Tag Archives: Art

You Gotta Go See… Erin Luman’s Show at The Hive

www.erinluman.com

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Erin writes-

Rooftops show and reception!

Yay! These paintings are gonna see the light of day!

Look left when you wander down Pleasant St. towards Main because these babies will be at the Hive for the month of July. One big painting in the window and then follow the path to the back gallery to see the rest of the work.

The Hive is not only a place looking to involve our community in the making of art, but also is about to start holding regular art shows. Its honestly one of the loveliest spaces to see art in Gloucester and is about to define itself as a regular and relaxed space to see art.

WTF Wednesday

Dog Bark Park Inn: Idaho

Dog Bark Park Inn offers patrons a chance to stay in the belly of a 20-foot tall beagle — literally. The inn was built to resemble this canine species and is a fine example of chainsaw wood art. The Times, a British newspaper, has declared it one of the wackiest of hotels. Although lodging costs $90 a night, it’s free for visits. http://dogbarkparkinn.com/giftshop/

dog hotel

MOTT’s website added the Cultural Districts map … listings and events on massvacation.com

Cat Ryan submits-

Thanks Joey!

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The website for the Massachusetts Office of Travel and Tourism (MOTT) is www.massvacation.com

So far, these 14 Gloucester businesses and organizations have added their listings– with pictures!

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ALMOST THERE–And these need a picture!

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Also check out EAT IMAGINE DISCOVER and send in press releases for their subcategories. You might be featured.

send to: Lisa Simmons, Communications Director, MA Office of Travel and Tourism lisa.simmons@state.ma.us

MOTT recently added the link for the Massachusetts Cultural Districts map. Click on EXPLORE from the home page and then select “ARTS”, and then “CULTURAL DISTRICTS”.

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I see that they’ve added the new “Art App Boston” – hopefully they’ll add links for the new Cape Ann Cultural District app and the ArtsApp Cape Cod soon.

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See what they’ve written about within each district.

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Artist Loren Doucette public art installation EGS students

Cat Ryan Submits-

ARTIST LOREN DOUCETTE LIFTS STUDENT ART INTO PUBLIC ART INSTALLATIONEETING #2

East Gloucester Elementary School and ART

Hey Joey,

ARTIST LOREN DOUCETTE LIFTS STUDENT ART INTO PUBLIC ART INSTALLATIONEETING #2

East Gloucester Elementary School and ART

Hey Joey,

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What happens when artist Loren Doucette exhibits art projects by the entire East Gloucester Elementary student body over two back-to-back family nights?

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She lifts it to the level of public art installation. (Ruby McElhenny’s mask J)

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That’s Loren’s mom, Diane, helping out.

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Thanks to hundreds of display cases –big shout out for the shoe boxes from Mark Adrian Shoes—and a beckoning zippy maze we were treated to a walk in field of masks.

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The PTO worked with East Gloucester Elementary to bring Loren and artist Amber LeBlanc (look for her teaching art this summer at YMCA Camp Spindrift) to spend an entire day with each grade. Devoted entirely to art and only art! 

Loren’s most recent work—the view from Kate’s balcony– will be on exhibit opening this weekend atFlat Rocks Gallery.

Esteemed artist, Ed Touchette, is the art teacher year round for East Gloucester Elementary school and Veteran’s. So these students have a touch with a master class every week! And Mary Rhinelanderdesigned the school logo.

Special thanks to EGS PTO for such a memorable event.

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Art & Textiles Auction May 20th 1 Lexington Ave. Gloucester MA

Little Auction House/Big Art

Tuesday Evening, May 20th, 2014

6pm (Preview 3-6 May 19th & 20th)
1 Lexington Ave., Gloucester, MA

Cash, checks & CCs accepted.
MA lic#2621
No Buyer’s Premium! No Sales Tax (Proceeds go to 501c)

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There will be more than 250 lots of Fine Art, Textiles and more including:
The Age – 3  Civil War 1864 Era Newspapers
Lots of Antique Fire Brigade related ephemera 
Collection of hand carved folk art figures by Tim Jumper of Hingham MA

see partial photo gallery here > http://www.auctionzip.com/cgi-bin/photopanel.cgi?mode=1&listingid=2085479&url=auctionlist.cgi

Magnolia is a bit busier than it has been in the past 6 months, but there is parking on both sides of all the streets all the way around the the Village.

