over time artistic customers and friends joined in…like Richard Harding and the built boat. They’re just a lot of fun.” Prince Insurance has a beautiful new website.
I hoped Danny Diamond had a record of his devoted wall mural project, which he obliterates and repaints every year. He did. Photographs below are from Diamond or his website, www.skribblefish.com. I added one showing a work in progress he is completing for a new restaurant opening in Salem in February and other local commissions.
The Museum of Fine Arts, Boston, owns 20 incredible and deliberate states from John Wilson’s monumental etching of Dr. Martin Luther King, Jr. The final state was printed in an edition of 50 in 2002. The 2002 print was based on a smaller Wilson drawing of Dr. King, a 1985 preparatory study for a bronze statue installed in the Rotunda of the US Capital in 1986. Wilson created other portraits of Dr. King including a monumental 8 feet tall bronze that was installed in Buffalo’s Martin Luther King Jr. Park. Its macquette went to the Butler Institute of American Art.
To make the etchings currently on view at the MFA, Wilson collaborated with master printer and artist Jim Stroud. Stroud is the founder and owner of Center Street Studio, named for its address in… Gloucester. Center Street Studio opened and operated from 1 Center Street from 1984 to 1986 before moving to Boston. I co-curated an exhibition Civil Progress in American Art which featured John Wilson in 1986. More to come.
Direct and zoomable link to the “New Libraries of Massachusetts” excellent poster (PDF), created by the Massachusetts Board of Library Commissioners (MBLC) and covering projects completed up to 2012. Many are historic combos and a few bypass parking compliance (Boston Public Library).
Late last night, Ray Lamont filed a story for the Gloucester Daily Times about January 11 library building meeting.
I’ll add links to the Q&A from last week and last night if they’re available. Identifying an architect of the preliminary plans and building architect are part of filing intent. And the FAQ spells out: Eligibility: …Applicants must have local approval to apply for, accept, and expend grant funds as well as approval for the proposed preliminary design.
See more information about the Massachusetts Public Library Building Program in the video they produced, and Sawyer Free showed last week at the corporators meeting.
127 people and staff filing in- there’s plenty of room come on down!
Sawyer Free Building Committee is meeting at 4pm January 11, 2017 to discuss schematic design, the Massachusetts Board of Library Commissioners (MBLC grant opportunities), and ready another presentation. At 6:30pm they’ll give a second public presentation with the building team. (Today’s Gloucester Daily Times article by Ray Lamont has more information: Commish Questions: Library board presenting proposal at community forum Wednesday night) Below are photographs from the January 4th meeting for coporators and other invited guests. The library’s building committee and the new building team gave a presentation and fielded comments and questions. Attendees expressed both support and dismay. Like the schools, it’s a big topic. There are similarities: seeking a matching state grant, steep building compliance requirements, same project manager as West Parish and architects as West Parish. Questions and concerns can be directed to a communications consultant engaged by the library who will help to connect you with answers. There was a scrumptious catering spread from Willow Rest. I liked the artisan flatbread school of fish display. Melissa and the Willow Rest team are so creative.
The current North Shore Magazine gives a shout out to Beverly Library for being rather library-ish, “unlike a lot of libraries, it’s quiet.” Plus more interior photographs of the Boston Public Library.
Balancing and balance
Prior post: Proposed building plans. Plus universal access, consolidated archives and digitization
Galleries open year round: Ken Riaf winter solo exhibition at Jane Deering Gallery opens Jan 14 and upcoming classes at the Hive
I’m looking forward to seeing work by artist and dealer, Ken Riaf, showing Saturdays and Sundays at Jane Deering Gallery, 19 Pleasant Street, Gloucester, just across the street from his own Law and Water Gallery, 18A Pleasant Street, Gloucester, MA.
Cape Ann Museum and the Hive are on the same block, and then there’s Trident Gallery and Cape Ann Art Haven just a skip away at the intersection of Main Street and Pleasant. The Hive has just announced their new winter classes: Foundations of Drawing class Wednesdays; Watercolor Studio: Basics of Watercolor Painting class on Tuesdays; Painting Studio all levels class on Wednesday evenings; and Ceramic Studio with Ruth Worrall on Thursdays. Register for the Hive’s upcoming classes here.
