Stills from my B-roll. Click images to view larger.
One of the most gorgeous, interesting, and enjoyable aspects of filmmaking I find is shooting B-roll. I am swamped with design work, organizing lecture programs, and hoping to finish the edits on my Black Swallowtail film very soon, but there is no better time of year to shoot B-roll for my Monarch film than autumn in Gloucester; the light is simply stunning, and what I like to refer to as “atmospheric.”
B-roll further tells the story in a beautifully subtle, and alternatively not so subtle, manner and gives the project a sense of place. While filming and waiting, for example, for birds to take flight (whether swans or homies) I have my still camera readily available.
The most extraordinarily beautiful things occur spontaneously. I feel so very fortunate to see, and in turn share, the natural world through the camera lens. Only several weeks ago while filming a spider’s web in a tree, capturing the filaments of silky webbing dancing in the light of the setting sun (with the pinky schooner Ardelle and the Dog Bar Breakwater in the background), the web’s maker came cavorting through the scene with a capture of her own!