News from Gloucester’s Committee for the Arts: APRIL IS NATIONAL POETRY MONTH

Cat Ryan submits-

Thursday, April 24, 2014 is National Poem in Your Pocket Day.  Gloucester’s Poet Laureate Rufus Collinson will have a poem for sure. How about you? It’s easy to join in the excitement. On April 24th Copy, Carry, Share and Care

1)Write your own poem or jot down one of your favorites

2)Remember to carry a poem in your pocket

3)share the fun of poetry and national poetry month with your friends, family, coworkers, classmates, wherever you go

4)ask them to share their poem with you

Visit the American Academy of Poets site www.poets.org for more info or New York City’s (started there 12 years back)

Gloucester Committee for the Arts

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Turner, Monet, Whistler, Dow…Lane? Wall Street Journal focus on Fitz Henry Lane

Cat Ryan Submits-

Hi Joey

Turner, Monet, Whistler, Dow…Lane?

Check out John Wilmerding’s review of Fitz Henry Lane’s half-dozen foggy views such as Ship Starlight in the Fog (c.1860) which is in the collection of the Butler Institute of American Art in Youngstown, OH.

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http://online.wsj.com/news/articles/SB10001424052702304179704579459632424531694?mod=wsj_streaming_stream&mg=reno64-wsj&url=http%3A%2F%2Fonline.wsj.com%2Farticle%2FSB10001424052702304179704579459632424531694.html%3Fmod%3Dwsj_streaming_stream&fpid=2,7,121,122,201,401,641,1009

For more hazy light and atmosphere, rivers and tides, and artists born in MA: the WSJ  has covered the James Abbott McNeill Whistler biography by Sutherland

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and current Whistler exhibitions which you can check out if you hustle. An American in London: Whistler and the Thames at Addison Gallery of American Art is closing April 13, 2014. Go!

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No deadlines:

Make time to visit Ipswich and seek out work by Arthur Wesley Dow.

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And when it re-opens, Cape Ann Museum for all things Lane.

Howard Liberman FSA OWI Gloucester Photos

Catherine Ryan Submits-

CROSS-COUNTRY CHRONICLE

Gloucester, MA in landmark FSA/OWI documentary photographs

Part 3

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American Photographer HOWARD LIBERMAN

150 FSA/OWI photos in Gloucester, MA, September 1942

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Hey, Joey,

Here is Part 3 in a series about Gloucester photographs in the legendary Farm Security Administration / Office of War Information (FSA/OWI) collection within the Library of Congress.

You can go back to Part 1 about artist Gordon Parks, and for some background about the program (1935-42).

Part 2 is about photographer Arthur Rothstein with a timeline and quick facts.

In 1942, the Farm Security Administration Historic Photographic section program was winding down as it transitioned and prioritized for WWII. It was temporarily folded into the Office of War Information before shutting down completely. (Gordon Parks was brought on board during this transition.) Director Roy Stryker was occupied with many directives including securing a safe haven for the FSA archives. He was also maintaining a network of contacts in the publishing world and private sectors, and writing. He contributed a chapter for Caroline Ware’s influential book, The Cultural Approach to History. There was magazine work such as the 1942 issue of The Complete Photographer which published articles by both Arthur Rothstein (“Direction in the Picture Story”) and Roy Stryker (“Documentary Photography”.)

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Rothstein had already left the FSA. In 1940, Peter E. Smith Publishers, Gloucester, MA, produced his photo book, Depression Years as Photographed by Arthur Rothstein. This compilation of photographs included the best known Gloucester image from his 1937 visit; was it one of the publisher’s, too.

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In 1941, Elmer Davis was appointed as the Director of the newly created Office of War Information (OWI). In 1942, Davis hired Francis Edwin Brennan from FORTUNE magazine to head the Graphics Department of the OWI.

As Art Director of Fortune (1938-1942), Brennan commissioned famous covers by artists such as Otto Hagel and Fernand Leger. He was known in the industry as a serious art and publishing expert and was a favorite of Henry Luce.

It’s likely that Brennan was one contact for Howard Liberman’s engagement at OWI. In August of 1941 Brennan featured a FORTUNE magazine special portfolio of sample posters to showcase the development and potential of this media. Howard Liberman was one of the artists he commissioned; here’s his contribution for that issue:

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And here is a poster Liberman created for the OWI.

1943 --- United We Win Poster by Howard Liberman --- Image by © CORBIS

Liberman worked with color photography, too, which is a sub-collection at the Library of Congress, less known than the black and white. Color photography was available, but more expensive to process and for media publishers to print.