$100,000 outright NEH grant awarded to MA Center for Independent Documentary for Walking Cinema and 15 other projects in Massachusetts
The awarded project “Walking Cinema: Museum of the Hidden City” is headed by Michael Epstein, Untravel Media. You can see more about their work at www.walkingcinema.org including the one that is part of the Gloucester HarborWalk designed by Cambridge Seven Associates, and earned a 2013 Gold Muse Award from the American Alliance of Museums. Epstein also produced an audible original podcast, “Pen and Place”. Congratulations!
To see the National Endowment for the Humanities complete list of grant recipients across Massachusetts and the country: NEH announces $16 million in awards for 290 projects
After a year of monthly programming by the libraries and community partners, the Cape Ann Reads original picture book contest is in full swing and has moved into the jury processing stage. The contest is hosted by the 4 public libraries of Cape Ann. They will publish the first edition printing for one book from entries that were submitted by December 15, 2016. The jury selection panel includes representatives from each of the public libraries: Justine Vitale Gloucester Lyceum & Sawyer Free Public Library; Carol Bender, Children’s and Teen Librarian, Rockport Public Library; Kate Strong Stadt, Head of Youth Services, Manchester-By-The-Sea Public Library; Anne Cowman, Young Adult Librarian, Manchester-By-The-Sea Public Library; and April Wanner, Assistant Librarian at the TOHP Burnham Library, Essex. Joining these talented library participants are three artists and award winning children’s picture book authors and illustrators: Pat Lowery Collins; Giles Laroche; and Anna Vojtech. Bob Ritchie proprietor of Dogtown Book Shop will provide another crucial area of book world expertise. Cape Ann Reads is grateful for their time and considerable talents to help the participants and the process. A second jury of children will select their favorites and is chaired by Liza Browning from the Cape Ann Museum, a Cape Ann Reads partner.
About the Cape Ann creates for Cape Ann Reads Children’s Picture Book Contest:
The 4 public libraries hosted a one of a kind call for entry seeking new and original children’s picture books showcasing local artists and writers.
Cape Ann residents of all ages, students attending school on Cape Ann, and people who work on Cape Ann were invited to create part or all of a picture book for consideration to be published, and to submit their entries by December 15th, 2016. A first edition printing of one of these submissions will be published in 2017 by the 4 public libraries and with the support of various sponsors. The copyright is timed to coincide with the 75th anniversary of a Caldecott award for the children’s book, “Little House”, by Virginia Lee Burton, eminent Gloucester artist, author and illustrator.
There’s always something happening in the art sessions at Rose Baker Senior Center. With help and direction from the indomitably positive and dedicated artist, Juni VanDyke, participants in the art program share their talents and collaborate. Participants join in an amazing amount of creative work and activity and have the opportunity to exhibit their creations. Often they work together as a group toward a final outcome. Three quilt series became monumental and cherished works of public art. (See Kim Smith’s beautiful coverage on Good Morning Gloucester.) When you visit the art studio at Rose Baker you’ll see floor to ceiling examples of their creations. For the past few years, dolls have been blooming up the studio wall and steadily and similarly building into a kind and social public art project. Now it’s a mission for art and healing that’s reached beyond Gloucester and Cape Ann.
Juni Van Dyke shared the photographs in this post and writes about the iteration of this project:
“Two years ago, Lois Stillman, a regular participant in the Art Program at the Senior Center, shared an idea with our Monday art group. The idea became known as “The Endearing Doll Project” — “endearing” because the hand-made doll that Lois introduced to us was just that…endearing. By way of Lois’ initial instruction, the dolls began to multiply with a serious purpose: the dolls would be created for the comfort of children undergoing cancer treatment at Dana Farber. Later, more dolls…(baskets of dolls!) would be delivered to elderly residents at Golden Living and SeaCoast. Still later, more dolls…(armfuls of dolls!) would join volunteers headed to The Dominican Republic where children who have little in the way of playthings would receive them. The “Endearing Dolls” became known as “The Have a Heart Dolls”. To accurately describe the artwork attributed to each individual doll, (over four hundred dolls to date!) one would have to exhaust every synonym in a thesaurus under the heading “beautiful”. Indeed, the dolls are beautiful with exquisite individual attention given to detail: lace trimmings, velvet ribbons, eyelet petticoats, knitted caps, stylized tresses, etc. But the “Have a Heart Dolls” are so much more than beautiful works of art. These dolls, with their purpose of bringing comfort and cheer, are a definitive source of love.” Participants in the “Have a Heart Doll Project” are: Lois Dench, Judy Menicocci, Mary Noons, Maggie Rosa, Carmella Scola, Emily Soule, Ida Spinola, Lois Stillman, Teddy Talbot, Connie Troisi, Juni VanDyke, and Susan Wright
To help with the dolls or other projects and learn more about the art program: Council On Aging (COA) Rose Baker Senior Center Art Program. The mission statement under the direction of Juni VanDyke: To connect Gloucester Senior Citizens to their community through worthwhile art projects while encouraging artistic individuality and collaboration.
