Tag Archives: Round Up Of Top 2013 Local and National Art Stories

Round Up of Top 2013 Local and National Art Stories: Advocacy

Hats off to Catherine Ryan for this amazing series!

THANK YOU CATHERINE!!!

Part One: ADVOCACY

The word “Creative” Replacing the noun ‘artist’ with ‘creative’ nearly mainstream, at least for the DIY and the art world!

National news, December 5, 2013: No, not Art Basel. Not the sale at Christies. It’s the Arts impact on the GDP. The National Endowment for the Arts and the US Bureau of Economic Analysis released results of their joint report announcing that the creative sector (2011) added 500 billion to the United States Gross Domestic Product. With this base number at last in place, the arts impact on GDP can be measured annually from hereon. The GDP measures the nation’s production of goods and services. Putting the pressure on and leading the stats, contributors included Hollywood film industry, cable TV production, advertising, broadcasting, the performing arts, publishing, independent artists, and design and architectural services. Other measurable indicators include production output and workforce. Analysts estimated the production output for the creative sector to be greater than 900 billion (where arts education including college departments joins the list), and 2 million plus folks working in the creative sector.

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Round Up of Top 2013 Local and National Art Stories: Aplomb

image004Local and national common threads include advocacyaplomb, and access. Oh, and Amazon. December 5, 2013 was a huge news day. Here, aplomb (awards and institutions)

Part Two: PLOMB

Gloucester, MA:  the Gloucester HarborWalk designed by Cambridge Seven Associates took home an impressive array of local, regional, and national awards in 2013. Click this HarborWalk design page link and once there click the dash for ‘award winning walk’ to read more about the details.

2013 Highlighted with other Innovative MA Placemaking Spaces, Ma Smart Growth Alliance, ABX

2013 Pioneer in Partnership Award, Essex National Heritage Commission

2013 Eminent Waterfront Center Excellence on the Waterfront Awards

2013 Prestigious Gold MUSE Award from the American Alliance of Museums

2013 Golden Shoe Award from WalkBoston

2013 One of many key parts for downtown Gloucester receiving a 2ndMassachusetts Cultural Council Cultural District designation

2013  Kenneth E. Pickard Municipal Innovation Award from the Massachusetts Municipal Association

 

Gloucester, MA: The stellar Cape Ann Museum raises millions for upgrades

Gloucester, MA: Worth repeating, Gloucester has two cultural districts Rocky Neck and downtown’s Harbortown. Who knows, there could be five in Gloucester with all that is vibrant and historic within its Magnolia, Lanesville and Annisquam villages. The twoGloucester districts have been partnering with Rockport, and Essex. On the Northshore there is also Newburyport and Lynn. Salemand Ipswich can’t be too far off. Soon launching, the Cape Ann Cultural District mobile App will help pinpoint and navigate all four districts’ cultural destinations and other points of interest. The City of Gloucester and the towns of Essex and Rockport were awarded a grant from the MCC for the development of this new App.  The Cape Ann Chamber of Commerce and seARTS are key partners (join both!) The bulk of the required matching funds were provided by the City of Gloucester, through the Office of Mayor Carolyn Kirk and by partner organizations and municipalities.

AAA article and hot off the press Kim Smith’s wonderful Mott article

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Round Up Of Top 2013 Local and National Art Stories: Access

To Our GMG Readers: My apologies for our being behind in posting this series for Catherine Ryan. The following story, “Access,” is actually part three of a terrific three part series that Catherine wrote titled, “Round Up of Local and National Art Stories,” featuring the local and national common threads of advocacy, aplomb, and access.” We’ll start with part three,  Access, and work backward as this is great content relevant to our local artists and art scene.

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Round up of top 2013 Local and National Art Stories

Local and national common threads include advocacyaplomb, and access. Oh, and Amazon. December 5, 2013 was a huge art news day. Last up below: access (public).

Part 3 of 3: ACCESS

Open Content: Sometimes my research and work has required obtaining permission for images which can be an issue and expense. In 2010, I began to hear from more and more museum curators a growing rumble that the “barn doors would be thrown wide open”. That particular quote was the most memorable expressed to me, but all were variations on the same issue: public domain and open content. Joining the National Gallery of Art, Yale University, Los Angeles County Museum, and Harvard, in August 2013 the J. Paul Getty Museum announced its complete “commitment to sharing digital resources freely with all….It is now the mark—and social responsibility—of world-class institutions to develop and share free cultural and educational resources.” And with that bumped 4600+ eligible images on line and the bigger story and message went viral. This means optimum, quality digital resolution to linger, study, and copy– no more sour imprints and hassle for many works of art. Congratulations James Cuno—who has MA and Chicago ties. Google Art Project has a part in this shift. We’ll see whether this conversation increases in 2014, and other topics concerning museum goals and values (free admission– without allowing the institutions to decay, policy debates, etc).

National trends: Crowdsource funding remains strong and in the news. Spike Lee used Kickstarter, and here at home Felicia Ciaramitaro published the first gorgeous book of her Sicilian cookbook series. Local Rob Newton Cape Ann Community Cinema successful and oh so deserving Indiegogo campaign raised $54,000. Crowdtilt gained groundHigh Line ripple effect and references are everywhere and we all benefit. Amazon tries its hand at selling original art on line (while 20 x 200 closes). Maker movement/DIYcontinues to grow (Etsy, YouTube, and Pinterest).image002

Better programming and better websites: NEA, MOTT (above), Essex National Heritage…a long list of improved websites. Gloucester has this down, too, whether new events such as Cape Ann Ceramics Festival, curated by Susan Hershey, Jenny Rangan & Seyrel Williams, or mainstays amped up (see Maritime Gloucester Museum: Schooner Festival / lobster bake as one of many examples!) Ah, the floater home page!

Communication: I’m impressed by our local businesses, institutions, Cape Ann Chamber of Commerce and the Rotary; all combine to spread news, host, feature, and put up with plastering of flyers and the like to help the creative arts. Plus we are super lucky because local media covers the arts scene. Thank you, thank you WBUR, the Artery, Art New England, Boston Globe, seARTS newsletter, Cape Ann Beacon  and Gloucester Daily Times. Sadly for us but good news for Hamilton – Wenham, editor Jane Enos has left the Cape Ann Beacon for the ChronicleGood luck Jane! Welcome to the new editor, JC Lockwood!image003

When I think arts access, the award-winning blog  Good Morning Gloucester has to be the apex, having redefined shared community information, and yes arts guide. It has reached beyond our geography. One quick art example: Master Drawings from the Minneapolis Institute of Arts will feature a Gloucester snapshot of the house depicted in the Edward Hopper drawing, Double House which I identified and GMG shared.

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I have worked with this museum’s print and drawing department, and met Rev. Richard L. Hillstrom, an art collector who gave the Hopper drawing to the museum. Rev. Hillstrom put together a significant collection of religious prints and drawings for the Lutheran Brotherhood; not surprising with his knowledge and eye, with the collaboration of expertise of the print & drawings department (at that time the curators, former Director Richard Armstrong, Dennis Michael Jon, and others), and with the incredible holdings at this national treasure. In 2013, Jon juried the North American Print Biennial which was exhibited at Boston University. The Director of Prints and Drawings, Tom Rassieur has MA and NY ties.

Read more from Catherine, including information on where to apply to the Essex Heritage Grant program:

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