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Howard Liberman was dispatched to Gloucester in September of 1942. His photographs show a clear emphasis on WWII dominant coverage, sometimes with an FSA take.  The titles on Liberman’s OWI photos often lead with a heading. For Gloucester, many images have caption leads that begin with the patriotic category: VICTORY FOOD FROM AMERICAN WATERS.

In Gloucester, Howard Liberman spent a time on the docks and out with the crew of the OLD GLORY.

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His captions seldom include surnames of the portrait subjects. They do have lengthy– sometimes general, sometimes quite specific– descriptions to support the category heading.

There are action and portrait shots of the crew catching rosefish during an Old Glory voyage.

“Victory food from American waters. At the docks in Gloucester, Massachusetts, crew members prepare their trawler for a week’s voyage. Most of the fishermen in the city come from a line of fishermen that dates back for centuries.”

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“Victory food from American waters. Immediately after being caught rosefish are shoveled into the hold for packing the ice. Once called “goldfish” because of their brilliant color, the fish are finding a ready market because of their manifold uses–as food for humans, as fish meal and fish oil.”

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“Crew members throw overboard excess ice from Old Glory’s hold. Fishmen allow a proportion of one ton of ice to three tons of fish. When the catch is unusually large as on this trip, some ice is removed to make room for the fish.”

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“Victory food from American waters. Decks are covered with tons of rosefish as the Old Glory reaches its capacity load. After two and one half days of fishing, a catch of 85,000 pounds has been hauled in”

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“Tomorrow’s fishermen–young Gloucester boys push wagons of rosefish from the unloading pier to the processing plant where the fish are filleted and frozen…Many of the boys will follow their forefathers and fishermen in New England waters”

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Look for ‘scenes’ such as Captain John Ribiera (surname spelled a couple of ways in the archive) at work and with his wife at home. 1942 census indicates “Oscar (Irene) fishermn Riberio” at 18 Perkins Street.

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Note the picture of “the Pilot at the Wheel” above the stove

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Another reminder to look for exhibits to see vintage prints in person, rather than the low resolution files I’m showing here. Various resolution options are available at the Library of Congress. Besides the formal details, check out the Captain’s eyes!

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Binnacle blinded.

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The “Mother of Good Voyages” statue in Captain John Riberia’s quarters on the fishing trawler “Old Glory”

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There are a couple of Gloucester interiors (deteriorated negatives) of the Gloucester Mariners’ Association; they infer “captains welcome only.” One shows a gentleman playing cribbage; another shows Captain Ben Pine, the man who raced the schooner Gertrud Thebud.

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Joey, beautiful dangerous industry: shoveling fish into the rotary scaler at a fish packing plant.

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For assignments in other towns, typical headings for Liberman categories include:

Americans All; Subcontracting; School Boys in Training; Industrial Safety; Office Equipment Used by WPB; Women at War; Fuel Oil Consumption; Women Workers (see below making flags); Airports (ditto other industries); Military (e.g. Fort Belvoir); African American Aircraft Propeller Workers (ditto other jobs); Shipyard Workers; Bomber Plant Workers; Price Control; Production; Submarine Chasers; and Conversions (from this to look here it is now was a useful WWII product)

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There are more than 50 additional Gloucester photos in the Library of Congress collection, and one Royden Dixon image from 1940. 

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We are fortunate that so many talented artists worked on the FSA/OWI project, that a few visited Gloucester, and that so many folks across the county were willing to participate as subjects (easier during the War)

The municipal employees and the curators and staff who have worked on these collections (over decades) are superstars. Beverly Brannan is the curator of 20th C documentary photography at the Library of Congress.

For the FSA/OWI program, Director Roy Stryker proselytized that photography was perhaps the best tool for analyzing living history. He felt that photography as a fine art form and its gains in technical ease and advances coincided ideally with the timing of the FSA/OWI historical photographic section. He forecast rapid and constant increase in photography use and adapters. He was inspired by individual and private pioneering antecedents (Brady/Civil War, Hines/Russell Sage), and public ones such as the documentary photographs by William Jackson for the Department of the Interior.

Sometimes I think of Stryker’s Section work along a continuum of government spending on exploration that produced great contemporaneous historical records. The journals of Lewis & Clark. The work created by artists who participated in the NASA Art Program. These FSA photographs.