Photo without irony. For irony scroll down to see the poem, Mending Wall, by Robert Frost, and for Hancock’s portrait of Frost.
Update: shortly after posting and thanks to Good Morning Gloucester facebook feed and readers, there may be more information coming on the outside-r artist who built such a great fence design. Please send in more information soon. And here is some! Danny Diamond writes: “I painted this octopus (and the rest of the fence) back in October. It belongs to Jon Just Jon and Lisa Bouchie. The octopus was painted entirely with low-pressure spray-cans.” And Lisa Redbird adds: “…conceived by Lisa Bouchie, built by Mark (Girard) of Spotless Monkey and spray painted by Danny Diamond. A true artist collaborative…”
1914 poem by Robert Frost, American poet (1874-1963), first published in anthology North of Boston
Something there is that doesn’t love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I made,
But at spring mending-time we find them there.
I let my neighbor know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
“Stay where you are until our backs are turned!”
We wear our fingers rough with handling them.
Oh, just another kind of out-door-game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, “Good fences make good neighbours.”
Spring is mischief in me, and I wonder
If I could put a notion in his head:
“Why do they make good neighbors? Isn’t it
Where there are cows? But here there are no cows.
Before I built a wall I’d ask to know
What I was walling in or walling out,
And to whom I was like to give offence.
Something there is that doesn’t love a wall,
That wants it down.” I could say “Elves” to him,
But it’s not elves exactly, and I’d rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old stone savage armed.
He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go beyond his father’s saying,
And he likes having thought of it so well
He says again, “Good fences make good neighbours.”
Artist: Walker Kirtland Hancock, (b.1901-December 30, 1998)
Sitter: Robert Lee Frost, 26 Mar 1874 – 29 Jan 1963
Date: 1969 bronze sculpture cast after 1950 original (collection Amherst)
Dimensions: Without socle or mount: 16 1/2 x 9 1/2 x 10 inches
Collection: National Portrait Gallery
The Robert Frost Farm, Derry, NH (home 1900-1911)
Friends of Robert Frost, So. Shaftsbury, VT
Frost Place in Franconia, NH
Robert Frost Society established in 1978
Robert Frost collection at Amherst College (on the faculty for 40 years; also University of Michigan, Middlebury, Columbia, Harvard, and Yale, among other places) Hancock’s sculpture is in this collection. Sculpture of Frost by artist Penelope Jencks was unveiled in 2007
A Frost Bouquet: Robert Frost, His Family, and the Clifton Waller Barrett Library of American Literature, a digitized rendering of the 1996 exhibition at University of Virginia
Victor E. Reichert Robert Frost Collection, University at Buffalo
Audio of Frost reading poems, Part III includes Mending Wall or here read and listen to Frost’s voice as he recites Mending Wall:
Proposed building plans Sawyer Free Library, City Hall…Whoa! In the news plus the 1973 appeal led by Joseph Garland, universal access, and archives
“No finer place for sure, downtown.”
Seeing double? Yes, you’re supposed to. The Sawyer Free Library addition was designed to mirror Cape Ann Museum as a balanced and nuanced architectural symmetry in deference to City Hall, and catalyst for a graceful center.
Sawyer Free Library has announced a public meeting January 11th for discussions of a new building. (See the flyer at the end of this post.)
City Hall may have some upcoming construction on the Dale Avenue side as well.
Both projects are largely in the name of accessibility of a physical nature. Can they be cost effective, worthy of our history and culture, protect our significant buildings, and address current and future needs? The following are some of the issues, local coverage, links to resources, and archival material for your interest.
HANDICAP PARKING SPACES BY CITY HALL- Do we have enough?
Although there are several new handicap parking spaces along Dale Avenue by City Hall, carving out the landscape on the left for more spots is in the cards because of grant money. Why? Several people told me that Dale Avenue parking spaces are hazardous for anyone exiting on the street. Although I do not want to minimize any pressing needs, I still ask, “Really?” Have we become so car dependent we would rather a thoroughfare here than the elegant streetscape we have (once a tree lined walk from the train station.) I was also told that it will increase visitation counts. It is an unfair advantage that historic sites with access to more funding (Monticello, Smithsonian, Colonial Williamsburg, and more) are better equipped to face these seemingly no-win situations. But there are creative retrofitting options for Gloucester, too. Universal design is about balance, not chasing funding sources at the expense of preservation and beauty, nor backwards planning.