Stryker realized that there were collections of photography building up in municipalities big and small; how they were catalogued and assessed were critical to their use.  Here in Gloucester, the Cape Ann Museum maintains a Historic Photo Collection containing over 100,000 images from 1840s through now. Photography is included among its permanent and temporary exhibits and what’s not on view can be researched at their archives.

GLOUCESTER PHOTOGRAPHY PRE, DURING AND POST FSA/OWI

There were many independent artists as well as staff photographers (local newspapers, businesses such as Gorton’s, etc.) working in photography here in Gloucester. Every decade has wonderful examples such as Herbert Turner, Alice Curtis (and other photographers that Fred Bodin features), and David Cox’s father, Frank L. Cox.

There were numerous visits from staff photographers of major publications like Life, Vogue, National Geographic, and more. Gordon Parks came back at least two more times; a few other celebrated staff photographers that came through include Luis Marden, Eliot Elisofon, Yale Joel, Co Rentmeester and Arthur Schatz.

No- photographic artists who also worked in photography is another long list, and would include Leonard Craske, Emil Gruppe, Philip Reisman, and many others.

Good Morning Gloucester features photography, that’s for sure.

-Catherine Ryan / all photos Library of Congress, FSA/OWI black and white photography collection

Local Artist Naomi Lee displays her work at Addison Gilbert Hospital Gallery from March 10th to 28th, 2014

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Retired art teacher Naomi Lee has rediscovered her love for the arts over the past few years through painting. Naomi was an art teacher for over 20 years, specializing in pottery. She took an unconventional approach to teaching by really giving her students the freedom to create their own individual pieces.

Naomi resides in Gloucester, MA. She finds her inspiration in the beauty that nature creates and the local nautical surroundings. She believes in the calm of the moon, the warmth of the sun, the strength of the wind and the power of the sea. Her work mostly consists of seascape paintings.

Naomi is a member of The Beverly Guild of Artists, The Salem Art Association, The Magnolia Art Association, and takes part in The Marblehead Festival of Arts. She also offers greeting cards and some prints of her paintings for sale. Naomi can be contacted at 781-710-1080.

By Jamie Panarello

Naomi’s painting’s and reproductions are on display at:

Addidson Gilbert Hospital

298 Washington St

Phone number(978) 283-4000

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Found on the Hard Drive

I found this photo of a Painting I did of Annisquam Light seen from Wingaersheek Beach. I donated it a couple of years a go to a St. Ann’s School Auction. It reminded me a little of a Beautiful photo Marty posted recently.
16″x20″ Oil on Canvas

Catherine Ryan on Gloucester, MA in landmark Farm Security Administration/Office of War Information (FSA/OWI) documentary photographs. Part 1

CROSS-COUNTRY CHRONICLE

Catherine Ryan on Gloucester, MA in landmark Farm Security Administration/Office of War Information (FSA/OWI) documentary photographs. Part 1

Hey, Joey,

Have a look at Gloucester from this important collection. First up—the Gordon Parks post. 1942.

FOBs may recognize some of the faces, names, places. You recently featured the ‘American Gothic’Wallflowers, by this super artist on GMG which reminded me of the road less traveled within this historic collection of photographs archived at the Library of Congress and the New York Public Library.

This post is Part 1 in a series on Gloucester images in this legendary FSA/OWI collection. If you are interested in the scope of any Gloucester material from this collection, we know that at least 4 of the FSA/OWI photographers came through Gloucester, MA. No surprise, each photographer took photo(s) of the Fisherman at the Wheel. They also show the impact of WWII. If you can id any of the Gloucesterpeople, please contact me. I’ve listed some known Gloucester names at the end of the post.

In 1934 during the Great Depression, Fortune magazine dispatched Margaret Bourke-White to cover the Dust Bowl. She sent additional images to the New Masses and the Nation.

In 1935, for one of its many New Deal programs, the US government sent photographers across the country on assignment. Initially their photographs were intended to illustrate the results of the country’s latest efforts to alleviate rural poverty.

Ultimately, they created a legendary photographic record of 1935-1945.

Here is a jaw-dropping list of established and future notables who Stryker hired for this incredible visual encyclopedia: Esther Bubley, John Collier, Walker Evans, Dorothea Lange, Russell Lee, GordonParks, Marion Post Walcott, Louise Rosskam, Arthur Rothstein, Ben Shahn, George Stoney, John Vachon, and Marion Post Walcott. Stryker also primed an extensive “orbit” of contacts and influence.