NEW LIBRARY 2016. And 1973.
Before the current 2015-16 library outreach, the library hosted extensive visioning sessions throughout 2013. I went to a couple, and I was invited to take part in a focus group (on schools and the library.) A completely new library and jettisoning of the historic Saunders library building was not an expressed community value. What were some common discussion points? A strategy for digitization of historic archives and newspapers, more staff, more hours of operation (Sundays), better bathrooms, parking issues, air conditioning, electrical work, maintenance, security, maximizing technology/ content access with schools, ditto Cape Ann TV, and attendance (see this great video from Lisa Smith by kids for kids ) were some goals that were mentioned.
So it was a surprise to see the unveiling of new architectural renderings that did not showcase the Saunders house. It’s like the White House not featuring the White House. I think the Saunders house should be key and central to any building overhaul, not tossed aside. Providing universal access should preserve the intended awe factors if there are any, FOR EVERYBODY–such as the architectural details, proportion, welcoming entrance and unique heritage of a historic building. In this proposal, with Saunders severed there is zero physical access to the main event. What a missed opportunity. And for a library. What do you think?
Today’s paper mentioned that the Saunders house could be used for other purposes instead of the library. Why can’t that be the case and the library maintain its #1 asset? The downtown cultural district (which is not going forward in the same capacity) and other organizations could use the library meeting spaces. Do we really need to conjure up another stand alone endeavor?
Back in 1973, the Trustees of the Library began a fund drive for the new library addition; the city of Gloucester paid 2/3. As the Library’s General Chairman, Joe Garland led that campaign. Not surprising, the text of the brochure is a good read! The architect was Donald F. Monnell. (In 1971 Monnell was quoted in the papers speaking about the attributes of Central Grammar. One likes him more and more.) The population served was 27,000–nearly what it is today.
2016 Planning term and movement- “Scaling Up”
A quip about the concept of Scaling UP that I remember from a conference this past September at Peabody Essex Museum and hosted by Essex National Heritage was to “think about the farm not just a barn”; in this case a downtown, or an entire city and region. I like thinking this way in general–architecture and planning, art, and schools. But this conference pushed me to add overlays beyond my areas of expertise or focus like wildlife and waterways. Gloucester, Cape Ann, Massachusetts–there’s so much! Mayor Romeo Theken is committed to working together and feels that planning is important and broad. One example, see Gloucester Daily Times Dec 19, 2016 Officials: City to Prioritize Its (competing) Needs
There are several looming questions, evaluations, and decisions.
Every era has choices. The prior library expansion plans began well before 1972. Possibilities swirled as they do now. (Back then, Central Grammar was also in the news, may or may not have been razed, and possible uses favored senior housing, commercial development, an annex to City Hall, and a courthouse police station.) Today there are competing building needs and uses floated for properties as diverse as: the Cape Ann YMCA on Middle Street, the post office on Dale, the Gloucester Fire Department, police headquarters, St. Ann’s, and the elementary schools–and that’s just to name a few. Let’s celebrate enviable architectural strengths, and not fuss with buildings that should be venerated, unless it’s to help them be accessible and healthy. Let’s get the balance right.
HISTORY MAKING PLEA- Archives for all
The prohibitive costs of best practice historic preservation (ADA compliant, temperature and humidity controls, security, sustainability, in house scanning/OCR/audio transcription, etc) is impossible for all the worthy collections in town, and pits them as foes when vying for funds. Let’s flip that impediment on its head and make Gloucester a model for the state. Its treasures would be available worldwide if they were truly accessible –digitized.Two words may help accomplish this goal and free up cash for individual operations: shared overhead. It’s one hope I continue to stress–the need to share necessary resources for a state-of-the-art research and warehouse repository. This universal hub should be large enough to encompass any holdings not on view. There could be a smaller downtown central site combined with a larger off site location, such as at Blackburn. The list of sharing institutions could include and is by no means exhaustive: our municipal archives that date back to 1642; Cape Ann Museum; Sawyer Free Library; North Shore Art Association; Beauport; Hammond Castle; the Legion; Amvets and other social clubs; Sargent House; several places of worship; Gloucester Daily Times; Annisquam historical building collections; Lanesville; Magnolia’s historic collections; artists/writers estates; Veterans office; our schools; Isabel Babson Memorial Library, and perhaps businesses such as Cape Pond Ice and Gortons. The library plans don’t appear to retrofit their site(s) for this goal.