What is the FSA/OWI collection? (See explanation at the end of this post.)

American Photographer GORDON PARKS (1912-2006)

119 FSA/OWI photos for Gloucester, MA, May and June 1942

In 2012, the International Center of Photography in New York commemorated the centennial of GordonPark’s birth with a year-long installation featuring 50+ photos (one of the Gloucester ones was in there).

Gordon Parks believed the positive reaction he received for some of his early fashion images was his first break (Melva Louis, Joe Louis’ first wife). This support pushed him to set up a photography portrait business in Chicago. He also photographed out in the streets. He was inspired by Norman Alley’s bombing of Panay coverage (1937). FSA/OWI photographer Jack Delano saw his work and urged him to try to enter Stryker’s program via a Rosenwald fellowship. He was 30 when he was brought on board and thrilled to join this famous group. He was the first African American to be hired by Stryker. He worked there less than two years as the program ended. He followed Stryker into a commercial job. Gordon Parks was a man of dazzling talents. His FSA/OWI photos hint at his many future creative pursuits. This work though was rarely seen.
You can see Parks skilled portrait photographs: leaders of faith, presidents of universities, people working and at home, such as Mrs. Isabell Lopez of Gloucester, mother of 6 holding her grandchild.

There are celebrity portraits: Paul Robeson, Mrs. Roosevelt with Wang Yung, Langston Hughes, and Richard Wright. Portraits and fashion were his bread and butter back in Chicago, before landing a post with this famous group.

You can see Gordon Parks the social activist. From left to right: pushing for safer streets, e.g. protection for our kids (devastating streetcar accidents); Jim Crow train FLA; his famous ‘American Gothic’ portrait of Ella Watson who cleaned nights at the FSA government office in Washington, DC. Parks thought this image heavy handed; there is essentially what amounts to a still-photo mini documentary of Ella Watson at home, with her family and at work for more of her story.

Gordon Parks did 1 Gloucester protection/safety photograph, a dangerous crossing.

You can see Gordon Parks the fashion photographer. Welder on the left is Rosie the Riveter style; and on the right Mrs. Lopez’s daughter, at home Gloucester, MA. The still-lives are Duke Ellington’s colorful ties and one of Jay Thorpe’s Four Freedoms textiles.

You can see Gordon Parks the humanist: ordinary big moments with Girls Scouts at a memorial service,Gloucester, MA; New York state camps where kids and staff are made up of diverse backgrounds; AldenCaptain and crew are relaxed, easy company together while in New York.

You can glimpse Gordon Parks the musician/composer through the arts he selected to cover while on assignment for the FSA/OWI. Marian Anderson’s broadcast at a mural dedication commemorating her Lincoln Memorial concert. Duke Ellington and the Orchestra at the Hurricane Club Ballroom, in New York City, April 1943.

There are also photos of Ellington trying to hear his band; Betty Rocha singing with the Orchestra; and individual portraits of musicians Rex Stewart, Ray Nance, Juan Tizol, Sunny Greer, and Johnny Hodges. The caption for Hodges includes the song title played during his portrait session, “Don’t Get around Much Anymore.” Parks also photographed the Club staff and customers

You can see Gordon Parks the movie Director. Some of his FSA/OWI work looks ready for neorealist cinema. (Rome, Open City global 1946.) The image on the left features generations of the women of the Machado/Lopez family. The boys at the Leonard Craske Fisherman at the Wheel memorial are not identified (one close up).

The center mirror image reminds me of film school students and their emulation of Citizen Kane (1941) and other camera tricks. The image in the mirror is from one of Parks early assignments with the FSA. Mirrors and reflections tend toward symbolism anyhow. Parks is there photographing HowardUniversity. It feels like he snapped this on the sly when seen with the other ‘dailies’. It’s Thanksgiving Dinner and President of Howard University, Mordicai Johnson, is being served by an African American.

There’s scene shots: movie-scale streets and crowd shots teeming in NYC or downtown Gloucester. Gordon Parks filed 50+ pictures for the Nature of the Enemy show, the second exhibition of the “This is Our War” series of outdoor installations on the promenade of RockefellerCenter, May – July, 1943. ForGloucester, it’s Memorial Day services.

You can see GordonParks the photo journalist and author through the captions he wrote. For the Gloucester FSA/OWI photos there is a complete photo-journalism expose where he tracks a journey from sea to plate that begins in Gloucester and ends up in New York. The collaboration of GMG Gloucester photographers Kathy Chapman and Marty Luster Fish on Fridays series is such an interesting connection.

“The mackerel caught off the Gloucester coast ends up on the table of Mrs. Rose Carrendeno, NYC, for Friday’s supper. She prepared and served the fish that she bought earlier that day from Joseph DeMartino’s shop who buys his fish each morning from the Fulton Fish Market. She and her husband have three sons in the armed forces…She stops to chat with Mrs. DeMartino about the ration problems while Joseph DeMartino cleans the mackerel she has purchased.

“Fishermen’s families often make trips down from New England towns to be in New York when the ship arrives. The fishermen consider that nothing is too good for their families.”

Close up of Mrs. Carrendeno’s ingredients for FOB

What is the FSA/OWI collection?

President Franklin Delano Roosevelt selected a social economist from ColumbiaUniversity, Rexford Tugwell, as Undersecretary of Agriculture in 1934. One of Tugwell’s policy directives included new analysis of assistance for dislocated farmers. He enticed a protégé, economist Roy E. Stryker, to come with him toWashington to direct the Resettlement Administration’s Historical Section.

Stryker was the perfect hire, and successfully eked out the program from 1935-1942. He believed photography would be the key tool. At Columbia, he was a master at amassing visuals and presentations to illustrate economic topics. While a Professor, he insisted his students get out and survey what’s around them, walk “the field”, “see.”

The FSA/OWI photographers documented daily life, the effects of the Depression and WWII across the country, the problems our country was facing, Main Streets, landmarks, portraits, workers, communities and families. There is great range of intention, style, subject and theme across the collection.

Some of the FSA/OWI photographs received nearly instantaneous and phenomenal fame.

The reputation of this work was so respected, so known, that employment in this program would later open doors to grants and commercial jobs, and for several artists, launched long illustrious careers.

Stryker promoted and protected these artists and the work as the best art dealers do: fleshing out projects, orchestrating exhibits, doggedly getting their work out there to be seen, and placing it in print– whether for church pamphlets or major media publications, or into galleries and collections. When he moved back to the private sector, he hired them. Unlike the art created for some other WPA-era agencies that was lost or destroyed, Stryker and his team had the foresight to try to protect all of it for perpetuity. At the closure of this program, he sought approval from President Roosevelt to transfer the master collection to the Library of Congress (nearly 280,000 items) as part of our National Archives, which was granted. Throughout the program he shipped boxes of prints to the New York Public Library (41,000 items) so that there would be an additional repository if a safe haven in Washington, DC, did not come together. As a result there have been two outstanding collections to study and access. (Other collections and institutions have smaller holdings of vintage prints.)

The Library of Congress remains the primary source for use and research. Through the 1950s, one could check out vintage prints along with books at the NYPL. As with many collections, the same images were often requested over and over. The Library of Congress digitized their FSA/OWI collection in the late 1980s and has been deeply committed to ongoing technological updates. In 2005 the NYPL determined that 1000 photos in their collection were actually “new” discoveries; they put these on line in 2012.

There are over 270,000 items in the Library of Congress Farm Security Administration/Office of War Information (FSA/OWI) archives, all digitized. IF you haven’t seen these images in person, look for exhibitions of the true vintage prints. There are many iconic photographs. Some capture a gap between ideals and reality. They have been studied, published and featured many times over. As the Gloucester images show, the collection is not solely images of farmers, rural problems, and Western states.

-Catherine Ryan / – all photos Library of Congress, FSA/OWI black and white photography collection

To search Gordon Parks FSA/OWI photographs for Gloucester, type in key words

Fishermen on the ALDEN

  • Frank Mineo, owner/Captain of the ALDEN
  • Cannela, Vito
  • Camella, Vito
  • Coppola, Vito cook
  • Domingos, Frank
  • Favozza, Gaspar
  • Frusteri, Giacomo
  • Giocione, Vito
  • Maniscaleo, Pasquale (engineer)
  • Milietello, Antonio (oldest)
  • Parisi, Anthony
  • Parisi, Franasco
  • Tello, Dominic
  • Tiaro (or Tiano), Antonio
  • Scola, Lorenzo
  • One photo of the Catherine C