If incentives and policy supported neighborhood character over less generic construction
that would be wonderful. It’s not just Gloucester.
Dusting of snow along the back of Anna Hyatt Huntington’s superb Joan of Arc WWI memorial, such a multifaceted muse and Gloucester landmark.
Whatever brings you there– artist, subject, sculpture, setting, history –its surplus of qualities alone and together reward gaze and inquiry. I took several photographs early December 30th, careful compositions against a gift of blues and vault of morning sky. For this one, I roughly edited out the telephone wires for my thoughts. Shake off 2016 and frame up a fresh start for the year ahead!
(See Joan of Arc HarborWalk story moment for more information.)
First Night Boston Copley Square: top crowd at Man At Wheel ice sculpture…by far! And Boston Public Library
There were also large ice works of a lighthouse, clipper ship and sea serpent (live sculpting work in progress while we were there)
Across the street a favorite spot with more public art and large crowds– the ever stunning Boston Public Library. An art post for another day: for now some interior details. Here are a Kitson marble bust of Longfellow and a tease detail from the Sargent murals. (My sons said they like the Sawyer Free teen room more but this Boston Library was something to be proud of, too.)
Plus a current Gloucester vintage store guide below the photographs
ADRIFT ON MAIN, 284 Main Street, Gloucester, MA (978) 515-7888
Adrift on Main, a new second-hand and collectibles destination, opened December 2016 on the east end of Main Street. Owners Ryan and Sarah Goyette reside in Byfield and chose Gloucester over their home town, Essex, and other north shore communities for their new store. Coaster sets are made by Sarah. Welcome to the neighborhood!
Gloucester MA vintage shopping guide
2016-17. Most are a mix of then and now objects, clothing, and collectibles; some with work by contemporary artists and artisans. Three mainstays:
BANANAS 78 Main Street
MAIN STREET ART AND ANTIQUES 124 Main Street
VINTAGE 211 East Main Street
Adrift on Main 284 Main Street
Alexandra’s Bakery and shop 265 Main Street, (978)281-0364
Alma’s Art and Antiques, 214 Eastern Avenue (formerly on Rocky Neck) now located in “The Commons Gloucester” marketplace
Annisquam Exchange (for the the historic buildings of the village, open seasonally) 32 Leonard Street
Cape Ann Auction 82 Main Street (formerly Fred Bodin’s Historic Photo)
Cape Ann Thrift Shop Trinity Congregational Church 70 Middle Street
DIVA 161 Main Street
Dogtown Book Shop 132 Main Street
The Dress Code 159 Main Street
Eastern Point Lit House 261 Main Street
Fireflies Boutique 100 Main Street
Gloucester estate buyers, 45 Main Street
goodlinens, 130 Main Street (featuring some reissued classics)
Lynzariums flowers and … 186 East Main Street
Mystery Train Records 21 Main Street
Past Present Shoppe, 30 Railroad Avenue
Pop Shop 67 Main Street (vintage nod and inspiration)
RAD estate Jewelers, 45 Main Street
St. John’s Episcopal Church Thrift Shop 48 Middle Street
St.Vincent de Paul Society of Gloucester and Cape Ann (donations for charity ‘Clothes Closet’ and food pantry at St. Anne’s)
The Urchin Exchange 214 Eastern Avenue, Unit 8, located in “The Commons Glocuester” just after Pond Road
We had 11 people in there yesterday and had a ball!
Remember the WCVB-TV Channel 5 broadcasts?
More public art and heart-
Thanks to Janice Lufkin-Shea, Pauline Bresnahan, Hannah Morris, David Brooks Cape Ann Art Haven, Senator Tarr and others, Gloucester and its lobster trap tree and traditions have a place in the Massachusetts Senate President’s Office. Here are photos of Senator Bruce Tarr with Stan Rosenberg, the 93rd President of the Massachusetts Senate, in the Senate President’s Office. First two photos from inside the State House were from Senator Tarr.
David Brooks writes that he hopes the buoy will be a permanent ornament, “but I’m not sure how long it will last. Its made of a small plastic net buoy and plaster. We made it as an Art Haven team and tried to make it look like a kid did it so it fit the character of the tree.” Perhaps a bronze version may be commissioned from Cape Ann Art Haven one day.
There were special ornaments to discover on the tree in City Hall, too, in the rotunda outside the Office of the Mayor.