Gordon Pew Fisheries worker, Joseph Lopez and his family

  • Machado, Mary, 97 year old grandmother, grandmother 11 men in armed forces
  • Lopez, Isabell, (Mary Machado’s daughter)
  • Lopez, Joseph (Mary Machado’s son-in-law); They have 2 boys in the armed forces and 6 children all together
  • Vagos, Dorothy (daughter of Mr. and Mrs. Lopez; husband Macalo)
  • Vagos, Macalo (son-in-law)
  • Vagos, Dorothy Jr (infant, great grandchild)
  • Vagos, Irene (has 2 boys and lives with mom/dad)
  • Vagos, Francis (Irene’s son)

Search for Gloucester landmarks. There are two or three photos in Rockport: the Pewter Shop and the owner Mrs. Whitney

Check out Parsons Street public art on Google Earth

Cat Ryan Submits-

Hi Joey,

Matt Coogan, Senior Planner Gloucester Community Development, suggested that we have a look at the Parsons Street Mural on Google Earth

Pretty cool! Google Earth aerial view is fairly current, showing photograph from August 2013

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Google Earth street view is not current; but it shows a “before” view from March 2008, prior to I4C2 clean up

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Street view today

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After, Block Party photo sent in by GMG FOB Frank McCall from one a block party

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Central Street Gallery – This Saturday at 5:00 PM!

Central Street Gallery
currently on display at the gallery
 Touch the heart with art: A new show @ central
 
Please join us for chocolates, prosecco and wonderful artwork. 

Reception: Sat., February 8, 5-8pm 
Show starts Friday, February 7. 

Show runs through April 6. 

An exhibition of artwork by talented Manchester High School students will be featured at the gallery mid February. Click here for information. 

Alison Rowell | Gallery Director
Central Street Gallery
11 Central Street,Manchester-by-the-Sea
tel: 978 526-7650
www.centralstreetgallery.com

Kudos To David Brooks, Bex Borden The Staff and Kids At The Hive

If you don’t know by now that The Hive is just an incredible gift to our community and positive force than you just aren’t living breathing and opening your eyes enough to realize what positive juju is being pumped out there daily.

It’s a testament to Founder David Brooks, his staff and the teens that make the place hum.

http://thehivecenter.org/

Thank you for this gift.

Artist Spotlight Series – Sinikka Nogelo

spotlight_sinikka nogelo

Spotlight on Sinikka Nogelo

Gloucester painter Sinikka Nogelo considers herself lucky to work in a studio overlooking Joey C.’s business, Capt. Joe and Sons. “The view is just lovely. I enjoy seeing the activity on the working waterfront, knowing my friendly neighbors are doing so much for the community with Good Morning Gloucester, while supplying us with the freshest lobster, and also supporting the arts. A few years back at Joey’s, one of my favorite art installations featured larger than life, black and white photos of faces of the waterfront. “

Though Sinikka has been most well known locally for her work in community television, art has always played a major part in her life. After graduating from Tufts, she studied at Montserrat with Oliver Balf, Barbara Moody, George Gabin, Roger Martin and Ethan Berry. She also took classes at Silvermine Guild in Connecticut and at the BFA’s Museum School in Boston. As a young artist, she was a founding member of the women’s cooperative “Center and Main Gallery,” located in what is now Passports Restaurant. Sinikka returned to painting full time upon her retirement from Cape Ann TV in 2010.

A member of Rocky Neck Art Colony and the Cape Ann Artisans Studio tour, Sinikka paints contemporary pieces inspired by thoughts and feelings, sea and sky. “I just love color and composition. I get a great deal of satisfaction from the process of making art, just seeing where things will go, experimenting and building on what I’ve made.” In recent years Sinikka has also been creating wall pieces from recyclables and found objects, some of which were on display last summer at the Cape Ann Museum’s White-Ellery House in Sinikka’s installation, “Tin – Relics and Remakes.”

At the Rocky Neck Art Colony’s Holiday Art Festival Sinikka is offering miniature paintings on easels to grace spots such as desks, book shelves and counters, as well as miniature paintings to hang as ornaments. Her paintings have long been influenced by the sea and sky which she uses as subjects and as metaphors. Sinikka loves color and composition and putting that first stroke on a canvas.

You can see more of Sinikka’s work at the Rocky Neck Holiday Art & Fine Crafts Festival (Sat. & Sun. noon – 4:00pm through 12/29) and at the Magnolia Historical Society’s Art in the Schoolhouse Show (Sat. & Sun. 10:00am – 2:00pm through 12/22).

E.J. Lefavour

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